https://bruceephillips.com/writing daily 0.75 2024-11-02 https://bruceephillips.com/writing/curating-performance monthly 0.5 2024-11-02 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730552003756-65RSJKZY1K1M712G4HKP/IMG_5323.jpg Bruce E. Phillips Writing - Curating Performance/Curatorial Performativity https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730551976968-E9X8LX608KSNSVWYJMHF/IMG_5310.jpg Bruce E. Phillips Writing - Curating Performance/Curatorial Performativity https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730552053904-JHYET4OS4KNP73IEMHLN/IMG_5336.jpg Bruce E. Phillips Writing - Curating Performance/Curatorial Performativity https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730552007320-8EM7ELIA9TVUQRZ03YGX/IMG_5324.jpg Bruce E. Phillips Writing - Curating Performance/Curatorial Performativity https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730552027973-P11CBKFCJ9ZD24SB5DPA/IMG_5329.jpg Bruce E. Phillips Writing - Curating Performance/Curatorial Performativity https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730552032724-FLQNLJZ5JGDT25U24Q3L/IMG_5332.jpg Bruce E. Phillips Writing - Curating Performance/Curatorial Performativity https://bruceephillips.com/writing/relationship-tools monthly 0.5 2024-10-26 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/5cd588dc-77cb-43d3-ba4c-7f544d70ef07/IMG_4543.JPG Bruce E. Phillips Writing - Relationship Tools - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://bruceephillips.com/writing/thinking-out-loud monthly 0.5 2023-07-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/8eaa3b4e-1f31-40e5-b456-c04e6a373462/_DSF3933web.jpg Bruce E. Phillips Writing - Thinking out Loud with Bruce E. Phillips: On the development of Who can think, what can think at Te Tuhi - Make it stand out Simon Yuill, The Ableism of Networks, 2020–23, Installation view, wall work and poster, variable media and dimensions. Photo by Sam Hartnett, courtesy of Te Tuhi, Tāmaki Makaurau. https://bruceephillips.com/writing/somestruggles monthly 0.5 2023-07-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/ddbfce1f-54b9-46f4-98ec-a49fbc4ed68b/Bailee+Lobb+-+In+Bathing+Bask+sml.jpg Bruce E. Phillips Writing - Some struggles are invisible: Art, Neurodiversity, and Aotearoa - Make it stand out Bailee Lobb, Big Blue (2021). Hand dyed nylon, electric fan, variable dimensions. Interior view. Toi Pōneke Gallery, Wellington. Courtesy of the artist. https://bruceephillips.com/writing/documenta-fifteen-or-lumbung-one monthly 0.5 2022-09-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/81bd68e1-e870-4104-a562-ba2213eb0ebb/bruce_mas_arte_mas_accion_mama_doc_space_small.jpg.1080x719_q75_replace_alpha-%23fff_upscale.jpg Bruce E. Phillips Writing - documenta fifteen or lumbung one? - Make it stand out Más Arte Más Acción & Atelier Van Lieshout, MAMA Doc Space (2022), Photo: Bruce E. Phillips. https://bruceephillips.com/writing/moving-and-listening monthly 0.5 2022-02-09 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/e9be8ae5-45b5-4771-8c59-9e32d3127280/A+wardian+case-16.jpg Bruce E. Phillips Writing - Moving and listening in relation to trees and 'A Wardian Case' - Make it stand out Miranda Bellamy & Amanda Fauteux, A Wardian Case, 2021 Synchronised 4-channel 4K video, 13:38 (video still) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/37b6ea1c-a810-449b-8f63-15d0fe4bd2bc/A+wardian+case+17.jpg Bruce E. Phillips Writing - Moving and listening in relation to trees and 'A Wardian Case' - Make it stand out Miranda Bellamy & Amanda Fauteux, A Wardian Case, 2021 Synchronised 4-channel 4K video, 13:38 (video still) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/bb457417-d901-4a47-9135-de0bf31cca38/A+wardian+case+20.jpg Bruce E. Phillips Writing - Moving and listening in relation to trees and 'A Wardian Case' - Make it stand out Miranda Bellamy & Amanda Fauteux, A Wardian Case, 2021 Synchronised 4-channel 4K video, 13:38 (video still) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1631959363929-GOS9TIDFK12RBS3JT1PY/DSC6201.jpg Bruce E. Phillips Writing - Moving and listening in relation to trees and 'A Wardian Case' - Make it stand out Miranda Bellamy & Amanda Fauteux, A Wardian Case, 2021 Synchronised 4-channel 4K video, 13:38 (installation view) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/a02ceefb-24bc-4ac4-b0f2-17700e210aa7/01rata.01_57_20_17.Still007.jpg Bruce E. Phillips Writing - Moving and listening in relation to trees and 'A Wardian Case' - Make it stand out A young Tī kōuka (cabbage tree) featured in A Wardian Case (2021) by Miranda Bellamy & Amanda Fauteux. (video still) https://bruceephillips.com/writing/the-chronicle-of-the-archive-fever-dream-team monthly 0.5 2022-02-09 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1631962429076-180E6ZB3IYFOIBAE4TTF/Drain+Mag.png Bruce E. Phillips Writing - The chronicle of &lt;the archive fever dream team&gt; - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://bruceephillips.com/writing/considering-love monthly 0.5 2022-02-09 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1559796974915-TF2J05VKBK8N61HGMCQX/St+Paul+St+Symposium+2018 Bruce E. Phillips Writing - Considering Love&nbsp; https://bruceephillips.com/writing/artlife-divide monthly 0.5 2022-02-09 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551225820763-IKYTKATJT0W2BP7EWIZB/Across+the+art+life+divide_front+cover.jpg Bruce E. Phillips Writing - Across the Art/Life Divide https://bruceephillips.com/writing/haegue-yang monthly 0.5 2019-05-20 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551230825024-00MBKBDI7XPE3AUG6SZL/lrg-4921.jpg Bruce E. Phillips Writing - Haegue Yang’s labour of loneliness Haegue Yang, Lethal Love, 2008/2018, aluminium venetian blinds, powder-coated aluminium hanging structure, steel wire rope, self-adhesive mirror vinyl film, moving spotlights, scent emitters (Wildflower, Gunpowder), dimensions variable. Installation view ofTriple Vita Nestings, Govett-Brewster Art Gallery, New Plymouth, 2018–2019, courtesy of the artist and Govett-Brewster Art Gallery https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551230903856-9GF9HZ78XV3VT98YFK9H/lrg-4736.jpg Bruce E. Phillips Writing - Haegue Yang’s labour of loneliness Haegue Yang, VIP’s Union, 2018 (first created 2001), locally donated chairs and tables, dimensions variable. Installation view ofTriple Vita Nestings, Govett-Brewster Art Gallery, New Plymouth, 2018–2019, courtesy of the artist and Govett-Brewster Art Gallery https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551230844478-R3E6PXBL7F3YRXDRPLHM/lrg-4519.jpg Bruce E. Phillips Writing - Haegue Yang’s labour of loneliness Haegue Yang, Umbra Creatures by Rockhole, 2017–18 (including The Intermediate – Tinted Multi-Tentacled Serpent; The Intermediate – Tinted Bushy Bald-headed Bumpy Walks; and The Intermediate – Head Carrying Woman), mixed media, various dimensions; and, on right wall, Multiple Mourning Room, 2012, digital colour print in collaboration with Manuel Raeder, dimensions variable. Installation view ofTriple Vita Nestings, Govett-Brewster Art Gallery, New Plymouth, 2018–2019, courtesy of the artist and Govett-Brewster Art Gallery https://bruceephillips.com/writing/curating-sharecheatunite monthly 0.5 2022-09-27 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551214365656-SBY7QO5BUYREO2KPD5K3/web-1970.jpg Bruce E. Phillips Writing - Curating Share/Cheat/Unite Graphic design by Kalee Jackson. Exhibition design by Andrew Kennedy. Photo by Sam Hartnett. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551214366838-90H3OYIARPERNSBF8LZF/web-1972.jpg Bruce E. Phillips Writing - Curating Share/Cheat/Unite Graphic design by Kalee Jackson. Exhibition design by Andrew Kennedy. Photo by Sam Hartnett. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551214365352-TYM7P51ZA0FH0KOAL621/web-1962.jpg Bruce E. Phillips Writing - Curating Share/Cheat/Unite Graphic design by Kalee Jackson. Exhibition design by Andrew Kennedy. Photo by Sam Hartnett. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551214367782-O7UCAIC8JYYQ62JH6ADP/web-2042.jpg Bruce E. Phillips Writing - Curating Share/Cheat/Unite Graphic design by Kalee Jackson. Exhibition design by Andrew Kennedy. Photo by Sam Hartnett. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551214363999-I2NRTNXD63IZOUP9LKE9/web-1954.jpg Bruce E. Phillips Writing - Curating Share/Cheat/Unite Graphic design by Kalee Jackson. Exhibition design by Andrew Kennedy. Photo by Sam Hartnett. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551214362683-E8KGBIOLXE1VAAB4KI24/web-1946.jpg Bruce E. Phillips Writing - Curating Share/Cheat/Unite Graphic design by Kalee Jackson. Exhibition design by Andrew Kennedy. Photo by Sam Hartnett. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551214362719-7W8RRK3IBVANKESKNWTA/web-1948.jpg Bruce E. Phillips Writing - Curating Share/Cheat/Unite Graphic design by Kalee Jackson. Exhibition design by Andrew Kennedy. Photo by Sam Hartnett. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551219308326-NKBIWF2BGCPW471W7LBD/SCU+notice+board Bruce E. Phillips Writing - Curating Share/Cheat/Unite Graphic design by Kalee Jackson. Exhibition design by Andrew Kennedy. Photo by Sam Hartnett. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216577121-4LJEP1DML9FBJVP5IDY3/IMG_0973.jpeg Bruce E. Phillips Writing - Curating Share/Cheat/Unite - Gemma Banks Lola in Orb IP/SP, 2017 (installation view, The Physics Room) single channel video, 7:00 minutes; artist page work; street poster campaign located in the Christchurch Innovation Precinct, 3 September–8 October. Courtesy of the artist and The Physics Room photo by Daegan Wells https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216558735-0KFQUV3DR1NKILA8ZUBT/IMG_0963.jpeg Bruce E. Phillips Writing - Curating Share/Cheat/Unite - Gemma Banks Lola in Orb IP/SP, 2017 (installation view, The Physics Room) single channel video, 7:00 minutes; artist page work; street poster campaign located in the Christchurch Innovation Precinct, 3 September–8 October. Courtesy of the artist and The Physics Room photo by Daegan Wells. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216563949-BRCCX8178FJPD12AEGHH/IMG_0960.jpeg Bruce E. Phillips Writing - Curating Share/Cheat/Unite - Gemma Banks Lola in Orb IP/SP, 2017 (installation view, The Physics Room) single channel video, 7:00 minutes; artist page work; street poster campaign located in the Christchurch Innovation Precinct, 3 September–8 October. Courtesy of the artist and The Physics Room photo by Daegan Wells. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216597854-9C9SSFUYZUWP9NC1ADSX/IMG_0977.jpeg Bruce E. Phillips Writing - Curating Share/Cheat/Unite Share/Cheat/Unite installation view, The Physics Room, photo by Daegan Wells. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216423161-48BABVBMQIDT312RQPPM/IMG_0x877.jpeg Bruce E. Phillips Writing - Curating Share/Cheat/Unite Share/Cheat/Unite installation view, The Physics Room, photo by Daegan Wells. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216792261-XDDR3S8A0FS65ELP4TH8/IMG_1302+%28Jamie+Hanton%27s+conflicted+copy+2017-12-21%29.jpeg Bruce E. Phillips Writing - Curating Share/Cheat/Unite - CHIM POM Making the Sky of Hiroshima ‘PIKA!’, 2009 (installation view, The Physics Room) Single-channel video, 5:35 minutes courtesy of the artists, photo by Daegan Wells. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216853334-AYVJPSOH83BO3ES3T377/IMG_1314+%28Jamie+Hanton%27s+conflicted+copy+2017-12-21%29.jpeg Bruce E. Phillips Writing - Curating Share/Cheat/Unite - CHIM POM Untitled, 2009 paper, pencil, coloured pencil, 312 × 201 mm courtesy of the artists photo by Daegan Wells Why Can’t We Make the Sky of Hiroshima ‘PIKA!’?, 2009 artist publication courtesy of the artists photo by Daegan Wells https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216412999-J7QID3O23ETL1M8UCTGC/IMG_0860.jpeg Bruce E. Phillips Writing - Curating Share/Cheat/Unite Share/Cheat/Unite installation view, The Physics Room, photo by Daegan Wells. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216442718-E4R3GXC2TUIUZTPQ969U/IMG_0864.jpeg Bruce E. Phillips Writing - Curating Share/Cheat/Unite - Johnson Witehira Half-blood, 2016 (installation view, The Physics Room) two-channel playable artwork, courtesy of the artist photo by Daegan Wells. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216446430-X3529PZQHUKRN1LW5SS5/IMG_0869.jpeg Bruce E. Phillips Writing - Curating Share/Cheat/Unite - Johnson Witehira Half-blood, 2016 (installation view, The Physics Room) two-channel playable artwork, courtesy of the artist photo by Daegan Wells. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216487904-ARLEKAF755TJ8QIFIYQU/IMG_0872.jpeg Bruce E. Phillips Writing - Curating Share/Cheat/Unite - Johnson Witehira Half-blood, 2016 (installation view, The Physics Room) two-channel playable artwork, courtesy of the artist photo by Daegan Wells. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216532022-DIMAEBYNZ485RH9GH9KY/IMG_0920.jpeg Bruce E. Phillips Writing - Curating Share/Cheat/Unite - Yu-Cheng Chou A Working History Lu Chieh-Te, 2012 (installation view, The Physics Room) installation, pattern painted on wooden deck, 500 x 500 cm; booklet (Chinese and English), 13 x 21 cm, 210 pages, commissioned by Taipei Contemporary Centre in Taipei for the exhibition Trading Futures, 2012; commissioned by Te Tuhi in Auckland for the exhibition Share/Cheat/Unite, 2016, photo by Daegan Wells. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216539594-Q36QFIGV7JLMAQXC94CG/IMG_0929.jpeg Bruce E. Phillips Writing - Curating Share/Cheat/Unite - Yu-Cheng Chou A Working History Lu Chieh-Te, 2012 (installation view, The Physics Room) installation, pattern painted on wooden deck, 500 x 500 cm; booklet (Chinese and English), 13 x 21 cm, 210 pages, commissioned by Taipei Contemporary Centre in Taipei for the exhibition Trading Futures, 2012; commissioned by Te Tuhi in Auckland for the exhibition Share/Cheat/Unite, 2016, photo by Daegan Wells. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216500906-EITOQIAQNKQTQ4W2OJ8K/IMG_0900.jpeg Bruce E. Phillips Writing - Curating Share/Cheat/Unite - Sasha Huber Agassiz Down Under Poster, 2017 (install view, The Physics Room) The Physics Room, Christchurch take away poster #3, edition of 100, 42 x 60 cm courtesy of the artist and The Physics Room photo by Daegan Wells. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216627085-JQ8UT0H1WV7JY0EQ2RJ5/IMG_1280+%28Jamie+Hanton%27s+conflicted+copy+2017-12-21%29.jpeg Bruce E. Phillips Writing - Curating Share/Cheat/Unite - Sasha Huber KARAKIA: The Resetting Ceremony, 2015 (install view, The Physics Room) video, 5:20 minutes, featuring Jeff Mahuika (Kāti Māhaki, Kāi Tahu), courtesy of the artist, photo by Daegan Wells. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551214698365-2P5AXRE3F6U3Q4TYFVX4/IMG_7407.jpg Bruce E. Phillips Writing - Curating Share/Cheat/Unite Photo by Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551215648498-PYZUXITB8SC9QPZ54KAF/IMG_7411.jpg Bruce E. Phillips Writing - Curating Share/Cheat/Unite Photo by Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551214698980-WIAYL8AOW905CF27O6Z2/IMG_7408.jpg Bruce E. Phillips Writing - Curating Share/Cheat/Unite Photo by Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551214700217-74PR3GCCWD7M38MCO6PP/IMG_7409.jpg Bruce E. Phillips Writing - Curating Share/Cheat/Unite Photo by Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551215735233-W157Y6Z0TW91YKEWWBF1/IMG_7405.jpg Bruce E. Phillips Writing - Curating Share/Cheat/Unite Photo by Amy Weng https://bruceephillips.com/writing/whirling-and-looping monthly 0.5 2022-02-09 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1527853877604-OELSFQO8RBXIKCZ7JWR2/bc80c99a4bc629a204ed052131d6f024.jpg Bruce E. Phillips Writing - Whirling and Looping Ruth Watson, Unmapping the world, 2017. Single channel, looped HD video with sound projector, screen and loungers. 8:51 mins. Photo by Janneth Gil. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1527853748599-6IGTG642MO4J96BG0PV5/Ruth%2BWatson.jpg Bruce E. Phillips Writing - Whirling and Looping Ruth Watson, Geophagy, 2018 (detail). Installation with recycled pallets, second-hand clothing, monitors with 5-single channel, looped HD videos. https://bruceephillips.com/writing/watson monthly 0.5 2018-10-19 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539920017604-3TWEA0G92P1IA29KUPJK/Phillips_1.jpg Bruce E. Phillips Writing - Global flows in Ruth Watson's Geophagy Ruth Watson, Geophagy, 2017, recycled pallets, seceond-hand clothing, monitors with 5 single-channel HD videos. Installatioin view, Gus Fisher Gallery, University of Auckland. Photo: Sam Hartnett. Courtesy the artist https://bruceephillips.com/writing/no-common-ground monthly 0.5 2018-09-03 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1536013736084-JZJOG1J36DBVW2QFD46H/Symposium_3.jpg Bruce E. Phillips Writing - No Common Ground Ana Iti, Only Fools Are Lonely 2018, hand-cut and fired clay, cedar. Courtesy of the artist, with support from Whiti o Rehua School of Arts, College of Creative Arts, Massey University, Wellington https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1536013807575-KA8IC4O70KRK0WMN0N9U/Symposium_2.jpg Bruce E. Phillips Writing - No Common Ground Christina Barton with Billy Apple® at his Archive in Auckland, 2014. Photo: Mary Morrison https://bruceephillips.com/writing/east monthly 0.5 2018-11-11 https://bruceephillips.com/writing/space monthly 0.5 2018-06-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524275594968-O4HNNP9UFVPX7LEZQHKN/chamber_open_earth.jpg Bruce E. Phillips Writing - Sculptures in Space Details of one of four chambers that comprise the MoonArk geometric capsule. From top: Biodiversity disk designed by Mark Baskinger with Steve Tonor, Matt Zywica, Christie Chong, Deniz Sokullu, Maggie Banks, Natalie Harmon, Bettina Chou, Deborah Lee, Carolyn Zhou; an open chamber showing components. Photos: Mark Baskinger https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524275752692-L49UYJ3PE1F6Q7M6A0PV/130.jpg Bruce E. Phillips Writing - Sculptures in Space Trevor Paglen and Creative Time, The Last Pictures, 2012, silicon disk affixed to the exterior of EchoStar XVI satellite. Copyright Trevor Paglen. Courtesy of the artist, Creative Time. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524275266439-U5TFXVB5TEUA8W05L3Q2/diamond_in_orbit_3.jpg Bruce E. Phillips Writing - Sculptures in Space Trevor Paglen, Orbital Reflector, 2018, digital rendering. Copyright of the artist and Nevada Museum of Art https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524274487701-3KLR6YJKYTF5KZ4XTMDC/SpaceX Bruce E. Phillips Writing - Sculptures in Space Elon Musk’s Tesla Roadster, launched into orbit in the SpaceX Falcon Heavy rocket, February 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524275458684-3HPRKF6GA1B4AV3EU91C/Moon+Ark+1JPG Bruce E. Phillips Writing - Sculptures in Space https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524274621748-ILTHCWQZLA3CSL3Q51YB/Humanity+Star.jpg Bruce E. Phillips Writing - Sculptures in Space Humanity Star, the geodesic sphere satellite launched by Rocket Lab at Mahia Peninsula, New Zealand, 21 January 2018 https://bruceephillips.com/writing/animism monthly 0.5 2018-05-24 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1527159596692-75804BYUST0VBUCI34WP/figure_2.1._cassandra_barnett_full_colour.jpg Bruce E. Phillips Writing - Animism in Art and Performance Installation view of TERRI TE TAU’s Unwarranted and Unregistered, 2013, multimedia installation with music composed by Rob Thorne, dimensions variable, at “Unwarranted and Unregistered: Te Āhua o te Hau ki Te Papaioea,” The Mangere Arts Centre, Auckland, 2015. Courtesy the artist. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524818322041-Y60QXEXOWHGK1BLAF918/Cassils-Becoming+An+Image Bruce E. Phillips Writing - Animism in Art and Performance Cassils, Becoming An Image, 2013 (performance still no.3). C-print, 22x30 in. National Theatre Studio, SPILL Festival, London. Photo: Cassils with Manuel Vason. Courtesy of the artist and Ronald Feldman Fine Arts. https://bruceephillips.com/writing/toiart monthly 0.5 2018-05-17 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1526525005441-13CJ463FE2AY40RDRO34/Parekowhai_1.jpg Bruce E. Phillips Writing - Parekowhai: Détour | Pacific Sisters: He Toa Tāera Fashion Activists Michael Parekowhai, Détour, 2018, installation view; Michael Parekowhai, Constable Plum Bob, 2018, and Hoodwinked, 2018, fibreglass, automotive paint, with Colin McCahon, Northland Panels, 1958. Photo: Maarten Holl https://bruceephillips.com/writing/generation-exchange monthly 0.5 2019-02-26 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551222000150-B6N9POG14UGE9DOBAG6C/Darcell%2BGen%2BExchange%2BAKL.jpg Bruce E. Phillips Writing - Generation Exchange Darcell Apelu, Generation Exchange (Auckland), 2016 a walking tour from New Windsor Road to Mangere Lawn Cemetery, 6:00-9:00 am, 1 October 2016 photo by Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551222043004-TY9E29PSN3Z8ERDKS59Z/IMG_7651.jpg Bruce E. Phillips Writing - Generation Exchange Darcell Apelu, Generation Exchange (Auckland), 2016 a walking tour from New Windsor Road to Mangere Lawn Cemetery, 6:00-9:00 am, 1 October 2016 photo by Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551221953584-9XVQCW1VSFO3QC5YTCXT/Lowres%2BApelu%2BGE%2BPatea2.jpg Bruce E. Phillips Writing - Generation Exchange Darcell Apelu, Generation Exchange (Patea), 2016 a walking tour of Patea, 6:00-8:00 am, 24 September 2016, photo by Bruce E. Phillips. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551222079052-6SS883HE0VG5Q5EDSTZE/IMG_7703.jpg Bruce E. Phillips Writing - Generation Exchange Darcell Apelu, Generation Exchange (Auckland), 2016 a walking tour from New Windsor Road to Mangere Lawn Cemetery, 6:00-9:00 am, 1 October 2016 photo by Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551222143945-0KP3JPN1WQZT86M4QE9J/Lowres%2BApelu%2BGE%2BPatea4.jpg Bruce E. Phillips Writing - Generation Exchange Darcell Apelu, Generation Exchange (Patea), 2016 a walking tour of Patea, 6:00-8:00 am, 24 September 2016, photo by Bruce E. Phillips. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551221852223-22H8ZNSJL3LM8FNUKWUI/Lowres%2BApelu%2BGE%2BPatea3.jpg Bruce E. Phillips Writing - Generation Exchange Darcell Apelu, Generation Exchange (Patea), 2016 a walking tour of Patea, 6:00-8:00 am, 24 September 2016, photo Amy Weng. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551222115551-WPB37DPZ9IQ541OI40Y6/Lowres%2BApelu%2BGE%2BPAtea1.jpg Bruce E. Phillips Writing - Generation Exchange Darcell Apelu, Generation Exchange (Patea), 2016 a walking tour of Patea, 6:00-8:00 am, 24 September 2016, photo by Bruce E. Phillips. https://bruceephillips.com/writing/sharecheatuniteessay monthly 0.5 2019-02-26 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1523957488123-MRPUIOALVTTUE0TWVRCS/Inhabitant%2B1-2.jpg Bruce E. Phillips Writing - Share/Cheat/Unite Vaughn Sadie & Ntsoana Contemporary Dance Theatre, Inhabitant - Dolapdere, Istanbul,2011, (performance documentation). https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1523953828807-CO9UTMYTBWPVJE1LJ98W/JonathasdeAndrade Bruce E. Phillips Writing - Share/Cheat/Unite Jonathas de Andrade, O Levante, 2012-2013. Courtesy of Vermelho Gallery, Brazil. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1523183808542-WVE8OPVZRVOAIH470P8C/Lopez Bruce E. Phillips Writing - Share/Cheat/Unite Aníbal López (A-1 53167), Testimonio, 2012 (video still) video, color, sound, 43:39 min. Courtesy of Prometeo Gallery, Italy. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1523956288964-2OEKZHZ8IQQ02COQ91JU/Sasha_Huber.jpg Bruce E. Phillips Writing - Share/Cheat/Unite Sasha Huber, Karakia – the resetting ceremony, 2015 (video still), featuring Jeff Mahuika (Kāti Māhaki, Poutini Kāi Tahu). Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1523953625739-0LOYSNYS0FTT38D09OUZ/Patea Bruce E. Phillips Writing - Share/Cheat/Unite Darcell Apelu, Generation Exchange (Patea), 2016. A walking tour of Patea, 6:00-8:00 am, 24 September 2016. Commissioned by Te Tuhi, Auckland. Photo by Bruce E. Phillips. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1523956441034-G4527QS2BS7OX0TKJ7LK/Hu.jpg Bruce E. Phillips Writing - Share/Cheat/Unite Hu Xiangqian, Speech at the edge of the world, 2014 (video still) single channel HD video, 12:31 min. Courtesy of Long March Space, Beijing. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1523956612442-SFB3OXO1218HSRJFR4P0/Cheng.jpg Bruce E. Phillips Writing - Share/Cheat/Unite Yu-Cheng Chou, A Working History Lu Chieh-Te, 2012. Installation, booklet (Chinese & English), 13 x 21 cm, 210 pages, pattern painted on wooden deck, 500 x 500 cm. Commissioned by Taipei Contemporary Centre in Taipei for the exhibition Trading Futures, 2012. Commissioned by Te Tuhi in Auckland for the exhibition Share/Cheat/Unite, 2016. Photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1523953506931-F06CWY95ZX8U7M1IHC4H/Mark+Harvey Bruce E. Phillips Writing - Share/Cheat/Unite Mark Harvey, Turquoisation: For the coming storm, 2016. Instructional video and series of public interventions, filmed by Daniel Strang, performers: Sara Cowdell, Lisa Greenfield, Mark Harvey, Kristian Larsen, Ivan Mršić, Claire O'Neil, Adrian Smith, Val Smith and Chancy Rattanong. Commissioned by Te Tuhi, Auckland. Photo By Amy Weng. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1523956855186-BZJSNYDD28TM2F2LPL69/Kakokaranga.jpg Bruce E. Phillips Writing - Share/Cheat/Unite Ivan Mršić, Kakokarangaphonia Orchestra, 2016. A collaborative offsite performance, 12pm - 1pm, 15 October 2016, Karanga Plaza, Wynyard Quarter, Auckland. Commissioned by Te Tuhi, Auckland. Photo by Bruce E. Phillips https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1523953441307-CKA2DZXB3TJMX4D3XZQK/Sasha_Huber_Louiswho Bruce E. Phillips Writing - Share/Cheat/Unite Sasha Huber, Louis Who? What you should know about Louis Agassiz. Intervention, Praça Agassiz, Rio de Janeiro, 2010. Commissioned photography by: Calé, © Sasha Huber. Intervention, Praça Agassiz, Rio de Janeiro, 2010. Video, 3:50 min. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1523956969250-6M1GVVGS719KOCE329Q1/Vea%2BOne%2BKiosk.jpg Bruce E. Phillips Writing - Share/Cheat/Unite John Vea, One Kiosk Many Exchanges, 2016. In collaboration with Kaitiaki Taonga Taini Drummond and artists Valasi Leota-Seiuli, Sione Mafi, Newman Tumata and Jimmy Wulf. 12:00-1:00 pm, 8 October 2016. Emilia Maud Nixon Garden of Memories, 37 Uxbridge Road, Howick, Auckland. Photo Amy Weng. https://bruceephillips.com/writing/performancearcade monthly 0.5 2025-02-26 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1523183028289-2DCM6OSHYPCT4B2IBYCR/Performance+Arcade Bruce E. Phillips Writing - A Contextual Tightrope Lynn Lu, Haumapuhia Rising (2018). Photo by Virginia Kennard https://bruceephillips.com/writing/gavin-hipkins monthly 0.5 2018-02-20 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1516966655305-FAYN7KBJIEGI7OFWBJA3/gavinhipkins.jpg Bruce E. Phillips Writing - Gavin Hipkins: The Domain Installation View, Gavin Hipkins: The Domain. Photographer John Lake. https://bruceephillips.com/writing/michael-stevenson monthly 0.5 2018-01-26 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1516334843364-HLG7RBU24566073KP4MG/Serene_velocity.jpg Bruce E. Phillips Writing - Michael Stevenson: Serene Velocity In Practice, MC510/CS183 MICHAEL STEVENSON, Serene Velocity in Practice: MC510/CS183, 2017, mixed media, dimensions variable, commissioned by the Auckland Art Gallery Toi o Tāmaki, with commissioning partners Biennale of Sydney 2018 and Monash University Museum of Art, Melbourne. Courtesy Auckland Art Gallery Toi o Tāmaki. https://bruceephillips.com/writing/yonaleepublication monthly 0.5 2022-02-09 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512724364699-E7V12YNPTQTX3JZ81D5P/_43A1487web.jpg Bruce E. Phillips Writing - States of Entanglement in the Artwork of Yona Lee graphic design by Kalee Jackson photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512724350706-8MHWU4B1X303G1DEOYXV/_43A1489web.jpg Bruce E. Phillips Writing - States of Entanglement in the Artwork of Yona Lee graphic design by Kalee Jackson photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512724378743-RWU9MNN2PU9KCHUIUN3I/_43A1491web.jpg Bruce E. Phillips Writing - States of Entanglement in the Artwork of Yona Lee graphic design by Kalee Jackson photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512724530914-U4FMZT545UK1DHZ5DRA3/YonaLee.jpg Bruce E. Phillips Writing - States of Entanglement in the Artwork of Yona Lee - Yona Lee In Transit (Arrival), 2017 (install view) commissioned by Te Tuhi, Auckland, in association with Auckland Arts Festival photo by Sam Hartnett   https://bruceephillips.com/writing/dreams monthly 0.5 2017-12-06 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512168039112-6SM3VYIM6TFWICS6KNJW/Mata+Aho.jpg Bruce E. Phillips Writing - Dreams come from far-away places: Documenta 14 and Skulptur Projekte 2017 Mata Aho Collective, Kiko Moana, 2017. Polyethene tarpaulin and cotton thread, installation view, Hessisches Landesmuseum, Kassel, documenta 14. Photo by Michael Nast https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512168478432-XQKBB4SEXVIXF8GO5HAE/Huyghe.jpg Bruce E. Phillips Writing - Dreams come from far-away places: Documenta 14 and Skulptur Projekte 2017 Pierre Huyghe, After ALife Ahead, 2017. Concrete floor of ice rink, logic game, ammoniac, sand, clay, phreatic water, bacteria, algae, bees, chimera peacocks, aquarium, black switchable glass, Conus textile, GloFish, incubator, human cancer cells, genetic algorithm, augmented reality, automated ceiling structure and rain, installation views, Steinfurter Straße, Münster, Skulptur Project 2017. Photo by Bruce E. Phillips https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512167847309-HQCGA15Y96OSBO55QWKD/On+Water.jpg Bruce E. Phillips Writing - Dreams come from far-away places: Documenta 14 and Skulptur Projekte 2017 Ayse Erkmen, On Water, 2017. Ocean, cargo containers, steel beams, steel grates, Skulptur Projekte 2017, Münster. Photo by Bruce E. Phillips https://bruceephillips.com/writing/occulture monthly 0.5 2017-12-06 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510796613558-E9NEDZ9PHS7ALTOII4IO/Occulture_2.jpg Bruce E. Phillips Writing - Occulture: The Dark Arts Simon Cuming, Untitled, 2010. photograph and audio. Courtesy of the artist. https://bruceephillips.com/writing/the-tidal-rhythms monthly 0.5 2025-02-26 https://bruceephillips.com/writing/the-complexity-of-acting-out monthly 0.5 2025-02-26 https://bruceephillips.com/writing/common-ground monthly 0.5 2017-11-30 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510782777787-ZI1DCBH1N2MRYD1JFFDT/MurrayHewittimage.jpg Bruce E. Phillips Writing - Transformative Practice and Open Gestures Murray Hewitt, The Rising Gale, 2017 (video still) https://bruceephillips.com/writing/forget-about-the-symbolism-of-light monthly 0.5 2018-11-11 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1541910038702-YMDUNV1VV9LT01C4U8NX/IMG_1550.JPG Bruce E. Phillips Writing - Forget about the symbolism of light Mischa Kuball, Solidarity Grid, 2013-16. Photo by Bruce E. Phillips https://bruceephillips.com/writing/aotearoa-and-the-hive monthly 0.5 2018-04-17 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512079591954-O3NBEEEH1OOLJI0WAOMM/Monteith-Rena-Waihi.jpg Bruce E. Phillips Writing - Aotearoa and the Hive Alex Monteith, Rena Disaster, Waihi Beach 11 Jan 2012 Photo by Sarah Munro https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512080079903-YS1QGHYFFCOOQN3MS2KP/043A1481.jpg Bruce E. Phillips Writing - Aotearoa and the Hive Rangituhia Hollis, Oho Ake, 2016 (install view) 3 channel colour HD video, 6.2 channel audio, 10:08 mins looped commissioned by Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512079840290-QEM1G0CBBI5GFNIS9719/08-Support%2BStructures-2.jpg Bruce E. Phillips Writing - Aotearoa and the Hive Tim J. Veling, ‘Radio Shack’, Christchurch Boys High School, Kahu Road, 2011 C-type print, 762 x 940mm https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510825013947-0HZR7K8QL2UX48VFV90L/43A1215large+A4-0-2344-0-1652.jpg Bruce E. Phillips Writing - Aotearoa and the Hive photo by Sam Hartnett raphic design by Kalee Jackson https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510825015183-RH4LKDWM7FAZNBX7A7X6/43A1220large+A4-0-2344-0-1652.jpg Bruce E. Phillips Writing - Aotearoa and the Hive photo by Sam Hartnett raphic design by Kalee Jackson https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510825029934-KADWRZN64ELY786ITTNE/43A1228large+A4-0-2344-0-1652.jpg Bruce E. Phillips Writing - Aotearoa and the Hive photo by Sam Hartnett raphic design by Kalee Jackson https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510825031484-55HNZ0IMV84WXD71HOA6/43A1229large+A4-0-2344-0-1652.jpg Bruce E. Phillips Writing - Aotearoa and the Hive photo by Sam Hartnett raphic design by Kalee Jackson https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510825045835-XK2RHMYL1SIAL96P5OSE/43A1245large+A4-0-2344-0-1652.jpg Bruce E. Phillips Writing - Aotearoa and the Hive photo by Sam Hartnett raphic design by Kalee Jackson https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510825040586-15JMCBQM7U5H3G33ERIA/43A1232large+A4-0-2344-0-1652.jpg Bruce E. Phillips Writing - Aotearoa and the Hive photo by Sam Hartnett raphic design by Kalee Jackson https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510825042533-2FH2ZYVCKX7ED8BRKXND/43A1234large+A4-0-2344-0-1652.jpg Bruce E. Phillips Writing - Aotearoa and the Hive photo by Sam Hartnett raphic design by Kalee Jackson https://bruceephillips.com/writing/politics-of-sharing monthly 0.5 2017-11-30 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510783002674-F4SWOV0VNWLP2KRYB3ZL/Politics-of-sharing_3.jpg Bruce E. Phillips Writing - Politics of Sharing/On Collective Wisdom Daniel Maier-Reimer’s journey from Auckland to Christchurch, presented by Shannon Te Ao (Tēnei ao kawa nei, tēnei one kawa, tēnei ao kawa nei). Three archival pigment prints, framed., 2017. Photo: Sam Hartnett https://bruceephillips.com/writing/curating-dark-matter monthly 0.5 2017-11-30 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510821148868-48JM5D22G3GW1UCMCFFU/1686.jpeg Bruce E. Phillips Writing - Curating, Dark Matter and the Art World Conspiracy Riff Raff, Are we there yet?, video still, 2016. (Masks featuring: artist Simon Denny, curator and Serpentine artistic director Hans-Ulrich Obrist, art historian and Royal Academy of Art artistic director Tim Marlow). https://bruceephillips.com/writing/the-future monthly 0.5 2017-12-06 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512161459192-PVNJ4UBT5T9LP232DSSX/Justene+Williams.jpg Bruce E. Phillips Writing - The Future is Already Here: A Review of the 20th Biennale of Sydney Justene Williams with Sydney Chamber Opera, Reinvention of the Futurist (anti-)opera Victory over the sun, 2016, mixed-media installation. image courtesy of Biennale of Sydney. Photo: Document Photography. https://bruceephillips.com/writing/matthew-cowan-flowerbeard monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511947878225-5945XYGDEFFIRRV16QOX/Best%E2%80%93Wudewasa.jpg Bruce E. Phillips Writing - Matthew Cowan: Flowerbeard photo and publication design by Kalee Jackson https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511947881183-2COH057P5139098J1YY0/Best%E2%80%93Wudewasa2.jpg Bruce E. Phillips Writing - Matthew Cowan: Flowerbeard photo and publication design by Kalee Jackson https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511947882543-1JZRH14OMJDIFNR3EHE7/Best%E2%80%93Wudewasa3.jpg Bruce E. Phillips Writing - Matthew Cowan: Flowerbeard https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511947882812-K2G0PDHQVC78J6NIL243/Best%E2%80%93Wudewasa10.jpg Bruce E. Phillips Writing - Matthew Cowan: Flowerbeard photo and publication design by Kalee Jackson https://bruceephillips.com/writing/farewell monthly 0.5 2018-04-17 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511775984799-8GBKVPAAHCM7F8U8154H/IMG_0237.JPG Bruce E. Phillips Writing - Farewell is the song Time sings Toril Johannessen, Mean Time, 2011 Dutch train station clock re-programmed so that the pace is contingent on the current global internet activity. courtesy of the artist photo by Ian Powell https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511775745080-TT4SWW063BERFFVI84IB/set2-1%2Bcopy.jpg Bruce E. Phillips Writing - Farewell is the song Time sings Darcy Lange, A documentation of Bradford working life, 1974 (video still) courtesy of the Lange family; the Govettt-Brewster Art Gallery, New Plymouth; The New Zealand Film Archive, Wellington. Special thanks to Mercedes Vicente and Kelly McCosh. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511776220003-J9KDXUWXV4JIKRF12Y5X/_MG_9563-2.jpg Bruce E. Phillips Writing - Farewell is the song Time sings Tehching Hsieh, One Year Performance 1981-1982, (26 September 1981-26 September 1982) poster, statement, map, photographs and video, 32 min courtesy of the artist and Sean Kelly Gallery, New York photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511775407347-ZTNNS2S2VPI61H6CE54I/UNstuck%2Bin%2BTime%2B1.jpg Bruce E. Phillips Writing - Farewell is the song Time sings photo by Sam Hartnett raphic design by Kalee Jackson https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511775403260-6KXY7P103WB8L2C8WYVJ/IMG_2186-2.jpg Bruce E. Phillips Writing - Farewell is the song Time sings photo by Sam Hartnett raphic design by Kalee Jackson https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511775406336-6Z4KVNIZG4IXEBJXO0SX/UIT%2B3.jpg Bruce E. Phillips Writing - Farewell is the song Time sings photo by Sam Hartnett raphic design by Kalee Jackson https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511775405356-2L5W0QCWQX8QHFP9E35D/UIT%2B1.jpg Bruce E. Phillips Writing - Farewell is the song Time sings photo by Sam Hartnett raphic design by Kalee Jackson https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511775885470-6NJQFXCRK8JWLXFKW31Y/1-moment1.jpg Bruce E. Phillips Writing - Farewell is the song Time sings Nicolas Kozakis & Raoul Vaneigem, A moment of eternity in the passage of time, 2012 (video still) digital video, 5 minutes courtesy of the artists https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511776144655-JYIX863AUWG7QQ10MNN4/Otolith%2B1_14-2.jpg Bruce E. Phillips Writing - Farewell is the song Time sings The Otolith Group, Medium Earth, 2013 (video still) HD video, 41 minutes commissioned by RedCat, Los Angeles courtesy of the artists and LUX, London https://bruceephillips.com/writing/curating-unstuck-in-time monthly 0.5 2017-12-02 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512033229928-APROBPM1UTJ3NOLEWGOZ/Kosmaj+LR.jpg Bruce E. Phillips Writing - Curating Unstuck in Time Kate Woods, Kosmaj, 2014 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512033859171-UTBIEARM2NN1QTLE73NX/Luna+Park+Beating+the+Bounds+6.jpg Bruce E. Phillips Writing - Curating Unstuck in Time Matthew Cowan, The terminalia of funny-land, 2014 (performance still). Commissioned by Te Tuhi. photo by John Cowan https://bruceephillips.com/writing/life-set-aside monthly 0.5 2017-12-02 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510784297285-YH3O5IHF1D6BYKE6N382/Kalisolaite+Uhila.jpg Bruce E. Phillips Writing - Kalisolaite ’Uhila: Life Set Aside Kalisolaite 'Uhila, Mo'ui tukuhausia, 2012. Live performance. Photo by Bruce E. Phillips. https://bruceephillips.com/writing/the-sympathetic-agent monthly 0.5 2017-12-06 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512027034415-5629X6OLB9Z0G16BSGLM/Sierra Bruce E. Phillips Writing - The sympathetic agent Santiago Sierra, Remake of 'Group of persons facing the wall and person facing into a corner'. 2008.. Tate Modern, Turbine Hall, London UK. Courtesy of the artist. https://bruceephillips.com/writing/curators-response monthly 0.5 2017-12-06 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512086783926-FXXGS5UOUDB9S682IFPY/P1010197.jpeg Bruce E. Phillips Writing - Curator’s response: Kalisolaite ’Uhila’s Mo’ui Tukuhausia Kalisolaite Uhila, Mo‘ui Tukuhausia, 2012 (performance documentation of a two-week performance between 19 March–1 April 2012) photo by Bruce E. Phillips. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512086254897-WCW45PNFUNXZ59KRWKHA/Fiekaia.jpg Bruce E. Phillips Writing - Curator’s response: Kalisolaite ’Uhila’s Mo’ui Tukuhausia Kalisolaite 'Uhila, Mo‘ui Tukuhausia, 2012 (Fiekaia translates as 'hunger'. Performance documentation of a two-week performance between 19 March–1 April 2012) photo by Bruce E. Phillips. https://bruceephillips.com/writing/the-power-of-presence monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511945441803-LG6ZUC63GEEFB75ZJC5O/Public+Observations+Two.jpg Bruce E. Phillips Writing - The power of presence: a conversation with Jeremy Leatinu’u Jeremy Leatinu'u, Public Observations Two, 2010 (video still) https://bruceephillips.com/writing/a-voice-for-the-voiceless monthly 0.5 2017-12-06 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512023071752-9U7T6G4T9XRLQCLRLHZL/KUhila.jpeg Bruce E. Phillips Writing - A Voice for the voiceless Kalisolaite 'Uhila, Mo‘ui Tukuhausia, 2012 (performance documentation of a two-week performance between 19 March–1 April 2012) photo by Bruce E. Phillips https://bruceephillips.com/writing/popel monthly 0.5 2019-11-21 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512035638242-VPM6LWNCTWQ82T7IVST6/PopeL.jpg Bruce E. Phillips Writing - All the characters are real including you William Pope.L, The Long White Cloud, 2013 (video still) Commissioned by Te Tuhi https://bruceephillips.com/writing/an-unresolved-tension monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511946605972-5YZSA65ZSP9ELMEWNEVC/LWT1.jpg Bruce E. Phillips Writing - An Unresolved Tension Luke Willis Thompson (Documentation of the garage doors in Manurewa, photograph by Caroline Boreham) https://bruceephillips.com/writing/destroyed-word monthly 0.5 2017-12-06 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512037143933-8IDTPHLY5TU0GCSBVT2U/Santiago+-+festival+sequence3.jpg Bruce E. Phillips Writing - Santiago Sierra, Destroyed Word: The Letter A Santiago Sierra, Destroyed Word, 2010–2012 (film stills showing the letter ‘A’, New Zealand, 2012). HD video, 24:08 mins, 200 litres of milk, 500 rounds of ammunition, plasterboard. Commissioned and produced by Te Tuhi. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512037821838-LN374AAFCXGT1NNPK6YV/Santiago+Sierra+Destroyed+Word2.jpg Bruce E. Phillips Writing - Santiago Sierra, Destroyed Word: The Letter A Production images of the letter A in Destroyed Word, lmed at an undisclosed location in New Zealand. Photos by Bruce E. Phillips. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512036420796-XHMPHWXJH9FAF2US4MBV/Santiago+Sierra+Destroyed+Word.jpg Bruce E. Phillips Writing - Santiago Sierra, Destroyed Word: The Letter A Test shoot with .45 Magnum revolver pistol, May 2012. Photo by James McCarthy. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512037695462-UTCFQ77WQ75MGMHG7N5W/SS.jpeg Bruce E. Phillips Writing - Santiago Sierra, Destroyed Word: The Letter A https://bruceephillips.com/writing/territory-and-mobility monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511940474491-K9G31EVZEOL5UNA8JY88/tightrope-video-still-2011.jpg Bruce E. Phillips Writing - Territory and Mobility in Tāmaki Makaurau Jeremy Leatinu'u, Tight Rope, 2011 (video still). https://bruceephillips.com/writing/the-work-of-life monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511942498751-NLIMCSWVA7XZ0AGYFNGO/Pigs_in_they_yard.jpg Bruce E. Phillips Writing - The work of life Kalisolaite "Uhila, Pigs in the Yard, 2011 The Performance Arcade, Aotea Square, Auckland (Photo courtesy: Sam Trubridge) https://bruceephillips.com/writing/floating-ideas monthly 0.5 2017-12-02 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511944528602-F5IZ6YF00951DAH05PZV/_MG_1194-Edit.jpg Bruce E. Phillips Writing - Floating ideas for falling cities Gregor Kregar, Dream House Project, 2012. Photo by Sam Hartnett. Commissioned by Te Tuhi, Auckland. https://bruceephillips.com/writing/discussing-moui-tukuhausia monthly 0.5 2017-12-02 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512030559637-843LBMSQV91K0SXGGC4L/Uhila.jpeg Bruce E. Phillips Writing - Discussing Mo‘ui tukuhausia Kalisolaite Uhila, Mo‘ui Tukuhausia, 2012 (performance documentation of a two-week performance between 19 March–1 April 2012) photo by Bruce E. Phillips https://bruceephillips.com/writing/a-white-man monthly 0.5 2017-12-02 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512029558877-T4HCUFMOVDKL4VJ5ORUF/tom.jpg Bruce E. Phillips Writing - A white man listens to himself Tom Johnson, What a black man feels like, 2004 (video still) video, 29 min, 4:3, colour https://bruceephillips.com/writing/tania-bruguera monthly 0.5 2017-12-06 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694530419-89M4LAD0Q5U5C1OMQ1N3/DSC03240.JPG Bruce E. Phillips Writing - Tania Bruguera: In Line for Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694531016-PZ2EHCTT82TOFPW2SDTQ/DSC03241.JPG Bruce E. Phillips Writing - Tania Bruguera: In Line for Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694563268-JAYUCAR30G1KCLMT6OZB/DSC03243.JPG Bruce E. Phillips Writing - Tania Bruguera: In Line for Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694619487-9ANMCY57GA3G3OUUWDK7/DSC03246.JPG Bruce E. Phillips Writing - Tania Bruguera: In Line for Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694655538-6HHYEZ4VLZMP64W3B5MX/DSC03248.JPG Bruce E. Phillips Writing - Tania Bruguera: In Line for Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694654934-BGK5WZHKLYGLVWJEFR7A/DSC03249.JPG Bruce E. Phillips Writing - Tania Bruguera: In Line for Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694686037-8BEHIIB7BOVJJD4UZKH4/DSC03251.JPG Bruce E. Phillips Writing - Tania Bruguera: In Line for Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694702373-4NP39R13EPBTUABX94RP/DSC03252.JPG Bruce E. Phillips Writing - Tania Bruguera: In Line for Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694614505-4DASYX5KGML3IWH4O5DF/DSC03246.JPG Bruce E. Phillips Writing - Tania Bruguera: In Line for Close Encounters https://bruceephillips.com/writing/curating-close-encounters monthly 0.5 2017-12-02 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098288992-KFUVNL07TG01GCHX2BPG/Litvin_9210.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098291094-GAVUY1TO39TFARYFLCZ0/Litvin_9216.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098291348-2SX08G0S5PBD422A9D4Y/Litvin_9221.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098292384-YHK6H3OYK7S5EVMZK9DQ/Litvin_9224.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098292744-68TUKMP24A40D5PYXG06/Litvin_9230.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098294464-97WZNRWKZ0M27G5MCRRV/Litvin_9235.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098295072-IG1W6JSPFN8QKUJ44HMO/Litvin_9242.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098296637-PEAN8Z79GLUHNJ841AUM/Litvin_9251.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098296943-8U188ER54I52LGXHZGWG/Litvin_9252.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098298040-VRF57634N11344M08S76/Litvin_9257.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098299286-L1I96YP0GS2IB96FJUT7/Litvin_9262.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098299918-T5EPCOXAD881Z6F6O9ZJ/Litvin_9269.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098301328-LECUYN1L6I3DDWKSX07Z/Litvin_9272.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098302558-P44S1T4R67P0MRP8Z65U/Litvin_9275.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098303179-7K4BWI9G4QYMWHX0MQNR/Litvin_9282.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098304296-SCYBZ80F4F7WYMMLPNH1/Litvin_9286.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098306713-PISMS17FTW62RF2VVI7A/Litvin_9296.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098305746-4H2NNQVT5IH3VS8JPXRQ/Litvin_9298.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098306760-SJEXX52GLJE51ZYJAEBV/Litvin_9305.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098308168-UZOU1ATJHR9GUZNL9VES/Litvin_9310.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098308547-31OBD9URSEUQGXLE3SN9/Litvin_9314.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098310141-HZ61JYZ0SPJDBV9R4TXG/Litvin_9319.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098310405-BF6T6T4XC7IQ2SBQQ4AN/Litvin_9320.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098311523-EGVZ5HMWFP047NZ4MLWK/Litvin_9321.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098312552-0SMB0ND8FFHCYQCK1QXX/Litvin_9322.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098312839-GX24ZI7ZQXAAC7N7LB5K/Litvin_9323.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098314652-89SNHDD9NIS4M8Z4VZJS/Litvin_9325.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098314669-PGZ2LGQWO4UFBRB8PKLH/Litvin_9328.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098317119-PYPXIGGJZQTWP5QXNPMO/Litvin_9332.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098317896-YRCHLDQSD311T3V1RFDU/Litvin_9334.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098324688-POSLG9JRRK258HJDUGFB/Litvin_9339.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098325086-S9D6O9Y8Z3OEGEUXFJJC/Litvin_9352.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098327149-17Z45NPI021JPX4P83B6/Litvin_9356.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098327557-LHVXCXTHFPWXYR7WV2ZY/Litvin_9357.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098328364-IYN5RT4MR8W9IBEJ26NT/Litvin_9360.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098330272-XRFK5GFSJLX27IP4NIA0/Litvin_9362.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098330523-LBS18IY99HOZNPPFJQA9/Litvin_9365.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098333413-PQUCBSK521ZECTEY0RFN/Litvin_9368.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098334632-TUHFTGDGIJWSDWPGGSGH/Litvin_9370.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098335231-CQDSSOCR393CB6Y48GJ5/Litvin_9371.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098336879-0M1CKMW15BGPJZXIXC4K/Litvin_9378.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098339747-Z4FDJ7J3YLGPKBPJ7VO7/Litvin_9386.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098340041-5WDUEX34A59RVEF73ZGB/Litvin_9388.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098341372-3YM4TIC8FSQ862OE6AUG/Litvin_9403.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098341678-2QCL2873N0G18ASFKPXE/Litvin_9404.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098343215-XO5JAO8LQAYJ5M4B8BP5/Litvin_9411.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098343236-LTU7ZMJKI59SZKVL0EQW/Litvin_9416.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098347210-6Z2WFGRL7X5FRGVCFCMO/Litvin_9418.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098347825-RG0RBK5R5XC9KVK2VEXO/Litvin_9421.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098348860-WS2NZ86VNMNB6HQHX66R/Litvin_9428.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098351714-5HETOOBFU873CL78O9OP/Litvin_9429.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098352133-8LVRWZHVYVN9Q9NJM3V8/Litvin_9431.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098355618-QGZ7WSKZCEKPCMBZBGA7/Litvin_9434.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098356012-IU76Z1UWDMGIIYBKYJL9/Litvin_9437.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098270287-5FC5JUHUYJ5E5GY8POEW/Litvin_0008.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098270016-QAEQ1418CH74F1G8NEZQ/Litvin_0005.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098271595-70RTAX06ZHQ01IHD7WSJ/Litvin_0018.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098273426-IZ35XNQ97IF2W6PPPAT7/Litvin_0022.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098276157-OLXM6DPZ7B8HCFSEW8NF/Litvin_0037.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098276687-X8JCIE8BI3FWZV3XAOIQ/Litvin_0038.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098271068-QPZR6RK6YIPXG23TIJUY/Litvin_0014.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098277450-PU0TSZHX61EZCAH2CBXB/Litvin_0040.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098278829-PKIWR30KR1WRLK0A0YPX/Litvin_0042.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098280453-6XZH7WH67ZI0S3LSN71X/Litvin_0047.jpg Bruce E. Phillips Writing - Curating Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512098281008-HL88LAY1ZAY2LG18FU1P/Litvin_0049.jpg Bruce E. 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Phillips Curating - The chronicle of &lt;a new love order&gt; - Simon Endres (Ngāpuhi) First-person (hard-boiled), 2024 Sculpture, installation view Photo by Ted Whitaker https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718965805332-JLZQPQPZJ2XYYJ425ASK/TCO__A-NEW-LOVE-ORDER__TW-28.jpg Bruce E. Phillips Curating - The chronicle of &lt;a new love order&gt; - Simon Endres (Ngāpuhi) First-person (hard-boiled), 2024 Sculpture, installation view Photo by Ted Whitaker https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718965807290-RN58JWOSLBC2FTU76TLO/TCO__A-NEW-LOVE-ORDER__TW-30.jpg Bruce E. Phillips Curating - The chronicle of &lt;a new love order&gt; - Simon Endres (Ngāpuhi) First-person (hard-boiled), 2024 Sculpture, installation view Photo by Ted Whitaker https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718965809203-KGEQDL9F1MROHL8BLBEC/TCO__A-NEW-LOVE-ORDER__TW-31.jpg Bruce E. Phillips Curating - The chronicle of &lt;a new love order&gt; - Simon Endres (Ngāpuhi) First-person (hard-boiled), 2024 Sculpture, installation view Photo by Ted Whitaker https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718965809970-ETU5H2JBZJBBD07A3OHJ/TCO__A-NEW-LOVE-ORDER__TW-32.jpg Bruce E. Phillips Curating - The chronicle of &lt;a new love order&gt; - Simon Endres (Ngāpuhi) First-person (hard-boiled), 2024 Sculpture, installation view Photo by Ted Whitaker https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718965810781-GZSUAFUENBVNOFV5YN7O/TCO__A-NEW-LOVE-ORDER__TW-33.jpg Bruce E. Phillips Curating - The chronicle of &lt;a new love order&gt; - Simon Endres (Ngāpuhi) First-person (hard-boiled), 2024 Sculpture, installation view Photo by Ted Whitaker https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718965811499-QN6Y0NPBRPIGJ8F8IXGG/TCO__A-NEW-LOVE-ORDER__TW-34.jpg Bruce E. Phillips Curating - The chronicle of &lt;a new love order&gt; - Simon Endres (Ngāpuhi) First-person (hard-boiled), 2024 Sculpture, installation view Photo by Ted Whitaker https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718965812802-ZR7AFIKC0VOCVZ0465HI/TCO__A-NEW-LOVE-ORDER__TW-35.jpg Bruce E. Phillips Curating - The chronicle of &lt;a new love order&gt; - Simon Endres (Ngāpuhi) First-person (hard-boiled), 2024 Sculpture, installation view Photo by Ted Whitaker https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718965814497-33UJYY7FTO4Q37V19XZW/TCO__A-NEW-LOVE-ORDER__TW-37.jpg Bruce E. Phillips Curating - The chronicle of &lt;a new love order&gt; - Erica Sklenars Do you believe?, 2024 Interactive web-based artwork. Photo by Ted Whitaker https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718965815927-NB2QFPCSHZ51XKMGP8JB/TCO__A-NEW-LOVE-ORDER__TW-39.jpg Bruce E. Phillips Curating - The chronicle of &lt;a new love order&gt; - Erica Sklenars Do you believe?, 2024 Interactive web-based artwork. Photo by Ted Whitaker https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718965818139-G0VICYOXHCPC07FMXBMJ/TCO__A-NEW-LOVE-ORDER__TW-42.jpg Bruce E. Phillips Curating - The chronicle of &lt;a new love order&gt; - Shannon Novak What would our children look like?, 2023 Photographic print, 472 × 900 mm. Photo by Ted Whitaker https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718965819430-TZ3OI0EOXWQWG3S91YUK/TCO__A-NEW-LOVE-ORDER__TW-43.jpg Bruce E. Phillips Curating - The chronicle of &lt;a new love order&gt; - Miranda Bellamy and Amanda Fauteux A Wardian Case, 2021-2024 4-channel augmented reality video installation (13:38 minutes), kauri, rimu. Photo by Ted Whitaker https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718965823440-1J18GQUBB1LY2J3KLDRW/TCO__A-NEW-LOVE-ORDER__TW-48.jpg Bruce E. Phillips Curating - The chronicle of &lt;a new love order&gt; - Miranda Bellamy and Amanda Fauteux A Wardian Case, 2021-2024 4-channel augmented reality video installation (13:38 minutes), kauri, rimu. Photo by Ted Whitaker https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718965821702-ZVXELWK4DA9QLDU77UCL/TCO__A-NEW-LOVE-ORDER__TW-45.jpg Bruce E. Phillips Curating - The chronicle of &lt;a new love order&gt; - Miranda Bellamy and Amanda Fauteux A Wardian Case, 2021-2024 4-channel augmented reality video installation (13:38 minutes), kauri, rimu. Photo by Ted Whitaker https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718967039369-3PD5BZSW8IBT2YA1QM1L/IMG_5539.jpg Bruce E. Phillips Curating - The chronicle of &lt;a new love order&gt; - Miranda Bellamy and Amanda Fauteux A Wardian Case, 2021-2024 4-channel augmented reality video installation (13:38 minutes), kauri, rimu. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718967041058-F064NU90SB7UPB1QYI0A/IMG_5542.jpg Bruce E. Phillips Curating - The chronicle of &lt;a new love order&gt; - Miranda Bellamy and Amanda Fauteux A Wardian Case, 2021-2024 4-channel augmented reality video installation (13:38 minutes), kauri, rimu. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718966908005-MQ2V4B2SYLRX06COO0SC/Miranda+Bellamy+%26+Amanda+Fauteux%2C+A+Wardian+Case%2C+augmented+reality+and+video%2C+kauri+and+rimu+13min38sec%2C+2021-2024_2.jpeg Bruce E. Phillips Curating - The chronicle of &lt;a new love order&gt; - Miranda Bellamy and Amanda Fauteux A Wardian Case, 2021-2024 4-channel augmented reality video installation (13:38 minutes), kauri, rimu. VR view https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718966908971-PNDPWWS5RA7MGKB47VSG/Miranda+Bellamy+%26+Amanda+Fauteux%2C+A+Wardian+Case%2C+augmented+reality+and+video%2C+kauri+and+rimu+13min38sec%2C+2021-2024_5.jpeg Bruce E. Phillips Curating - The chronicle of &lt;a new love order&gt; - Miranda Bellamy and Amanda Fauteux A Wardian Case, 2021-2024 4-channel augmented reality video installation (13:38 minutes), kauri, rimu. VR view https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718966910587-SOQXXVNHTOPTFTEQRQ3U/Miranda+Bellamy+%26+Amanda+Fauteux%2C+A+Wardian+Case%2C+augmented+reality+and+video%2C+kauri+and+rimu+13min38sec%2C+2021-2024_11.jpeg Bruce E. Phillips Curating - The chronicle of &lt;a new love order&gt; - Miranda Bellamy and Amanda Fauteux A Wardian Case, 2021-2024 4-channel augmented reality video installation (13:38 minutes), kauri, rimu. VR view https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718966911835-M58RBNL8XIBVAGT38NK5/Miranda+Bellamy+%26+Amanda+Fauteux%2C+A+Wardian+Case%2C+augmented+reality+and+video%2C+kauri+and+rimu+13min38sec%2C+2021-2024_13.jpeg Bruce E. Phillips Curating - The chronicle of &lt;a new love order&gt; - Miranda Bellamy and Amanda Fauteux A Wardian Case, 2021-2024 4-channel augmented reality video installation (13:38 minutes), kauri, rimu. VR view https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718964104560-FCUW8M2SIBM6GPIIVKQZ/TCO__A-NEW-LOVE-ORDER__TW-05.jpg Bruce E. Phillips Curating - The chronicle of &lt;a new love order&gt; - Simon Endres (Ngāpuhi) First-person (hard-boiled), 2024 Sculpture, installation view. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718964105492-M4UTDIDRRVSKWWM6N7VA/TCO__A-NEW-LOVE-ORDER__TW-14.jpg Bruce E. Phillips Curating - The chronicle of &lt;a new love order&gt; https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718964106946-5N991EC9MCGQKKL3PX89/TCO__A-NEW-LOVE-ORDER__TW-19.jpg Bruce E. Phillips Curating - The chronicle of &lt;a new love order&gt; - Simon Endres (Ngāpuhi) First-person (hard-boiled), 2024 Sculpture, installation view. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718964107076-COEKW9NOG9UH0U6JPZWZ/TCO__A-NEW-LOVE-ORDER__TW-37.jpg Bruce E. Phillips Curating - The chronicle of &lt;a new love order&gt; - Erica Sklenars Do you believe?, 2024 Interactive web-based artwork. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718967655199-CN0QLE4OJZE41G0VGO00/Erica+Sklenars+01+sm+b.jpg Bruce E. Phillips Curating - The chronicle of &lt;a new love order&gt; - Erica Sklenars Do you believe?, 2024 Interactive web-based artwork. Web browser still. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718964108617-TBT5J938CIJN4EN91U1Z/TCO__A-NEW-LOVE-ORDER__TW-42.jpg Bruce E. Phillips Curating - The chronicle of &lt;a new love order&gt; - Shannon Novak What would our children look like?, 2023 Photographic print, 472 × 900 mm. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718964108676-6W5R8ZZWHMKICZS1MBYS/TCO__A-NEW-LOVE-ORDER__TW-44.jpg Bruce E. Phillips Curating - The chronicle of &lt;a new love order&gt; - Miranda Bellamy and Amanda Fauteux A Wardian Case, 2021-2024 4-channel augmented reality video installation (13:38 minutes), kauri, rimu. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718967629189-TS30SN66JJAB2YJO2KC1/IMG_5542.jpg Bruce E. Phillips Curating - The chronicle of &lt;a new love order&gt; - Miranda Bellamy and Amanda Fauteux A Wardian Case, 2021-2024 4-channel augmented reality video installation (13:38 minutes), kauri, rimu. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718967682368-M87LVJXDJMGK5SVWZYZF/Miranda+Bellamy+%26+Amanda+Fauteux%2C+A+Wardian+Case%2C+augmented+reality+and+video%2C+kauri+and+rimu+13min38sec%2C+2021-2024_11.jpeg Bruce E. Phillips Curating - The chronicle of &lt;a new love order&gt; - Miranda Bellamy and Amanda Fauteux A Wardian Case, 2021-2024 4-channel augmented reality video installation (13:38 minutes), kauri, rimu. VR view https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718964111053-FKD1G1EIBPU8G7RE2VDY/TCO__A-NEW-LOVE-ORDER__TW-59.jpg Bruce E. Phillips Curating - The chronicle of &lt;a new love order&gt; - Kat Lang P2Polyphon, 2024 Live AV installation. https://bruceephillips.com/curating/who-can-think-what-can-think monthly 0.5 2024-06-21 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683553283123-QGM9C17KMYHR5833O40W/_DSF3751web.jpg Bruce E. Phillips Curating - Who can think, what can think - Prue Stevenson Bio-Neuroambiguous (series), 2018 (Install view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683553290303-JZPA55C4RC02PWF5KO8I/_DSF3932web.jpg Bruce E. Phillips Curating - Who can think, what can think - Simon Yuill The Ableism of Networks, 2020–23 Wall work and poster (install view) Viable media and dimensions photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683553292361-JIP95Q5ZXGFVJB9HEKFV/_DSF3985web.jpg Bruce E. Phillips Curating - Who can think, what can think - Bailee Lobb Orange Cathedral, 2021, 2021 (detail) hand-dyed nylon, mixed plastic, magnets, electrical fan, polyester approx. 2000 x 4000 x 1800mm photo by Sam Harnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683553287431-VG84XTPS36GCU9MFJZHT/_DSF3927web.jpg Bruce E. Phillips Curating - Who can think, what can think - The chronicle of The chronicle of <cognition>, 2022– Series of events, online contributions and vinyl wall work. Variable media, durations and dimensions. Photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683553392877-G1XDOYMX8F71R8JPXDZ8/_DSF3816web.jpg Bruce E. Phillips Curating - Who can think, what can think - Neuk Collective Quiet Space, 2023 (installation view) designed by Robyn Benson commissioned by Te Tuhi, Tāmaki Makaurau Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683554213570-KO2UCHPK6HKZAOKQ49AV/_DSF3798web.jpg Bruce E. Phillips Curating - Who can think, what can think - Neuk Collective Double Empathy Theory in the Quiet Space, 2023 written and designed by Tzipporah Johnston digital print Quiet Space designed by Robyn Benson commissioned by Te Tuhi, Tāmaki Makaurau Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683553284007-6Z1NVQ4Q6T25FQIZSSCH/_DSF3828web.jpg Bruce E. Phillips Curating - Who can think, what can think - Jae Hoon Lee Roots, 2006 Digital print 11.2 x 2.9m photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683553339283-QNNUQ8NSP9W6PFKWIHOM/_DSF3790web.jpg Bruce E. Phillips Curating - Who can think, what can think access wall in Who can think, what can think, 2023 (installation view). Photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683553535727-PE1FW99QHSFAUYXQQAEK/_DSF3888web.jpg Bruce E. Phillips Curating - Who can think, what can think - Martin Awa Clarke Langdon (Kāi Tahu, Waikato-Tainui, Ngāti Whāwhākia, Ngāti Hikairo) Tohutō (macrons), 2018-23 Leather, nails, performance Variable dimensions and duration photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683553557660-DNHQ5NSEUKXAVZNCOY99/_DSF3979web.jpg Bruce E. Phillips Curating - Who can think, what can think - Kite (Oglála Lakȟóta) &amp; Devin Ronneberg (Hawaiian, Okinawan) Fever Dream, 2021 video and sound, GPT-2 AI generated text, custom-built screen variable duration and dimensions photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683553726007-NBU94FIL1E3QC8EQ3AYP/_DSF3886web.jpg Bruce E. Phillips Curating - Who can think, what can think Who can think, what can think, 2023 (installation view) curated by Bruce E. Phillips photo by Sam Hartnett. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683553764986-NQ6H3TU06D28W3JTR72V/StefanKaegi_TempleDuPresent_Gimel_201107_157_1920px_%C2%A9%2BPhilippe%2BWeissbrodt.jpg Bruce E. Phillips Curating - Who can think, what can think - Stefan Kaegi (Rimini Protokoll) &amp; ShanjuLab Temple du présent: Solo for an octopus, 2021 HD video and sound French and English with English closed captions 22:08 mins. Recording of the performance by Stefan Kaegi (Rimini Protokoll) in collaboration with Judith Zagury and Nathalie Küttel (ShanjuLab); production: Théâtre Vidy-Lausanne, ShanjuLab Gimel, République Éphémère, Théâtre Saint-Gervais; in coproduction with Berliner Festspiele Berlin, Rimini Apparat GbR, Centre Pompidou Paris. Recording made by Bruno Deville and Bastien Genoux on 7 January 2021 in Théâtre Vidy-Lausanne. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683566772009-1XLDURAZZP1H9WM5N8WI/_DSF3741web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683566772179-DAY82FUQT6L2NTHIWCTE/_DSF3742web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683566783393-T4HAJYP5H26X9Z92E603/_DSF3744web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683566783393-4XFN8MCP605IBB4UBGJR/_DSF3751web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683566936535-77D3I36B2O8IUR3DZUYW/_DSF3773web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683566932460-XRKBCNZEZYKW0XHKCBTR/_DSF3772web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683566929176-4OM2MG0EDW022M0J9PXR/_DSF3771web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683566794407-7EJJTLDJZOR66Q7YLYOZ/_DSF3763web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683566920578-UWOVS0F9ZPRB137WUUUK/_DSF3766web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683573509569-FV3QZDXGZ24O6GG4JRBX/IMG_6780.jpeg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683573400644-17S8FHOS7R5TT3LNRFKL/_DSF3985web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683568123838-SHRS6UIEMO7FNXDOB12B/_DSF3785web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683568124007-Q55ZXFS6GUZ4RK8MEMM6/_DSF3790web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683568495754-SE258T3GI13MRUJ2UK9S/_DSF3816web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683568131743-QV1HSKKF4USWDNZ0UB6E/_DSF3792web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683568170870-MQZE3LPZ62DDVD18D58U/_DSF3798web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683568564280-CNRLLVVTKZE3MLJSVBTO/_DSF3817web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683568175931-VQZ68HPWCAOLURLGRDZW/_DSF3800web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683568131211-XDH3YOBLAZO8HQ5YR0PM/_DSF3795web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683568176625-LUIESXM56WXSP1F9AQZU/_DSF3801web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683568184729-QCSEVWKCUCQN7J71L48S/_DSF3803web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683568240216-5EN5X16WTAYGJKICJDX5/_DSF3805web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683568241146-E8UBFH9DGCW95V7VTCYX/_DSF3806web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683568244933-R2B6DV80NZH0BW1BI95T/_DSF3808web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683568248865-PIVVM1HS4KHRHCKY19PD/_DSF3810web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683568249578-UZTH0JDR3AVMQKQKKURE/_DSF3812web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683568565053-HS5FK4F2IH2LAFRLWEL3/_DSF3820web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683570974798-0PN4QZ3T4ZH0TQJRORET/_DSF3828web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683570822653-1RX7NRQMNTGFOGQESJ7X/_DSF3829web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683570705236-9W6IDBK2XQTPDVNJZPUG/_DSF3824web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683570822647-80JQRDKH017X25GSH1EX/_DSF3831web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683570830087-24N63WERAF2GAPS8R5LQ/_DSF3833web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683570829905-CMNYZ81730ZT4JU9EGGI/_DSF3838web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683570835716-Y2VV00CXZ0DBIIVO1884/_DSF3842web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683571072029-5X3N0MD68BADMMWXP06D/_DSF3843web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683571071414-DZMCYOTS5LGAJI4MIGGL/_DSF3846web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683571148400-XVEKBYX9NO53USQ6CDHZ/_DSF3863web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683573271565-5MULK7F3YAMSUXF0UE6A/_DSF3948web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683572941794-9DJP93NK2HACQ3S7Y7MY/_DSF3886web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683571151937-ESFEXQ9TVKIT5FX86DGT/_DSF3866web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683571158531-C4QYUFO5MY1WUQWI285B/_DSF3868web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683571161243-673XGY2EMEKL3NSXF9CO/_DSF3869web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683571165086-I7WE3D5VPURA2PFGMLMG/_DSF3871web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683573160744-471ENI5XEY87T319P8OM/_DSF3927web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683571253747-N2X7IMW0PI12DQ71XWAJ/_DSF3873web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683571264588-D3G5MAO3RDER0Q4VZL9A/_DSF3876web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683571262057-OP6QYL798JN62BNU4CPE/_DSF3875web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683571256715-WVC2ODDO9URUCW7FTJCN/_DSF3874web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683572948132-RYYQG1JX8CUXZB2E9A5H/_DSF3903web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683572891177-BEKR6ESSX3Y5QMOXMKJR/_DSF3882web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683572893901-SM99K46Z1MLM9DDFSSMF/_DSF3883web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683572897776-ZVW8I7S3B3BIZKVB3O8S/_DSF3884web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683572946840-XPH88FQ33M99LAFWGPVX/_DSF3888web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683573100832-R6IOEKB2XD1A0LX29AWO/_DSF3913web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683573106388-TKQA3W71TDA7HVT9WZZJ/_DSF3917web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683573161964-NTO34NDMTBI289DC9ZH6/_DSF3930web.jpg Bruce E. Phillips Curating - Who can think, what can think https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1683573167031-VVC6FF6O4SFCLDF54KV0/_DSF3932web.jpg Bruce E. Phillips Curating - Who can think, what can think https://bruceephillips.com/curating/thechronicleof monthly 0.5 2024-10-26 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1635518691568-8N6DNY2P6WOYQOXG77TB/An+Open+Season+2021+Jenny+Gillam.jpg Bruce E. Phillips Curating - The chronicle of &lt;_______&gt; - Jenny Gillam, The chronicle of &lt; An Open Season&gt; (2021) In An Open Season (2021) Jenny Gillam explores human/non-human relations. This (post documentary) project examines the history of the mallard in Aotearoa from introduction and acclimatisation through to the endangerment of the Parera (native Grey Duck) through the effects of farming, interbreeding, and hunting. Works include a video combining aerial footage of Lake Whatumā, a popular lake for duck hunting in Central Hawkes Bay where Gillam grew up, and audio captured at the national duck calling competitions, where hunters hone their calling skills to ultimately draw gamebirds in during the winter hunting season. A risograph printed photographic book with accompanying texts by Gillam and two AIs is currently in production. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1635518693879-BVYQULSC9WIB78OC5ZE1/Dawn+Transverse+2021+vjRex+aka+Eugene+Hansen+squ.jpg Bruce E. Phillips Curating - The chronicle of &lt;_______&gt; - vjRex (Eugene Hansen), The chronicle of &lt;Dawn Transverse&gt; ‘The Reconnecting Field of Images’ (2021) Twitch livestream, every Thursday from 9pm NZT. Dawn Transverse ‘The Reconnecting Field of Images’ is presented as the third chapter in an epic sci-fi Saga. Conceived of by vjRex (Eugene Hansen), it is written, produced, and performed in collaboration with a changing roster of artists, AI’s and unknowing collaborators from popular culture. Following the events of the upcoming prequel chapter two: Extinction Level Event where the cataclysmic apocalypse referred to in the scriptures of every holy book known to mankind caused massive earthquakes to crack the planets crust like a hollow eggshell, ‘The Reconnecting Field of Images’ chronicles the efforts of two cyborgs Nyxxx (Amadeo Grosman) and vjrex (vjRex) in their attempt to rescue the bounty of the planet from this postapocalyptic hellscape and launch it into space. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1635518694390-P2W9TF4WM4G6C085XNL4/In+situ+2021+Daniel+Campbell-Macdonald.jpg Bruce E. Phillips Curating - The chronicle of &lt;_______&gt; - Daniel Campbell-Macdonald, The chronicle of &lt;In situ&gt; (2021). A series of audio sketches exploring technical aspects of automated sound manipulation. Campbell-Macdonald makes field recordings of his immediate environment, such as the bush habitat behind his home, traffic, and various building utility sounds. These recordings are modified through scripted code. The sketches will be periodically updated when edits occur to the underlying code. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1635518700807-CVQXE5OWJGQW6NA4VINH/Noel+Meek+Ngakawau+k%C5%8Drero+2021+Stone.jpg Bruce E. Phillips Curating - The chronicle of &lt;_______&gt; - Noel Meek, The chronicle of &lt; Ngakawau korero&gt; (2021). Ngakawau kōrero (2021) is a series of video works by Noel Meek featuring various sites relating to his family history near Hector in the Buller District on the South West coast of Aotearoa New Zealand. Using a variety of listening and sound making techniques, Meek attempts to converse with an object situated in the natural environment including a rock, an iron bar, and a mamaku (black tree fern). Through these conversations, Meek seeks to gain understanding from non-human entities and to reflect on colonial, environmental and post-industrial histories. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1635518696807-KDOWYJGKTFOUZ9V7AYC8/Perpetual+Rhythm+A+trip+in+four+parts+2021+Simon+Endres+Philip+Kelly+squ.jpg Bruce E. Phillips Curating - The chronicle of &lt;_______&gt; - Simon Endres &amp; Philip Kelly, The chronicle of &lt;Perpetual Rhythm: A trip in four parts&gt;, Part 1: Unknowing (2021) A co-authored journey in four chapters. Part cinema, part soundtrack, exploring narrative structures and future fictions. Learning by rerewai/osmosis. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1635519302790-8H0ZKOYH656YSYU6MSLT/HOW+HOU+Cassandra+Barnett+cover.jpg Bruce E. Phillips Curating - The chronicle of &lt;_______&gt; - Cassandra Barnett, The chronicle of &lt; How I Hao &gt; (2021). Book cover design of forthcoming publication https://bruceephillips.com/curating/east monthly 0.5 2019-02-28 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551308789539-00E9RMRIID89KDP190T1/ALPH1808102453.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551308785902-8IMQ983JB9DBG3JZBOD1/ALPH1808102456.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551308822207-MQ32PR337YBIXVWGK69U/ALPH1808102460.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551308876079-I3C4OKF1ELWCF5RVANYS/ALPH1808102494.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551308904753-95PGFSIH05JX7XGAHW1N/ALPH1808102497.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551308910213-8S5W5FK66BCW31IGDW0V/ALPH1808102509.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551308966193-Q7AU3X1X7AI918NBQ3K5/ALPH1808102512.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551308954079-TP4V52OFQLCCD6KDLFK4/ALPH1808102524.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551308990765-TTQRB5LM7CBYIRUQQ0LE/ALPH1808102527.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551309016448-HUIRCCN7WEWMV1IKGJWE/ALPH1808102533.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551309028558-BY3YJW8KIVS787T2U8UD/ALPH1808102538.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551309054571-CJX7CLH2LB28BV75L6R0/ALPH1808102544.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551309071041-X12J8M95FOEZH1OQULKK/ALPH1808102552.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551309112383-2MTPES2HH1YSQHZAHXS0/ALPH1808102560.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551306954496-4V4FAXVHVWPQ71GBP9A7/ALPH1808101948.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551308332592-HSBYUWS7CYWG87P7BXQZ/ALPH1808102011.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551308575221-0TB1BHF8P7PGRVQOXDPL/ALPH1808102018.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551308592597-VGLRKLOGFY40NKNNGIM8/ALPH1808102090.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551308625895-NYB7ZJUS5DTHE0S1KMY2/ALPH1808102154.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551308698897-9D61EUZCBXEG9758N6G0/ALPH1808102171.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551309184299-DY8F8500L82JH4TCRODW/ALPH1808102578.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551309197291-EELJJ49KRJ506C52SL4E/ALPH1808102590.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551309150602-H0TGRLW42N7UH2898DSC/ALPH1808102567.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551309232248-6RZSIZ9GOWJ06U1OR6WI/ALPH1808102593.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551309236729-IVJECZ5GEIRE5KZ9VGOS/ALPH1808102595.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551309338957-3AVQL0TRIO9FQOSV21B1/ALPH1808102628.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551309343174-AB10GS8S66V1LDBUL9EX/ALPH1808102633.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551309379165-BX4GEJ325ISXY7SJ4X92/ALPH1808102638.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551309414414-F8GBQSFNLQRQJ7RTWSD5/ALPH1808102657.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551309422366-MUFJF4U2WV2UV2GE4XDN/ALPH1808102673.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551309453295-B2IILQXDD1EORBBCCR21/ALPH1808102678.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551308653123-XF0KFG9LGN4LWMABB9KV/ALPH1808102189.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551308675775-MCMJRT0HN87237NEW9GU/ALPH1808102246.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551308718580-ZI6FVW8V02WU58UG464J/ALPH1808102318.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551308737944-VC77BQC1H145WAHU0JPK/ALPH1808102368.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551309300761-NPUVVOB0L5GGADX9M3GP/ALPH1808102622.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551308328490-9778HYL6N6MXJ8TNX2Z1/ALPH1808102016.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551307634425-LEC7GVU2MH0L3RMKECLO/Kauri+Hawkins.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551307614650-ZM5XO2VKKWLHT6WHRY7O/ALPH1808102497.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551307592794-4NHL48U70JVUKI5ZM57S/ALPH1808102509.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551307575007-3LQTHW385N5TOGI9XLPH/ALPH1808102018.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551307463817-ANQHBOFHMVDJBP6MF6G0/DSC05487.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551307705963-1PAK8LMQHMJND9Z9ICDX/_20180530221428.JPG Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551307366986-HLXHY7SJPPZ72ZAUPDN7/DSC04756.jpg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551307369116-T1AF3GXIRG85F3FKHNA7/DSC04760.jpg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551307415929-E2M51A87U9DKGZZBB8E2/DSC05452.jpg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551307550797-D3O6QELJABN14VJJQMIU/ALPH1808270283.jpeg Bruce E. Phillips Curating - EAST 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539925718369-2SP1I9V21C2RYOPEM18U/DSC04720.jpg Bruce E. Phillips Curating - EAST 2018 - Kauri Hawkins (Ngāti Pāhauwera) The Strong, Silent Type, 2016-2018 Mixed Media/Performance Photo by Richard Brimer Kauri Hawkins’ interactive work The Strong, Silent Type is a chess game that utilises road worker uniforms and equipment to engage a conversation about unhealthy items consumed during ‘smoko’ breaks. In place of the chess pieces, Hawkin’s has chosen cigarettes, lighters, energy drinks and alcohol from opposing brands such as Marlboro versus Benson & Hedges, Coke versus Pepsi or Lion Red versus Double Brown creating the rival sides of a chess game. With the cigarettes as king and the lighter as queen, the objective is to take the opposition’s smokes. Just as chess is a game of strategy, with two opposing sides aiming to dominate each other, so too could food industry titans be playing a game against each other by using consumers as the pawns and manipulating our desire through various marketing techniques. The title The Strong, Silent Type references the masculine trope of the stoic blue-collar worker who quietly gets on with his work but has bottled-up inner turmoil. Hawkins explains that this persona has a direct correlation to colonisation: “Māori and Pacific Island males have a relationship with the whenua underneath every road in New Zealand but are paid to permanently cover that relationship with tarseal. With the money they are paid a large number buy items that help them get through the day.” https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551310841482-0Q1UPV063NSVJHGS0D72/ALPH1808102626.jpeg Bruce E. Phillips Curating - EAST 2018 - Kauri Hawkins (Ngāti Pāhauwera) The Strong, Silent Type, 2016-2018 Mixed Media/Performance https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539925729110-EN280JJ090GZG2EKDO43/DSC04726.jpg Bruce E. Phillips Curating - EAST 2018 - Kauri Hawkins (Ngāti Pāhauwera) The Strong, Silent Type, 2016-2018 Mixed Media/Performance Photo by Richard Brimer https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551310702498-LBBAEI10YDZVWFX34QTC/ALPH1808102638.jpeg Bruce E. Phillips Curating - EAST 2018 - Peter Madden Anonymous, 2000-2018 Found photo, collage (install view). Courtesy of the artist, Robert Heald Gallery, Wellington and Ivan Anthony, Auckland. Anonymous by Peter Madden is a new commission for EAST 2018 that considers the changing ways in which we reproduce, engage and create imagery from the printed magazine to the digital display. Madden arranges his work on a series of tablet-like table- tops that encourage many entry points and ways of viewing. His collages, made almost entirely from old National Geographic magazines, primarily feature portraits in which the facial features have been removed, replaced or conjoined, with strange and unrelated content such as two men’s features morphed together, or a mannequin head transfigured into a billowing cloud of smoke. These kaleidoscopic shifts in register are not unlike how we navigate information online, jumping from one URL to another and travelling down a wormhole of links and hashtags. The facial absences and surreal presences also raise many questions about the forever evolving modes of representation and the means through which these become controlled, or liberated, via media and display over time. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539925752364-S515D0HWV6OKX663F2PR/DSC04751.jpg Bruce E. Phillips Curating - EAST 2018 - Peter Madden Anonymous, 2000-2018 Found photo, collage (detail). Courtesy of the artist, Robert Heald Gallery, Wellington and Ivan Anthony, Auckland. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539925784788-3I33TLJS1W6UO3GW7GHO/DSC04756.jpg Bruce E. Phillips Curating - EAST 2018 - Peter Madden Anonymous, 2000-2018 Found photo, collage (detail). Courtesy of the artist, Robert Heald Gallery, Wellington and Ivan Anthony, Auckland. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539925807145-IFR1K549B2I4XJOP5NX7/DSC04760.jpg Bruce E. Phillips Curating - EAST 2018 - Peter Madden Anonymous, 2000-2018 Found photo, collage (detail). Courtesy of the artist, Robert Heald Gallery, Wellington and Ivan Anthony, Auckland. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539926056972-33NZWKB5E1S2ZWPADODQ/DSC05385.jpg Bruce E. Phillips Curating - EAST 2018 EAST 2018 install view. Photo by Richard Brimer. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539925847031-SX4CSXVAQF4UZ2NCGKBN/DSC04788.jpg Bruce E. Phillips Curating - EAST 2018 - Tim Thatcher Light No Fires (Homeless Shelter), 2018; Tripoli (Coast Gaurd), 2018; Turanga (Misty Sun), 2018 Oil on canvas In this new series of paintings created for EAST 2018, artist Tim Thatcher has been influenced by geographic and architectural forms he has encountered around the Heretaunga, Hawke’s Bay region. The paintings appear to depict eroding cliffs, rocky shores, inclement skies and incomplete building parts. Yet these discernible elements are far from certain. The architectural forms appear to be either in a state of disuse or mid-construction. Awkward armchair-like forms are vacantly poised at the oceans edge with no apparent purpose. The ocean seems to merge into murky opaque clouds. Overall the paintings evoke a sense of foreboding that is often associated with coastal regions. As transitional places, coastlines are a stage for theatrical weather events and are drenched in histories of human passage chronicling perilous journeys, mournful departures and overdue arrivals. With this in mind Thatcher’s work carries an emotive weight at a time when we are witnessing millions of people across the globe seeking refuge and often having to chance unsafe voyages. This sentiment is made all the more meaningful given that one of the works is dedicated to the ‘Hauhau’ prisoners—a group of 47 Māori prisoners, including the Rongowhakaata leader and prophet, Te Kooti Arikirangi Te Turuki, who in 1866 was transported from the Napier foreshore to Wharekauri (Chatham Island). Environmental references could also be drawn out of these paintings. The precariously perched and structurally undermined constructions speak to the encroaching impact of sea level rise, and extreme weather events threating the built infrastructure of seaside communities the world over. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539925918996-44BRZ8CQRIDLQQV3PWUP/DSC04798.jpg Bruce E. Phillips Curating - EAST 2018 - Tim Thatcher Other Concerns Pending, 2018 Retreat, 2018 Haumoana, 2018 Oil on canvas https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539925859266-K1J5S47Z3I57CAEQKCU2/DSC04791.jpg Bruce E. Phillips Curating - EAST 2018 - Tim Thatcher Light No Fires (Homeless Shelter), 2018 Oil on canvas https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551310656646-DPW5JV8MIDI4KUQDXWOP/ALPH1808102628.jpeg Bruce E. Phillips Curating - EAST 2018 EAST 2018 install view. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539926073973-E1FZD68219K3T9U3OF2I/DSC05388.jpg Bruce E. Phillips Curating - EAST 2018 - Rangituhia Hollis (Ngāti Porou, Ngāti Kahungunu) Self-portrait, 2018 Digital print This confronting self-portrait by artist Rangituhia Hollis is a new work created for EAST 2018 that alludes to how life challenges such as economic precariousness can render us physically and emotionally distressed. Hollis’s work also connects to a larger conversation of creative struggle by drawing on the emotive qualities of artists throughout history, such as the dramatic lighting and high contrasting colours reminiscent of paintings by Michelangelo Merisi da Caravaggio, and the physical and psychological despair depicted in many works by artists such as Francisco Goya or Francis Bacon. The brutal yet surgical incisions could be further likened to the site-specific work of sculptor Gordon Matta-Clark who was known for cutting buildings in half. Referencing art history through contemporary media the work also draws into question the technical shift in creative practice from analogue methods to the computer-aided tools used by Hollis. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551327784942-NXM6518J3JPXHZTYT76F/Self-Portrait+04+LOW+RES.jpg Bruce E. Phillips Curating - EAST 2018 - Rangituhia Hollis (Ngāti Porou, Ngāti Kahungunu) Self-portrait, 2018 Digital print https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539925947773-3N8KA3JWBZM2YRKNZ1FG/DSC04806.jpg Bruce E. Phillips Curating - EAST 2018 - Clare Plug Exposed, 2018; Retreated, 2018; Arctic defrosting 3, 2018 Various woven fabrics, Discharge dyed cotton, stitched, printed, heat distressed, non-woven fabric. Artist Clare Plug continues her long-term interest in using textiles as an apt media to represent the impact of climate change upon the Earths Polar Regions. This selection of new works, created for EAST 2018, responds specifically to the rapid decline of Arctic sea ice. In Retreated and Exposed various and layers of woven and distressed fabric resemble the dissolving Arctic ice and the raw rocky landforms that are left exposed. Perforated lines inRetreated reference scientific data mappings of ice regression, while in Exposed silhouetted markings trace ancient human artefacts such as hunting weapons and tools that have been yielded by the melting ice. The slight shifts in blue and white hues and undulating texture in Arctic Defrosting 3 reflect thawing of the ice in response to increasing levels of greenhouse gases. Through these denuded abstract landscapes Plug reminds us of the gravity of our current ecological situation. She explains further: “Arctic ice plays a major role in buffering the Earth’s climate and weather systems, acting like an air conditioning system. Caused primarily from our greenhouse gas emissions, each year more ice is melting, exposing land areas and the dark ocean that absorbs greater amounts of the twenty-four-hour summer sunlight. So rather than the sun’s rays being reflected back by the ice cover, its decline leads to even more ice melt. It is a disastrous feedback loop that means the Arctic regions are warming twice as fast as the rest of our planet.” https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551325920152-YSEQ8MFAA768AQXTFVCX/DSC04800.jpg Bruce E. Phillips Curating - EAST 2018 - Clare Plug Exposed, 2018 Discharge dyed cotton, painted, stitched, heat distressed, non-woven fabric. Retreated, 2018 Discharge dyed cotton, painted, stitched, heat distressed, non-woven fabric. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539925936187-9C5A1W1EG2KR7A7E4SK4/DSC04802.jpg Bruce E. Phillips Curating - EAST 2018 - Clare Plug Exposed, 2018 Discharge dyed cotton, painted, stitched, heat distressed, non-woven fabric. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551327227666-V1KH2L3X5UV00K3XRB5S/DSC04810.jpg Bruce E. Phillips Curating - EAST 2018 - Natalie Robertson (Ngāti Porou, Clann Dhònnchaidh) Puna Wai, Puketapu, 2018 Dye sublimated print on fabric Exhibiting at the Hastings City Art Gallery and the MTG Hawke’s Bay in Napier, Natalie Robertson presents a major new work for EAST 2018. Presented in two parts with associated taonga, this long-term research project has culminated in large-scale black and white photographs and an accompanying publication. By tracing her family history across the Heretaunga Hawke’s Bay region, Robertson located and photographed the wai marama (life-giving water) springs that her distant ancestors would have gained sustenance from. The photograph exhibited in Hastings pictures a nondescript rural landscape including a small enclave of native bush encircled by farmland (a keen eye might notice water spouting from pipe). In contrast, the photograph displayed in Napier features an idyllic pool nestled within a verdant forest and seemingly undisturbed by human contact. These vastly different contexts speak to Robertson’s extensive research in order to connect with these ancestrally significant wai marama. More broadly the photographs allude to the fact that, due to our urbanised lives, many of us no longer have a direct understanding of how, or where, our life-giving water stems from. An accompanying booklet provides further insight into Robertson’s whakapapa and acquired knowledge about the vast and complex hydrogeologic systems throughout the region. Through its various parts, Robertson’s body of work accentuates the life-affirming knowledge we can gain by understanding our place within a flow of past and present human and ecological relations. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539925985231-JBTUOUXDU80VC9V66TFX/DSC04816.jpg Bruce E. Phillips Curating - EAST 2018 - Jenny Gillam The same as it never was, 2018 Dual channel 4k digital video looped (top channel: Tukituki river, Tamumu 2.09 mins; bottom channel: Tukituki river, Waipukurau 3.50 mins) For EAST 2018, artist Jenny Gilliam creates a dual channel video work that connects to a forgotten childhood memory, an unassuming departure point to consider greater human and environmental relations. In the first video, Gillam re-enacts a family holiday snapshot taken alongside the Tukituki River that depicted her mother, who was a local school teacher, demonstrating the principle of centrifugal force through the humble action of swinging a plastic bucket. In accompanying footage Gilliam also presents a focused study of the river that provokes us to look beyond the visually obvious and to consider what might be happening below the water’s surface. Earlier this year the Hawke’s Bay District Health Board recorded unsafe levels of cyanobacteria in the Tukituki River, which created some fear that this pollutant might seep into the underlying aquifer, which is used for drinking water. In light of these references, Gilliam’s performative action and river study provide a contemplative reflection on how the cyclical flow of the earth’s hydrogeological system and alluvial environment sustains life. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551328847630-S18RS4LF2IKYT7YKTYK7/EAST+2018+Jenny+Gillam+Proposal.jpg Bruce E. Phillips Curating - EAST 2018 - Jenny Gillam The same as it never was, 2018 Dual channel 4k digital video looped (video still) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539926045149-QR76M9DT5XMRBON1XBM5/DSC05381.jpg Bruce E. Phillips Curating - EAST 2018 EAST 2018 install view. Photo by Richard Brimer. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539925995798-AI46FUNJFFC0Y1MSYM57/DSC04820.jpg Bruce E. Phillips Curating - EAST 2018 - Kamaka Pottery (Bruce and Estelle Martin) Cylinder, circa 1987 Hanaire, circa late 1980s Tsubo, circa 1990 Anagama kiln fired clay Kamaka Pottery was established in Hastings by Bruce and Estelle Martin in 1965 and became nationally recognised for building the first traditional Japanese Anagama style kiln in Aotearoa New Zealand. Bruce and Estelle Martin’s interest and mastery of this technique grew from the guidance of the potter Fuji Yokio following their trip to Japan in 1978. An Anagama (cave kiln) is an ancient form of pottery kiln that originated in Korea and became used in Japan from the fifth century onwards. The method requires a wood-fired process that creates extreme heat, resulting in the release of fly ash and volatile salts. During the firing, the wood ash covers the pots and in reaction the clay forms a natural glaze. Since there are numerous variables in how the glaze forms, every item in the kiln attains its own unique signature of colour and texture. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539926021932-MZF5AAA3C5F1G6QHNFPJ/DSC04835.jpg Bruce E. Phillips Curating - EAST 2018 - Kamaka Pottery (Bruce and Estelle Martin) Cylinder, circa 1987 Hanaire, circa late 1980s Anagama kiln fired clay https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539926032625-D0IVGZ6RWB9WN1XUVXAM/DSC04839.jpg Bruce E. Phillips Curating - EAST 2018 - Annette Bull Stillness, 2018 Porcelain, stains, shino glaze, sand, gravel, board The ceramic work of Annette Bull explores the natural forces of entropy and transformation. Bull does this by shaping objects that are intentionally pockmarked, or textured, through the addition of materials that explode or change their physical state when shaped and fired. For EAST 2018, Bull has produced a new arrangement of white and grey hued bottles, jars and cups which have inclusions of fine gravel sourced form a local beach. In some of the vessels the gravel adds mass and body to the clay not unlike how builders mix reinforces cement. While in others the gravel’s sharp edges protrude from the clay’s smooth surface rendering it tactile, yet abrasive to the touch. Visually the random dispersal of fine stones appears as if the scattering of stars in the milky way. Or more humbly resembling a state of sedentary rock formation in which fragments of rocks, minerals and biological matter randomly accumulates and binds together. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551310702191-J3QMNRW6VUKVAOYWY6SQ/ALPH1808102633.jpeg Bruce E. Phillips Curating - EAST 2018 EAST 2018 install view. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539926065912-AEU4O00EESYJF5ZAVCZC/DSC05386.jpg Bruce E. Phillips Curating - EAST 2018 - Martin Poppelwell Mataruahau, 2018 Oil on canvas. Courtesy of the artist, Melanie Roger Gallery, Auckland, and SPA_CE, Napier. Mataruahau is a new work made for EAST 2018 by artist Martin Poppelwell, who continues his long-term investigation of the painted grid. While the grid has a specific and loaded history in painting, Poppelwell’s attention to line and composition embraces a more lateral array of references. The bold strident brush strokes appear to glide across the canvas in contrast to the undulating lines that undermine that conviction by their wavering and blotting. Similarly, patches in the painting’s network appear to be fused in regular units forming a strong unison, while other portions seem disconnected, subdivided or distressed. In this sense, Poppelwell paints a pliable matrix that alludes to a myriad of ideas, to crossover and converge or to be reflected, flipped, folded and mixed together. Reflecting onMataruahau, Poppelwell writes: “Plan and elevation are encouraged to exist simultaneously. The painting is in a state of being partially undressed, resplendent in its underwear. Form, line, and skin are exposed, painting as diagram, transmitting both the time in which it was made and the sensation of time, buckling, slippery and partially coherent.” https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551326425331-VR867TV186UXHRBHV5QO/DSC05387.jpg Bruce E. Phillips Curating - EAST 2018 - Martin Poppelwell Mataruahau, 2018 Oil on canvas. Courtesy of the artist, Melanie Roger Gallery, Auckland, and SPA_CE, Napier. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551305310170-1TKV1C3Q986GKI71YVMK/DSC05487.jpeg Bruce E. Phillips Curating - EAST 2018 - Joyce Campbell Ghost Scrub, (Mauri rere na te ringa tangata), 2018 16mm b/w film transferred to 3 channel HD video and sound In this new multi-channel video work Ghost Scrub created for EAST 2018, artist Joyce Campbell has filmed the charred remnants of a kanuka forest that has been spray-cleared for farming and is accompanied by the otherworldly soundscape of a native bird dawn chorus. Campbell’s footage and soundtrack engages in a direct conversation with the decimated birch forests and poignant musical score featuring in Andrei Tarkovsky’s seminal 1962 film Ivan’s Childhood, a coming of age revenge narrative set in Russia during World War II. While responding to a vastly different context, Campbell’s adaptation of Tarkovsky’s cinematic language seeks a common concern of representing humankind’s predilection for destruction. In Tarkovsky’s film the blackened tree branches stretch heavenward towards the sky and insinuate the departure of souls at the hand of war. The same motif in Campbell’s Ghost Scrub might suggest an ecological sacrifice for human need or the ongoing implications of colonisation. The elaborate editing across Ghost Scrub’s three channels fuses panning high and low angle shots within looping and converging sequences. This bold editing approach could be interpreted as someone’s desperate attempt to comprehend their surroundings while affected by trauma. With thanks to the University of Auckland PBRF fund, Chloe Hamilton and the Niania Whanau. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551345088936-TXVBH6ZUUTH2EBYLRJ5A/_20180530221428.JPG Bruce E. Phillips Curating - EAST 2018 - Joyce Campbell Ghost Scrub, (Mauri rere na te ringa tangata), 2018 16mm b/w film transferred to 3 channel HD video and sound (film still). https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539926105698-R0HI3MAGTQYHDBKTEPUV/DSC05395.jpg Bruce E. Phillips Curating - EAST 2018 - Sonya Lacey By Sea, 2015 HD video, 9:07 mins (installation view). Camerawork by Campbell Farquhar and Sonya Lacey, narration by Fuyuko Akiyoshi, music by Johnny Chang with thanks to Stephen Cleland. By Sea was commissioned by CIRCUIT Artist Film and Video Aotearoa with support from Creative New Zealand. Courtesy of the artist and Robert Heald Gallery, Wellington. Sonya Lacey’s video work By Sea dwells upon the fragility of our built environment and the complications of communication. A tranquil voice invites us into a fictional apartment building where its inhabitants attempt to define the intricacies of its typographic form before it is eroded by the sea. The story is accompanied by slow panning footage of a salt crystal encrusted architectural-style model that forms the French word par mer (by sea). While the camera journeys through the corridors of each letter’s interior, the narrator explains the psychological confusion that the spatial design creates. Intangible aspects of the building are also insinuated such as its social, financial and political qualities which influence the perceived value and function of the apartment complex. As the ocean encroaches, the tenants seem to descend into some sort of indulgent creative revelry while the body corporate becomes more concerned for the building’s linguistic legibility rather than its physical stability. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539926054472-DSZZK8DNB2L7J8ZOUQM5/DSC05384.jpg Bruce E. Phillips Curating - EAST 2018 - Ann Shelton In this new work, commissioned for EAST 2018, Ann Shelton expands upon her recent body of work referencing histories and practices of plant cultivation. Shelton’s further research has led her to consider Heretaunga, Hawke’s Bay as the birthplace of biodynamic farming in Aotearoa New Zealand. Drawing on a confluence of landscape conventions, Shelton alludes to this history by producing a composite image of a local biodynamic farm printed on silk and stretched over a folding screen. Biodynamic farming is a form of organic agriculture that emphasises processes and methods that are said to work with the flow of natural ecosystems and to enrich the soil. This practice is based upon the teachings of Rudolph Steiner (1861- 1925), a prominent Austrian polymath known for his holistic spiritualist-based philosophies, who is reported to have directly instructed farmers in Havelock North on biodynamic principles in the 1920s. The artwork’s title links the transparent material quality of the silk to the biodynamic practice of using cow mesenteries—a fine membranal tissue found in animal and human bodies—and also evokes Steiner’s emphasis on tangible and intangible forces. “Steiner’s philosophy was focused on what is seen as well as what is unseen”, explains Shelton, “these were central aspects to his theories of how the spiritual and physical worlds are co-influencing spheres of reality.” By embracing transparency and notions of the intangible, Shelton’s work also elides photography’s impenetrable often shiny smooth surface and authoritative claim of objectivity. Steiner’s philosophies were also significantly influenced by Asian religions and philosophies. As an ancient Chinese art form, often depicting decorative landscapes, the use of the folding screen as photographic support references this cultural basis of Steiner’s values while also pointing to his universalist tendencies to draw in many perspectives for greater understanding. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551305451769-FEL3LAH0XUUEG9KIWFQQ/DSC05397.jpg Bruce E. Phillips Curating - EAST 2018 - Ann Shelton Mesentery, Biodynamic Farm, Hawke’s Bay, 2018 Silk, cedar, brass, water-soluble reactive dyes. Courtesy of the artist, Two Rooms, Auckland and Bartley & Company Art, Auckland. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551311239723-UYEF7IA4DRCBYFY3MIR4/ALPH1808270278.jpeg Bruce E. Phillips Curating - EAST 2018 EAST 2018 install view. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551311288041-A408209VH30OKRH12MXI/ALPH1808270287.jpeg Bruce E. Phillips Curating - EAST 2018 - Ben Pearce Apollo, 2018 Aluminium coffee pot For EAST 2018, artist Ben Pearce has laboriously carved into the surface of an aluminium coffee pot to explore a tension between the psychological and the physical. For instance, some of Pearce’s circular sculptured forms unmistakably resemble lunar craters and appear to transmute the pot into a fictional micro moon-like environment. In other parts, this magical fiction is shattered where the aluminium has been worn too thin causing the metal to disintegrate and revealing the pot’s limited material reality. This schism between the fictional and the real pushes and pulls associations of common domestic objects being talismans for imagination and conversely vessels that can contain corrosive memories. Pearce’s work might also allude to a threshold between the ritualistic and the habitual—evident in how we can sometimes use substances such as coffee in a ceremonial way to stimulate creative thinking, or more routinely as a spike of energy to face the challenges in life which wear us thin. Further readings could lead to a more philosophical mediation on the fragility of human life and civilisation in comparison to the greater forces of nature and the cosmic mechanics of the universe. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551327626012-HO2I1YW2CS7SLHUMGMPF/DSC05452.jpg Bruce E. Phillips Curating - EAST 2018 - Vanessa Arthur Happy Hour Afterglow, 2018 Concrete, copper, sterling silver, brass, heat set paint, enamel paint. Vanessa Arthur’s jewellery practice explores fragmentary memories and accidental remnants of the urban environment through painterly and sculptural works to be worn or displayed. For East 2018, Arthur has created a pairing of ambiguous objects—an oxidised silver and painted brass charm bracelet and a small painting cast out of concrete. The bracelet is crafted from irregular chain links and indefinite charm forms that could conceivably have had a prior use in some mechanical device or industrial process. Equally obscure is the painting which has no tangible purpose, yet could easily be the surplus of material from a construction job that someone has painted and repainted samples on. At once familiar for their scrap like resemblance, these objects also possess a more enchanting value that invites speculation. Of this hard to determine quality Arthur writes: “The biography of these objects, materials and spaces are what interests me. Uncovering and adding to the mostly anonymous and constantly evolving stories they collect. The street painting I reference is usually an unintended collaboration between different groups of people. My interest in these accidental paintings is that they present an evolving cycle of application, erasure and re-covering. In terms of the bracelet, charms are traditionally added to a bracelet to mark a moment in time to capture memories of passing events. My charms are intentionally ambiguous, open to questions of past use, much like the fragments found in hoards or archaeological digs.” https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539926122484-5S0FK78MERSANDEYO6OP/DSC05398.jpg Bruce E. Phillips Curating - EAST 2018 - Michael Hawksworth Lecture Theatre 2, F109, 2018; F Block, New Build, 2018; Room, F108, 2018 Photo collage Through a new body of work created for EAST 2018 artist Michael Hawksworth explores the relationship between maintaining an artistic practice and being a tertiary arts educator. Hawksworth unravels this relationship through a series of framed photomontage and text-based works plus a performative presentation and publication. The framed works depict ambiguous scenes that represent two distinct but intersecting realities. On the horizontal plane are tangible physical spaces such as a curtained lecture room and a construction site. These spaces are intersected with vertically orientated ethereal forms many of which are fragments from historic European paintings and sculptures by the likes of Gian Lorenzo Bernini and Leonardo da Vinci. Such interdimensional qualities of Hawksworth’s works allude to how the aims of artistic practice are sometimes in synch with institutional rhetoric and at other times are at complete odds with their political, economic and bureaucratic function. The art historical references and oblique poetic texts also suggest notions of collective consciousness and continuums of human creative thought that branch out laterally rather than being contained by rational and concrete practicalities. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551305776990-YYZ36H6CK5NLSPO0N3AI/DSC05401.jpeg Bruce E. Phillips Curating - EAST 2018 - Michael Hawksworth F Block, New Build, 2018 Photo collage https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539925713672-HVT1B9EEL6BYWWCFM05Q/DSC04718.jpg Bruce E. Phillips Curating - EAST 2018 - George Nuku (Ngāti Kahungunu) Bottled River - Monsanto Mokotuararo Mutation, 2018 Perspex, plastic bottles and polyester card. In collaboration with Darryl Thomson and the children of Omahu, Irongate, Kimi Ora and Pukehamoamoa Schools, and the communities of Taneshia at the Flaxmere Community Centre This elaborate installation by artist George Nuku is created for EAST 2018 in collaboration with local school children, communities and artists. Comprised of elements made of black Perspex and recycled milk and soft drink bottles, Nuku creates a powerful political statement commenting on the pollution and commercial use of Heretaunga’s waterways and aquifers. Specifically, the work addresses the ecological plight of Nuku’s ancestral awa, the Ngaruroro river. Upon entering the gallery visitors are addressed by a pou representing the tupuna Mokotuararo, son of Ruawharo who stands at the place named Rangatira, at the mouth of the river. Beyond this point carved sheets of black Perspex create a winding alluvial form that fish made out of plastic bottles appear to swim along. These plastic fish represent the Upokororo, a species that once swam in abundant numbers up the river to spawn, but has been scarcely seen since the early twentieth century. The installation’s title and the correlating crest, designed by artist Darryl Thomson, refers to the many multinational corporations which, according to Nuku, have a vested interest in the local dairy industry in connection with the proposed Ruataniwha dam. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551311062765-Q67SXA6TMFIX9MH9R9FL/ALPH1808270134.jpeg Bruce E. Phillips Curating - EAST 2018 - George Nuku (Ngāti Kahungunu) Bottled River - Monsanto Mokotuararo Mutation, 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551310794561-SW334GAWHQ3XY47JCTIH/ALPH1808102248.jpeg Bruce E. Phillips Curating - EAST 2018 - George Nuku (Ngāti Kahungunu) Bottled River - Monsanto Mokotuararo Mutation, 2018 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539925708531-76F3KA376BGRJERED373/DSC04710.jpg Bruce E. Phillips Curating - EAST 2018 EAST 2018 install view. Photo by Richard Brimer. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551327697665-GWDXC4WJVCT4NZ5IJH5X/Screen+Shot+2019-02-28+at+12.53.55+PM.png Bruce E. Phillips Curating - EAST 2018 - Lara Lindsay-Parker Sad at the Beach, 2017 HD video 4:12mins The dual channel video work Sad at the Beach by Lara Lindsay- Parker imbues the often-idealised New Zealand seaside with a melancholic sentiment. On the left channel, a grey sky yields a miserable diffused light on a young bikini-clad Caucasian woman who reclines at the water’s edge indifferent to the encroaching tide. In the right-hand footage, the figure is replaced by an old videotape player which becomes submerged by waves. Through this deceptively simple footage, Sad at the Beach suggests a deep sense of dissatisfaction with the apparent dullness of reality, perhaps in comparison to the spectacular imagery produced by Hollywood studios, or the envy educing Instagram images of celebrities. The lingering depression in Lindsay-Parker’s work could also be significant of the sense of helplessness in relation to the endless obsolescence and unsustainable consumption of techno-gadgets and the environmental implications that this creates. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539925645045-CDB5S0CCARPUFYO70RVB/DSC04670.jpg Bruce E. Phillips Curating - EAST 2018 - David Trubridge For East 2018, designer David Trubridge combines different approaches, materials and traditions to develop a new type of windsurfer, and to explore sustainable design practices and world views. While improving the wellbeing of people around the world, the popular sport of windsurfing is significantly reliant on ecologically harmful materials and the extraction of finite resources in the production of the boards and sails. As an avid windsurfer, Trubridge sought to experiment with more environmentally friendly materials and processes. This journey led him to Taumako (Duff Island), where an ancient and unique sail technology is used by the island’s indigenous people. “A naval architect in Britain carried out extensive wind tunnel tests on different types of sails from around the world” explains Trubridge, “and he discovered that the symmetrical crab claw sail is the most efficient ever devised . . . for example, on a beam reach it is about ninety per cent more efficient than my European style yacht mainsail”. Another advantage is that the symmetrical crab claw sail doesn’t require the difficult gybing manoeuvres that conventional triangular windsurfer sails require. While the sails in Taumako are traditionally made out of pandanus, Trubridge wanted to use kiekie, an organic material native to Aotearoa New Zealand. To do the weaving, he partnered with expert weaver Ani McGuire (Heretaunga, Kohupatiki te marae) who used her extensive skills and experience to lead the creation of the sail. The board design was inspired by Polynesian waka building methods that make use of limited wood supplies through carving and lashing together sections of driftwood. However, instead of driftwood Trubridge made use of hardwood offcuts from his previous projects by elaborately shaping and bonding the pieces of timber together. As an example of learning and collaboration, Trubridge’s work is also metaphorically significant in how sophisticated indigenous baskets of knowledge might enable us to create a more sustainable and culturally rich future. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551310977270-NKM9CQ9ARMRIQNE4OS8Q/ALPH1808270058.jpeg Bruce E. Phillips Curating - EAST 2018 - David Trubridge Now and Then, 2018 (detail) Weaving by Ani McGuire. Wood (walnut, eucalypt, PNG rosewood, tawa, TMT American ash, macrocarpa), bamboo, kiekie, jute fibre string, pounamu. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551310991646-GC60JS7UQB926FYD8SAC/ALPH1808270096.jpeg Bruce E. Phillips Curating - EAST 2018 - David Trubridge Now and Then, 2018 (detail) Weaving by Ani McGuire. Wood (walnut, eucalypt, PNG rosewood, tawa, TMT American ash, macrocarpa), bamboo, kiekie, jute fibre string, pounamu. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539925642698-7U842MPWG9SWLFS83CEV/DSC04673.jpg Bruce E. Phillips Curating - EAST 2018 EAST 2018 install view. Photo by Richard Brimer. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539925685952-FNXW3MFH4VB7BMR5D2SA/DSC04694.jpg Bruce E. Phillips Curating - EAST 2018 - Ayesha Green (Ngāti Kahungunu, Ngāi Tahu) Nana and Grandad 1994 (New Zealand Gothic), 2016 Acrylic on ply In 1994 Ayesha Green’s nana, Katie Portas, won the gold medal in the women’s singles visually impaired lawn bowls at the Commonwealth Games in Victoria, Canada. In memory of this achievement, Green’s painting represents her nana and grandfather Morrie Portas, who was Katie’s nominated visual aid in the competition. Green’s mode of painting closely resembles the illustrative style of local wharenui, whose tupuna are painted rather than carved. By choosing this revered style of painting Green respectfully honours her nana’s achievement as part of her whanau’s mana and whakapapa. The story of Katie Portas’ achievement is also bittersweet, for it was at this time that her community was undergoing great hardship. Green explains the story: “On the day that she won she received a fax from the Mayor of Hastings. He wrote to her: ‘you’ve done us proud and its come at such a time when we needed uplifting’. He told her earlier that day the local meatworks factory was shut down and hundreds of jobs were lost. My Nana told me that when she received the message she cried. She cried because her uncles and her cousins had all lost their jobs. And she cried because she wasn’t there to comfort them.” https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539925650545-TZWSG4ZLF5IC5484GO07/DSC04676.jpg Bruce E. Phillips Curating - EAST 2018 - John Brown In this new series of paintings created for EAST 2018 artist John Brown amalgamates various painterly conventions, histories, iconography and landscapes. This body of work is in part inspired by Brown’s attempt to piece together his Pākehā/Greek heritage and immediate family history, which has been fragmented through a shipwreck incident, adoption and integration. He explores this mixed lineage through unlikely pairings. With including motifs from the notable Hawke’s Bay artist Rita Angus Brown brings into conversation the compositional elements of the British artist Francis Bacon—in addition to pyramids, cobras, eels, spirit-like entities and architectural forms. The works also draw on the spurious theories of Pākehā indigeneity as explored in the controversial book To the End of the Earth (2012) co-authored by Maxwell C. Hill and Gary Cook who claim that Greek- Egyptian voyagers were the first people to visit Aotearoa New Zealand. Through this conglomeration of influences, Brown seeks a conversation between artists and cultures across time in order to obtain a sense of belonging that might not be found. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539925678239-6H0X1L0377AOAQ0OFAZO/DSC04692.jpg Bruce E. Phillips Curating - EAST 2018 - John Brown The Battle for Tuber, 2018 Acrylic on hard board https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539925660109-JIDLTDSBBN2LCHNA70X2/DSC04685.jpg Bruce E. Phillips Curating - EAST 2018 - John Brown Fire on Easter Island, 2018 Acrylic on hardboard https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539925662049-A1597M6FI7MLEVX4VCZG/DSC04689.jpg Bruce E. Phillips Curating - EAST 2018 - John Brown Oopa, 2018 Acrylic on hard board https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539925673678-E0O7CL7ZAZNXSNJ0IBKL/DSC04690.jpg Bruce E. Phillips Curating - EAST 2018 - John Brown Fair-haired and the Three Eels, 2018 Photo collage and acrylic on hard board https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539925692045-CXQEHG7CUYVXV5W2OIR6/DSC04696.jpg Bruce E. Phillips Curating - EAST 2018 - Terri Ripeka Crawford (Ngāti Porou, Ngāti Kahungunu, Ngai Tūhoe) Hinetītama, Cradled by the arms of Hinemoana, 2017 Choreographer and photographer Terri Ripeka Crawford exhibits a series of photographs that represent the transformational moment of the Māori goddess, Hinetītama, and emphasises the importance of restoring human and earth relations. Cloaked in swathes of kelp in the sheltered rocky pools of Kirihaehae in Mahia, Hinetītama (performed by dancer Bianca Hyslop) is called into and cradled by Hinemoana’s (the Ocean Goddess) arms and healing tears. This is an important transitional moment in the life of Hinetītama (Goddess of the Dawn), who overcomes betrayal and lies to become Hine-Nui-i-te-Pō (Goddess of the Night) one of the most powerful goddesses. “In response to the call of Papatūānuku (Mother Earth)”, writes Crawford, “and in deep reverence for the untold stories of the Māori goddess, these photographs express that a healing of the human condition is tethered to the healing of Mother Earth. As Dr Rangimarie Turuki Arikirangi Rose Pere states ‘You heal me, you heal Papatūānuku’”. These photographs are also developmental works in preparation for Crawford’s forthcoming Māori dance opera work Goddess,which aims to express Māori feminine Earth and Water narratives. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551346218697-KDN4BVZAF9G7OF7T93J1/DSC04700.jpg Bruce E. Phillips Curating - EAST 2018 - Terri Ripeka Crawford (Ngāti Porou, Ngāti Kahungunu, Ngai Tūhoe) Hinetītama, Goddess of the Dawn, 2017 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551346218941-JOOWN9FQFXDTRCVUVK3L/DSC04698.jpg Bruce E. Phillips Curating - EAST 2018 - Terri Ripeka Crawford (Ngāti Porou, Ngāti Kahungunu, Ngai Tūhoe) Hinetītama, Immersed in the tears of Hinemoana, 2017 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551310908630-Y8J3CW6E2RGX6B7IICVJ/ALPH1808270024.jpeg Bruce E. Phillips Curating - EAST 2018 EAST 2018 install view. Photo by Richard Brimer. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551310913283-HZUMD3W8MUBBTBC7I2GQ/ALPH1808270040.jpeg Bruce E. Phillips Curating - EAST 2018 EAST 2018 install view. Photo by Richard Brimer. https://bruceephillips.com/curating/peter-robinson monthly 0.5 2020-11-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524131377405-FM0HYD13BL3SOGY7RP0N/120CoCAPeterRobinson1709.jpg Bruce E. Phillips Curating - Peter Robinson: Fieldwork - Peter Robinson Fieldwork, 2018 Toi Moroki Centre of Contemporary Art, Christchurch. 3 March – 13 May 2018 Photos by Daniela Aebli https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524131333565-U1AD3E4JJI27VDLXWE97/320CoCAPeterRobinson7949.jpg Bruce E. Phillips Curating - Peter Robinson: Fieldwork - Peter Robinson Fieldwork, 2018 Toi Moroki Centre of Contemporary Art, Christchurch. 3 March – 13 May 2018 Photos by Daniela Aebli https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524131253443-X8HFILBK5TJN87G9KH2X/560CoCAPeterRobinson8263_1.jpg Bruce E. Phillips Curating - Peter Robinson: Fieldwork - Peter Robinson Fieldwork, 2018 Toi Moroki Centre of Contemporary Art, Christchurch. 3 March – 13 May 2018 Photos by Daniela Aebli https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524131290204-FI593BRZ60225HQF693F/410CoCAPeterRobinson7850.jpg Bruce E. Phillips Curating - Peter Robinson: Fieldwork - Peter Robinson Fieldwork, 2018 Toi Moroki Centre of Contemporary Art, Christchurch. 3 March – 13 May 2018 Photos by Daniela Aebli https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524131392702-3XNRIX8N3UYORF72R8MT/110CoCAPeterRobinson7822.jpg Bruce E. Phillips Curating - Peter Robinson: Fieldwork - Peter Robinson Fieldwork, 2018 Toi Moroki Centre of Contemporary Art, Christchurch. 3 March – 13 May 2018 Photos by Daniela Aebli https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524131292886-8FYVQIGX5L05NM8U8AXH/380CoCAPeterRobinson8126.jpg Bruce E. Phillips Curating - Peter Robinson: Fieldwork - Peter Robinson Fieldwork, 2018 Toi Moroki Centre of Contemporary Art, Christchurch. 3 March – 13 May 2018 Photos by Daniela Aebli https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524131349793-FVRB8QJY15HZSKOOUTUZ/270CoCAPeterRobinson8136.jpg Bruce E. Phillips Curating - Peter Robinson: Fieldwork - Peter Robinson Fieldwork, 2018 Toi Moroki Centre of Contemporary Art, Christchurch. 3 March – 13 May 2018 Photos by Daniela Aebli https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524131313180-H3Z6EI146HEOX8W2XO9Q/350CoCAPeterRobinson7948.jpg Bruce E. Phillips Curating - Peter Robinson: Fieldwork - Peter Robinson Fieldwork, 2018 Toi Moroki Centre of Contemporary Art, Christchurch. 3 March – 13 May 2018 Photos by Daniela Aebli https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524131384921-6LGMBOO623F711GW59SM/200CoCAPeterRobinson7712.jpg Bruce E. Phillips Curating - Peter Robinson: Fieldwork https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524131396901-ABS49YHPVNPFC16952V6/050CoCAPeterRobinson8017.jpg Bruce E. Phillips Curating - Peter Robinson: Fieldwork https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524131360156-WXYHTCRMAN8B2W6QWVHP/230CoCAPeterRobinson7722-1.jpg Bruce E. Phillips Curating - Peter Robinson: Fieldwork - Peter Robinson Fieldwork, 2018 Toi Moroki Centre of Contemporary Art, Christchurch. 3 March – 13 May 2018 Photos by Daniela Aebli https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524131391515-RBKAKTPGJD6SXJVZ7HQR/070CoCAPeterRobinson8015.jpg Bruce E. Phillips Curating - Peter Robinson: Fieldwork - Peter Robinson Fieldwork, 2018 Toi Moroki Centre of Contemporary Art, Christchurch. 3 March – 13 May 2018 Photos by Daniela Aebli https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524131266136-TJMI387JVCCK7UVTUBHS/680CoCAPeterRobinson8274_1.jpg Bruce E. Phillips Curating - Peter Robinson: Fieldwork - Peter Robinson Fieldwork, 2018 Toi Moroki Centre of Contemporary Art, Christchurch. 3 March – 13 May 2018 Photos by Daniela Aebli https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524131241168-6PIQ7U3E2K3F1CRP9C3J/380CoCAPeterRobinson8126.jpg Bruce E. Phillips Curating - Peter Robinson: Fieldwork https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524131263008-3G6RD3PGBAVQ41GZRZFY/350CoCAPeterRobinson7948.jpg Bruce E. Phillips Curating - Peter Robinson: Fieldwork https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524131360149-FPVTS81MSSR2RUGZCFMU/070CoCAPeterRobinson8015.jpg Bruce E. Phillips Curating - Peter Robinson: Fieldwork https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524131362200-77WUVEEELBCES07O3FU1/110CoCAPeterRobinson7822.jpg Bruce E. Phillips Curating - Peter Robinson: Fieldwork https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524131299394-8YQLD74IA14K1ERKIG8T/270CoCAPeterRobinson8136.jpg Bruce E. Phillips Curating - Peter Robinson: Fieldwork https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524131309337-SZ9RTAXW1IZDH8AC5NCI/230CoCAPeterRobinson7722-1.jpg Bruce E. Phillips Curating - Peter Robinson: Fieldwork https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524131348017-YH6J7KE28B2GY6TIAE2O/200CoCAPeterRobinson7712.jpg Bruce E. Phillips Curating - Peter Robinson: Fieldwork https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524131331797-UWDH5C2J494BXDVQGIS0/120CoCAPeterRobinson1709.jpg Bruce E. Phillips Curating - Peter Robinson: Fieldwork https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524131284855-0LU9M18PRQBEVU6JGP1J/320CoCAPeterRobinson7949.jpg Bruce E. Phillips Curating - Peter Robinson: Fieldwork https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524131375634-8BQ47XI79WUPA78JPZ09/050CoCAPeterRobinson8017.jpg Bruce E. Phillips Curating - Peter Robinson: Fieldwork https://bruceephillips.com/curating/ruth-watson monthly 0.5 2018-10-19 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524227899200-PS15506OBUHA7HJNPM9K/Ruth+Watson.jpg Bruce E. Phillips Curating - Ruth Watson: Geophagy Ruth Watson, Geophagy, 2018 (detail). Installation with recycled pallets, second-hand clothing, monitors with 5-single channel, looped HD videos. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524183040577-NB83OHS0JR0IHR2784MN/Geophogy1 Bruce E. Phillips Curating - Ruth Watson: Geophagy Ruth Watson, Geophagy, 2017 (detail). Installation with recycled pallets, second hand clothing, monitors with six single channel, HD looped videos. Installation dimensions variable. Photo by Janneth Gil. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524264118858-3AMNMT8XEVT04DVC415Y/Geophagy Bruce E. Phillips Curating - Ruth Watson: Geophagy Ruth Watson, Geophagy, 2017 (detail). Installation with recycled pallets, second hand clothing, monitors with six single channel, HD looped videos. Installation dimensions variable. Photo by Bruce E. Phillips https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524172088317-ZDIVC25CRVWTCLIVLA0F/b5f2c49b949de7822d3d4712ae5c2caa.jpg Bruce E. Phillips Curating - Ruth Watson: Geophagy - Ruth Watson Geophagy, 2018 (detail) installation with recycled pallets, second-hand clothing, monitors with 5-single channel, looped HD videos Photo by Janneth Gil https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524172088596-K2ISPMXJGP1T9GI87CDY/bc80c99a4bc629a204ed052131d6f024.jpg Bruce E. Phillips Curating - Ruth Watson: Geophagy - Ruth Watson Unmapping the world, 2017 Single channel, looped HD video with sound projector, screen and loungers. 8:51 mins Photo by Janneth Gil https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524172085557-EFKY1GXLQHX1VM2TSN8R/7367b2a6d355f0fd8bed6ac720a3a1c7.jpg Bruce E. Phillips Curating - Ruth Watson: Geophagy - Ruth Watson Transient Global Amnesia, 2017 Series of 9 photographic prints, framed, 420 x 280mm Photo by Janneth Gil https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524172089830-8BAD410XNGHFSFI2CNA7/d2939992fc938f30d3b9515cb7758e57.jpg Bruce E. Phillips Curating - Ruth Watson: Geophagy - Ruth Watson The surface of things, 2015 Three channel HD looped videos with sound Photo by Janneth Gil https://bruceephillips.com/curating/teao2 monthly 0.5 2018-02-24 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512723648654-EPF65TAWXCY419G7SU9O/_43A1479web.jpg Bruce E. Phillips Curating - Shannon Te Ao: With the sun aglow, I have my pensive moods - Shannon Te Ao With the sun aglow, I have my pensive moods, 2017 two channel video, colour and sound cinematography by Iain Frengley commissioned by Edinburgh Art Festival and Te Tuhi, Aotearoa New Zealand courtesy of the artist and Robert Heald Gallery, Wellington photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512723616954-FO6RONZ2F6VQN5EZ0T8O/_43A1475web.jpg Bruce E. Phillips Curating - Shannon Te Ao: With the sun aglow, I have my pensive moods - Shannon Te Ao With the sun aglow, I have my pensive moods, 2017 two channel video, colour and sound cinematography by Iain Frengley commissioned by Edinburgh Art Festival and Te Tuhi, Aotearoa New Zealand courtesy of the artist and Robert Heald Gallery, Wellington photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512723630222-FO4JTG6UJK6C9M61OT94/_43A1449web.jpg Bruce E. Phillips Curating - Shannon Te Ao: With the sun aglow, I have my pensive moods - Shannon Te Ao With the sun aglow, I have my pensive moods, 2017 (detail) two channel video, colour and sound cinematography by Iain Frengley commissioned by Edinburgh Art Festival and Te Tuhi, Aotearoa New Zealand courtesy of the artist and Robert Heald Gallery, Wellington photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509260846476-73BU8DX0EWCG5IRYZNWZ/Shannon+Te+Ao%2C+production+still+2%2C+2017.jpg Bruce E. Phillips Curating - Shannon Te Ao: With the sun aglow, I have my pensive moods - Shannon Te Ao With the sun aglow, I have my pensive moods, 2017 (video still) two channel video, colour and sound cinematography by Iain Frengley commissioned by Edinburgh Art Festival and Te Tuhi, Aotearoa New Zealand courtesy of the artist and Robert Heald Gallery, Wellington https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510646225128-MQ8ATNLLIVETQMN2QFJN/Te+Ao_still_3.jpg Bruce E. Phillips Curating - Shannon Te Ao: With the sun aglow, I have my pensive moods - Shannon Te Ao With the sun aglow, I have my pensive moods, 2017 (video still) two channel video, colour and sound cinematography by Iain Frengley commissioned by Edinburgh Art Festival and Te Tuhi, Aotearoa New Zealand courtesy of the artist andRobert Heald Gallery, Wellington https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512723641588-R2640CW60LQU1ECIU2K6/_43A1476web.jpg Bruce E. Phillips Curating - Shannon Te Ao: With the sun aglow, I have my pensive moods - Shannon Te Ao With the sun aglow, I have my pensive moods, 2017 two channel video, colour and sound cinematography by Iain Frengley commissioned by Edinburgh Art Festival and Te Tuhi, Aotearoa New Zealand courtesy of the artist and Robert Heald Gallery, Wellington photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512723597399-IYR4XZPWW7ANUEBUXX78/_43A1444web.jpg Bruce E. Phillips Curating - Shannon Te Ao: With the sun aglow, I have my pensive moods - Shannon Te Ao With the sun aglow, I have my pensive moods, 2017 two channel video, colour and sound cinematography by Iain Frengley commissioned by Edinburgh Art Festival and Te Tuhi, Aotearoa New Zealand courtesy of the artist and Robert Heald Gallery, Wellington photo by Sam Hartnett https://bruceephillips.com/curating/yona-lee monthly 0.5 2022-02-09 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508875592029-LY3J9L6RPR0WTDLRSD0Y/_43A7616.jpg Bruce E. Phillips Curating - Yona Lee: In Transit (Arrival) - Yona Lee In Transit (Arrival), 2017 (install view) commissioned by Te Tuhi, Auckland, in association with Auckland Arts Festival photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508875591768-2ZFOY7KDO3G7W5A81JGW/_43A7633.jpg Bruce E. Phillips Curating - Yona Lee: In Transit (Arrival) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508875595209-9WOR8M186ZX80VUO2TUT/_43A7637.jpg Bruce E. Phillips Curating - Yona Lee: In Transit (Arrival) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508875594936-X7FM3XVXVQYYIV2OJ8G2/_43A7655.jpg Bruce E. Phillips Curating - Yona Lee: In Transit (Arrival) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508875596264-N2SS09SQ32YZM1KZ7RMM/_43A7661.jpg Bruce E. Phillips Curating - Yona Lee: In Transit (Arrival) photo by Sam Hartnett https://bruceephillips.com/curating/scu2 monthly 0.5 2019-02-26 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216899334-5XXLTV99RMF4TSK7KWV5/IMG_0973.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - GEMMA BANKS Lola in Orb IP/SP, 2017 (installation view, The Physics Room) single channel video, 7:00 minutes; artist page work; street poster campaign located in the Christchurch Innovation Precinct, 3 September–8 October. Courtesy of the artist and The Physics Room photo by Daegan Wells https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216878774-YWLJYXGGMQVXQ7W0KG8N/IMG_0963.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - Gemma Banks Lola in Orb IP/SP, 2017 (installation view, The Physics Room) single channel video, 7:00 minutes; artist page work; street poster campaign located in the Christchurch Innovation Precinct, 3 September–8 October. Courtesy of the artist and The Physics Room photo by Daegan Wells https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216884273-NZNUKZ8I963F2C51ND2W/IMG_0960.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - Gemma Banks Lola in Orb IP/SP, 2017 (installation view, The Physics Room) single channel video, 7:00 minutes; artist page work; street poster campaign located in the Christchurch Innovation Precinct, 3 September–8 October. Courtesy of the artist and The Physics Room photo by Daegan Wells https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216917155-2F02Y0RVVTY1OH4UWJ2N/IMG_0977.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite Share/Cheat/Unite installation view, The Physics Room, photo by Daegan Wells. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216667569-M89VFI2F254JQ5YUN8DS/IMG_0x877.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite Share/Cheat/Unite installation view, The Physics Room, photo by Daegan Wells. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216970624-Y83UY33TY6H5OCEGCLYQ/IMG_1302+%28Jamie+Hanton%27s+conflicted+copy+2017-12-21%29.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - CHIM POM Making the Sky of Hiroshima ‘PIKA!’, 2009 (installation view, The Physics Room) Single-channel video, 5:35 minutes courtesy of the artists, photo by Daegan Wells. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216987942-1G425397R05RA3A7MQIU/IMG_1314+%28Jamie+Hanton%27s+conflicted+copy+2017-12-21%29.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - Cim Pom Untitled, 2009 paper, pencil, coloured pencil, 312 × 201 mm courtesy of the artists photo by Daegan Wells Why Can’t We Make the Sky of Hiroshima ‘PIKA!’?, 2009 artist publication courtesy of the artists photo by Daegan Wells https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216644884-HH8RPEPYVW6763HAFZUF/IMG_0860.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite Share/Cheat/Unite installation view, The Physics Room, photo by Daegan Wells. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216700508-GEELBNZP30KV9G7OO8I7/IMG_0864.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - Johnson Witehira Half-blood, 2016 (installation view, The Physics Room) two-channel playable artwork, courtesy of the artist photo by Daegan Wells. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216706683-FXFZD04I81DD5JV6MDK8/IMG_0869.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - Johnson Witehira Half-blood, 2016 (installation view, The Physics Room) two-channel playable artwork, courtesy of the artist photo by Daegan Wells. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216782812-MRYV0UZ33MRUFYSSYQY3/IMG_0872.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - Johnson Witehira Half-blood, 2016 (installation view, The Physics Room) two-channel playable artwork, courtesy of the artist photo by Daegan Wells. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216807868-F74EMTHMHGISSDUOS0HR/IMG_0900.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - Sasha Huber Agassiz Down Under Poster, 2017 (install view, The Physics Room) The Physics Room, Christchurch take away poster #3, edition of 100, 42 x 60 cm courtesy of the artist and The Physics Room photo by Daegan Wells. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216933293-T6N35CB8JCAG6PWI5CBQ/IMG_1280+%28Jamie+Hanton%27s+conflicted+copy+2017-12-21%29.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - Sasha Huber KARAKIA: The Resetting Ceremony, 2015 (install view, The Physics Room) video, 5:20 minutes, featuring Jeff Mahuika (Kāti Māhaki, Kāi Tahu), courtesy of the artist, photo by Daegan Wells. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216851833-8T28HKYB4UTNN6RJECSH/IMG_0920.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - Yu-Cheng Chou A Working History Lu Chieh-Te, 2012 (installation view, The Physics Room) installation, pattern painted on wooden deck, 500 x 500 cm; booklet (Chinese and English), 13 x 21 cm, 210 pages, commissioned by Taipei Contemporary Centre in Taipei for the exhibition Trading Futures, 2012; commissioned by Te Tuhi in Auckland for the exhibition Share/Cheat/Unite, 2016, photo by Daegan Wells. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551216860634-PQ0ONDV7XB1WWORU3GLW/IMG_0929.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - Yu-Cheng Chou A Working History Lu Chieh-Te, 2012 (installation view, The Physics Room) installation, pattern painted on wooden deck, 500 x 500 cm; booklet (Chinese and English), 13 x 21 cm, 210 pages, commissioned by Taipei Contemporary Centre in Taipei for the exhibition Trading Futures, 2012; commissioned by Te Tuhi in Auckland for the exhibition Share/Cheat/Unite, 2016, photo by Daegan Wells. https://bruceephillips.com/curating/lisa-crowley-the-incandescents monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509049285786-CHYRGSSA8P1OYC87OCH4/image_for_te_tuhi_LC.jpg Bruce E. Phillips Curating - Lisa Crowley: The Incandescents - Lisa Crowley The Incandescents, 2017 (video still) https://bruceephillips.com/curating/teao1 monthly 0.5 2025-04-16 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1505648874152-4DPQ3XLQA29KI7QNOHDH/EdArtFest8500.jpg Bruce E. Phillips Curating - Shannon Te Ao: With the sun aglow, I have my pensive moods - Shannon Te Ao With the sun aglow, I have my pensive moods, 2017 (install view) two channel video, colour and sound cinematography by Iain Frengley commissioned by Edinburgh Art Festival and Te Tuhi, Aotearoa New Zealand courtesy of the artist and Robert Heald Gallery, Wellington https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1505648788146-RO4TZLRUO9V0EJ0G3TPO/EdArtFest8486.jpg Bruce E. Phillips Curating - Shannon Te Ao: With the sun aglow, I have my pensive moods - Shannon Te Ao With the sun aglow, I have my pensive moods, 2017 (install view) two channel video, colour and sound cinematography by Iain Frengley commissioned by Edinburgh Art Festival and Te Tuhi, Aotearoa New Zealand courtesy of the artist andRobert Heald Gallery, Wellington https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1505648875559-7843PRBRMY8RS069PXX8/EdArtFest8503.jpg Bruce E. Phillips Curating - Shannon Te Ao: With the sun aglow, I have my pensive moods - Shannon Te Ao With the sun aglow, I have my pensive moods, 2017 (install view) two channel video, colour and sound cinematography by Iain Frengley commissioned by Edinburgh Art Festival and Te Tuhi, Aotearoa New Zealand courtesy of the artist andRobert Heald Gallery, Wellington https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1505648835091-YCIDAE2AG5AGP3VO3WXY/EdArtFest8494.jpg Bruce E. Phillips Curating - Shannon Te Ao: With the sun aglow, I have my pensive moods - Shannon Te Ao With the sun aglow, I have my pensive moods, 2017 (install view) two channel video, colour and sound cinematography by Iain Frengley commissioned by Edinburgh Art Festival and Te Tuhi, Aotearoa New Zealand courtesy of the artist and Robert Heald Gallery, Wellington https://bruceephillips.com/curating/jeremy-leatinuu monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508877118742-1E40GB5Q2SXWNSEOS79N/_43A1324web.jpg Bruce E. Phillips Curating - Jeremy Leatinu'u: Earthpushers - Jeremy Leatinu'u Earthpushers, 2017 (install view) cinematography by Ian Powell commissioned by Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508877119254-1VI8CV95IJTM984N6S1M/_43A1327web.jpg Bruce E. Phillips Curating - Jeremy Leatinu'u: Earthpushers photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508877119522-75FI6V8LCYLMKTIICQGM/_43A1329web.jpg Bruce E. Phillips Curating - Jeremy Leatinu'u: Earthpushers photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508877120345-BAR4T8IIYBX9MQMUF5OG/_43A7661.jpg Bruce E. Phillips Curating - Jeremy Leatinu'u: Earthpushers - Jeremy Leatinu'u Earthpushers, 2017 (video still) commissioned by Te Tuhi, Auckland cinematography by Ian Powell https://bruceephillips.com/curating/bruce-barber monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508876571903-9Z7TBJWWI3RLKXQQNI8P/_43A1290web.jpg Bruce E. Phillips Curating - Bruce Barber: I Swear - Bruce Barber I Swear, 2017 (install view) Commissioned by Te Tuhi Photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508876571886-LXCN6SBO3AW8UDK5TVZP/_43A1293web.jpg Bruce E. Phillips Curating - Bruce Barber: I Swear - Bruce Barber I Swear, 2017 (install view) Commissioned by Te Tuhi Photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508876573541-4BI133FVMC02DBVGW9VE/_43A1297web.jpg Bruce E. Phillips Curating - Bruce Barber: I Swear - Bruce Barber I Swear, 2017 (install view) Commissioned by Te Tuhi Photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508876573798-GDIHRY1MLXUEYTSU6RNS/_43A1311web.jpg Bruce E. Phillips Curating - Bruce Barber: I Swear - Bruce Barber I Swear, 2017 (install view, billboards) Commissioned by Te Tuhi Photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508876574821-J8VZJTMZR3QEO0WAH43B/_43A7661.jpg Bruce E. Phillips Curating - Bruce Barber: I Swear - Bruce Barber I Swear, 2017 (install view) Commissioned by Te Tuhi Photo by Sam Hartnett https://bruceephillips.com/curating/kalisolaite-uhila monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508752688436-LZRJPHUL5QTH0HDRHHFO/web--2+-+Copy.jpg Bruce E. Phillips Curating - Kalisolaite 'Uhila: Pigs in the yard II - Kalisolaite ‘Uhila Pigs in the yard II, 2016 (installation view) Documentation, HD video, 15:23 mins Filmed by Max Bellamy Commissioned by Te Tuhi, Auckland Photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508752689053-8530GHWMIZEDPHV4ITBN/web-7061+-+Copy.jpg Bruce E. Phillips Curating - Kalisolaite 'Uhila: Pigs in the yard II - Kalisolaite ‘Uhila Pigs in the yard II, 2016 (installation view) Documentation, HD video, 15:23 mins Filmed by Max Bellamy Commissioned by Te Tuhi, Auckland Photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508752693797-A0YV85K71RBFPCKE6KHB/web-7065+-+Copy.jpg Bruce E. Phillips Curating - Kalisolaite 'Uhila: Pigs in the yard II - Kalisolaite ‘Uhila Pigs in the yard II, 2016 (installation view) Documentation, HD video, 15:23 mins Filmed by Max Bellamy Commissioned by Te Tuhi, Auckland Photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508752712405-TJSSC08TXL9HIX01YJ62/Pigs_in_they_yard_Aotea_Sq_KalisolaiteUhila_2011-1024x682.jpg Bruce E. Phillips Curating - Kalisolaite 'Uhila: Pigs in the yard II - Kalisolaite 'Uhila Pigs in the Yard (Performance Arcade, Auckland), 2011 https://bruceephillips.com/curating/scu1 monthly 0.5 2022-02-09 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511583707433-3CWPXYQTVW8UML03MG9L/Harvey+1.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Mark Harvey Turquoisation: For the coming storm, 2016 instructional video and series of public interventions performers: Sara Cowdell, Lisa Greenfield, Kristian Larsen, Ivan Mršić, Claire O’Neil, Adrian Smith, Val Smith and Chancy Rattanong. commissioned by Te Tuhi, Auckland https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511584276463-MHHTMP4F471IVJI8829D/IMG_7377.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Mark Harvey Turquoisation: For the coming storm, 2016 instructional video and series of public interventions performers: Sara Cowdell, Lisa Greenfield, Kristian Larsen, Ivan Mršić, Claire O’Neil, Adrian Smith, Val Smith and Chancy Rattanong. commissioned by Te Tuhi, Auckland https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511584284602-CY5Q6OWYPWXMLX0IO3EF/IMG_7379.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Mark Harvey Turquoisation: For the coming storm, 2016 instructional video and series of public interventions performers: Sara Cowdell, Lisa Greenfield, Kristian Larsen, Ivan Mršić, Claire O’Neil, Adrian Smith, Val Smith and Chancy Rattanong. commissioned by Te Tuhi, Auckland https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511584298897-QBZYN64BH5Y078ZD5BTT/IMG_7382.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Mark Harvey Turquoisation: For the coming storm, 2016 instructional video and series of public interventions performers: Sara Cowdell, Lisa Greenfield, Kristian Larsen, Ivan Mršić, Claire O’Neil, Adrian Smith, Val Smith and Chancy Rattanong. commissioned by Te Tuhi, Auckland https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511584305082-72ZH0FQLLJIHGR5D5HN3/IMG_7383.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Mark Harvey Turquoisation: For the coming storm, 2016 instructional video and series of public interventions performers: Sara Cowdell, Lisa Greenfield, Kristian Larsen, Ivan Mršić, Claire O’Neil, Adrian Smith, Val Smith and Chancy Rattanong. commissioned by Te Tuhi, Auckland https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511584316086-W7BXD4KO119EJAV679MV/IMG_7387.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Mark Harvey Turquoisation: For the coming storm, 2016 instructional video and series of public interventions performers: Sara Cowdell, Lisa Greenfield, Kristian Larsen, Ivan Mršić, Claire O’Neil, Adrian Smith, Val Smith and Chancy Rattanong. commissioned by Te Tuhi, Auckland https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511583821507-7YJ0PG45E5P8J1ZHM31X/DSC_0173.JPG Bruce E. Phillips Curating - Share/Cheat/Unite https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511583843219-4NKYIGKVB6RIBAYNKMEY/DSC_0088.JPG Bruce E. Phillips Curating - Share/Cheat/Unite - Mark Harvey Turquoisation: For the coming storm, 2016 instructional video and series of public interventions performers: Sara Cowdell, Lisa Greenfield, Kristian Larsen, Ivan Mršić, Claire O’Neil, Adrian Smith, Val Smith and Chancy Rattanong. commissioned by Te Tuhi, Auckland https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511583967222-635SKBBAVB3DCOKV3SR5/DSC_0210.JPG Bruce E. Phillips Curating - Share/Cheat/Unite https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511583967530-7DYODYVDR6DRLC8AU50M/DSC_0214.JPG Bruce E. Phillips Curating - Share/Cheat/Unite https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511583986163-E39QOJ5BYPRZQZ79DO64/DSC_0227.JPG Bruce E. Phillips Curating - Share/Cheat/Unite - Mark Harvey Turquoisation: For the coming storm, 2016 instructional video and series of public interventions performers: Sara Cowdell, Lisa Greenfield, Kristian Larsen, Ivan Mršić, Claire O’Neil, Adrian Smith, Val Smith and Chancy Rattanong. commissioned by Te Tuhi, Auckland https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511584022422-2ELDLJ87H7MT68C2IJ5L/DSC_0217.JPG Bruce E. Phillips Curating - Share/Cheat/Unite https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511584022721-PY082B6GZHO8PRMAFTDP/DSC_0218.JPG Bruce E. Phillips Curating - Share/Cheat/Unite https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511584083460-8PJNCNWECNR9TKY1D08C/DSC_0324.JPG Bruce E. Phillips Curating - Share/Cheat/Unite - Mark Harvey Turquoisation: For the coming storm, 2016 instructional video and series of public interventions performers: Sara Cowdell, Lisa Greenfield, Kristian Larsen, Ivan Mršić, Claire O’Neil, Adrian Smith, Val Smith and Chancy Rattanong. commissioned by Te Tuhi, Auckland https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511584143760-KL01P6YOC5YJBL4W0PJR/DSC_0336.JPG Bruce E. Phillips Curating - Share/Cheat/Unite https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511585071243-X3SFD67K8VDD0Q1U50D3/IMG_7848.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511585099347-G6P64A6KZ9YKGMPQJRHX/IMG_7849.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511585097776-TBUWE26CIHHK9GCRL3M7/IMG_7890.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511585167379-NYDFDYZT3SE27VZT2WDE/IMG_7851.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511585173532-XBHCIXE6002NJ5BIMNG8/IMG_7852.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511585186530-E9L682PQ614G8CH9RT8C/IMG_7853.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511585202060-J2N3DF99E1OLNJP4DJPV/IMG_7898.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511585246249-IUHMKSC6Z8K9ZOQVGAZL/IMG_7957.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - Mark Harvey Turquoisation: For the coming storm, 2016 instructional video and series of public interventions performers: Sara Cowdell, Lisa Greenfield, Kristian Larsen, Ivan Mršić, Claire O’Neil, Adrian Smith, Val Smith and Chancy Rattanong. commissioned by Te Tuhi, Auckland https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511585296680-WYO08ZYK0SNQJNGBF3T8/IMG_8002.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511585342657-YAPLBK52NDPQ42A0I38F/IMG_8042.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511585344594-DANGIDSY66S8QTWFMSUG/IMG_8044.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - Mark Harvey Turquoisation: For the coming storm, 2016 instructional video and series of public interventions performers: Sara Cowdell, Lisa Greenfield, Kristian Larsen, Ivan Mršić, Claire O’Neil, Adrian Smith, Val Smith and Chancy Rattanong. commissioned by Te Tuhi, Auckland https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511585355585-7S17ELKOZKRW7GIL4V3Z/IMG_8045.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511585396462-TJPI7I8BV1BRNK05OLVQ/IMG_8094.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511585396834-4JF6QFEWSPWN3EHL1GME/IMG_8092.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - Mark Harvey Turquoisation: For the coming storm, 2016 instructional video and series of public interventions performers: Sara Cowdell, Lisa Greenfield, Kristian Larsen, Ivan Mršić, Claire O’Neil, Adrian Smith, Val Smith and Chancy Rattanong. commissioned by Te Tuhi, Auckland https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510119642293-1W8RBW8NJWWZ6ERRRGVN/JonathasdeAndrade_O_Levante%2B-%2BCopy.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Jonathas de Andrade O Levante, 2012-2013 courtesy of Vermelho Gallery, Brazil https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510119907971-MTPQI96XDYRP8CMWZ6UM/Sasha_Huber+low+res.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Sasha Huber Karakia – the resetting ceremony, 2015 (video still), featuring Jeff Mahuika (Kāti Māhaki, Poutini Kāi Tahu) courtesy of the artist https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510119644765-PUFB445RJ6BWTC31D8IZ/2.Anibal%2BLopez%2C%2BTestimonio%2C%2B2012.%2BVideo%2C%2Bsound%2C%2Bcolor%2C%2B43%2739%27%27.%2BCourtesy%2Bprometegallery%2Bdi%2BIda%2BPisani%2C%2BMilan-Lucca.jpeg.png Bruce E. Phillips Curating - Share/Cheat/Unite - Aníbal López (A-1 53167) Testimonio, 2012 (video still) video, color, sound, 43:39 min courtesy of Prometeo Gallery, Italy https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510119644765-OY9DOZY34T4172NMVWX8/web--8.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Yu-Cheng Chou A Working History Lu Chieh-Te, 2012 installation, booklet (Chinese & English), 13 x 21 cm, 210 pages, pattern painted on wooden deck, 500 x 500 cm Commissioned by Taipei Contemporary Centre in Taipei for the exhibition Trading Futures, 2012 commissioned by Te Tuhi in Auckland for the exhibition Share/Cheat/Unite, 2016 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510119910020-H14CFA52FC9MXPOISOLZ/Hu+1.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Hu Xiangqian Speech at the edge of the world, 2014 (video still) single channel HD video, 12:31 min courtesy of Long March Space, Beijing https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510119903735-OEKZ6OMT3PRVO91WBOSY/Harvey+1.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Mark Harvey Turquoisation: For the coming storm, 2016 instructional video and series of public interventions filmed by Daniel Strang performers: Sara Cowdell, Lisa Greenfield, Mark Harvey Kristian Larsen, Ivan Mršić, Claire O'Neil Adrian Smith, Val Smith and Chancy Rattanong commissioned by Te Tuhi, Auckland https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510119903443-H4I4U13QJVG0MQV658OJ/Kakokaranga.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Ivan Mršić  Kakokarangaphonia Orchestra, 2016 a collaborative offsite performance, 12pm - 1pm, 15 October 2016 Karanga Plaza, Wynyard Quarter, Auckland hoto by Bruce E. Phillips https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510119910983-OPZ8AQMJF06PJ7J6TF38/Vea+One+Kiosk.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - John Vea One Kiosk Many Exchanges, 2016 In collaboration with Kaitiaki Taonga Taini Drummond and artists Valasi Leota-Seiuli, Sione Mafi, Newman Tumata and Jimmy Wulf. 12:00-1:00 pm, 8 October 2016 Emilia Maud Nixon Garden of Memories, 37 Uxbridge Road, Howick, Auckland photo Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510119905716-B09B913PCKQ16E41U24I/Lowres+Apelu+GE+Patea3.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Darcell Apelu Generation Exchange (Patea), 2016 a walking tour of Patea 6:00-8:00 am, 24 September 2016 photo Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1505733586041-SJ66B12UTDF0OA3UY84O/web-1972.jpg Bruce E. Phillips Curating - Share/Cheat/Unite Graphic design by Kalee Jackson Exhibition design by Andrew Kennedy photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1505733606918-6G7JOFCDAQ5EU4VE5293/web-1970.jpg Bruce E. Phillips Curating - Share/Cheat/Unite Graphic design by Kalee Jackson Exhibition design by Andrew Kennedy photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1505733634257-ZY9HTUQLZCSJ826XO6MB/web-1962.jpg Bruce E. Phillips Curating - Share/Cheat/Unite Graphic design by Kalee Jackson Exhibition design by Andrew Kennedy photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1505733659462-B9SVF6U7UO84IWBCRYBD/web-1960.jpg Bruce E. Phillips Curating - Share/Cheat/Unite Graphic design by Kalee Jackson Exhibition design by Andrew Kennedy photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511578672523-ELAFKE544FJC18ITJVCH/web-2042.jpg Bruce E. Phillips Curating - Share/Cheat/Unite Graphic design by Kalee Jackson Exhibition design by Andrew Kennedy photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511578740730-D5R1LNRMMC20USG30P4B/web-2050.jpg Bruce E. Phillips Curating - Share/Cheat/Unite Graphic design by Kalee Jackson Exhibition design by Andrew Kennedy photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511579286915-17A92HGJKI1ED4WFSVF3/IMG_7407.jpg Bruce E. Phillips Curating - Share/Cheat/Unite Graphic design by Kalee Jackson Exhibition design by Andrew Kennedy (opening event) photo by Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1505733681381-C8V4Z972HCXDYJJK9WQT/web-1954.jpg Bruce E. Phillips Curating - Share/Cheat/Unite Graphic design by Kalee Jackson Exhibition design by Andrew Kennedy photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511578651233-SS2R049H0PSSZ8C4Z06K/web--4.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Jonathas de Andrade O Levante, 2012-2013 courtesy of Vermelho Gallery, Brazil (installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1505733895291-9Y5A6UV799TPGZQ38D77/web--16.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Jonathas de Andrade O Levante, 2012-2013 courtesy of Vermelho Gallery, Brazil (installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511578507724-TW6RK0TAVH7BG3O14V80/Jonathas_de_Andrade.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Jonathas de Andrade O Levante, 2012-2013 courtesy of Vermelho Gallery, Brazil (video still) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511578638156-FQT87C17M3V65PTS7OG1/web--3.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Jonathas de Andrade O Levante, 2012-2013 courtesy of Vermelho Gallery, Brazil (installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511578668402-MSNDN6PBEPMH6IJW3AE2/web-.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Jonathas de Andrade O Levante, 2012-2013 courtesy of Vermelho Gallery, Brazil (installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1505733727365-R8TNLG65FL7LFKN5TPIZ/web-1948.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Aníbal López (A-1 53167) Testimonio, 2012 (Installation view) video, color, sound, 43:39 min courtesy of Prometeo Gallery, Italy photo by Sam Hartnett   https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511577579326-RAKTV7CUTEJCCUWM9U02/A+Lopez+1.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Aníbal López (A-1 53167) Testimonio, 2012 (video still) video, color, sound, 43:39 min courtesy of Prometeo Gallery, Italy https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1505733789821-9QFX5CYDOOZQ87YACAKC/web-1946.jpg Bruce E. Phillips Curating - Share/Cheat/Unite Graphic design by Kalee Jackson Exhibition design by Andrew Kennedy photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1505733845208-35PUM8Q1LJ580ATCMYGP/web-1902.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Vaughn Sadie & Ntsoana Contemporary Dance Theatre Inhabitant ( Newtown, Johannesburg; Dolapdere, Istanbul; Mission District, San Francisco ) 2011-14 performance documentation (installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511579303762-NGJZOFT1NNPZ25QT3V8L/IMG_7409.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Vaughn Sadie & Ntsoana Contemporary Dance Theatre Vaughn Sadie & Ntsoana Contemporary Dance Theatre Inhabitant ( Newtown, Johannesburg; Dolapdere, Istanbul; Mission District, San Francisco ) 2011-14 performance documentation (installation view, opening event) hoto by Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511579341306-37BN7ROKSZFSXSSSDXYB/Inhabitant+1-2.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Vaughn Sadie & Ntsoana Contemporary Dance Theatre Inhabitant - Dolapdere, Istanbul, 2011 performance documentation https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511578748798-I3T6UC5NPLS396IX66SL/web-2051.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Vaughn Sadie & Ntsoana Contemporary Dance Theatre Inhabitant ( Newtown, Johannesburg; Dolapdere, Istanbul; Mission District, San Francisco ) 2011-14 performance documentation (installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511578769469-PXDKHCUJJ89X7U7805MB/web-2053.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Vaughn Sadie & Ntsoana Contemporary Dance Theatre Inhabitant ( Newtown, Johannesburg; Dolapdere, Istanbul; Mission District, San Francisco ) 2011-14 performance documentation (installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511579286922-FT84JH32MO7ZU8W14FTR/IMG_7408.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Vaughn Sadie & Ntsoana Contemporary Dance Theatre Inhabitant ( Newtown, Johannesburg; Dolapdere, Istanbul; Mission District, San Francisco ) 2011-14 performance documentation (installation view, opening event) photo by Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1505733873377-7TPJTQTW2SUC2DKKW9YD/web--8.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Yu-Cheng Chou A Working History Lu Chieh-Te, 2012 installation, booklet (Chinese & English), 13 x 21 cm, 210 pages, pattern painted on wooden deck, 500 x 500 cm. Commissioned by Taipei Contemporary Centre in Taipei for the exhibition Trading Futures, 2012. Commissioned by Te Tuhi in Auckland for the exhibition Share/Cheat/Unite, 2016. (installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511581012048-BEOMPEJG417CX8JMJJK6/web--10.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Yu-Cheng Chou Yu Cheng-chou A Working History Lu Chieh-Te, 2012 installation, booklet (Chinese & English), 13 x 21 cm, 210 pages, pattern painted on wooden deck, 500 x 500 cm. Commissioned by Taipei Contemporary Centre in Taipei for the exhibition Trading Futures, 2012. Commissioned by Te Tuhi in Auckland for the exhibition Share/Cheat/Unite, 2016. (installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511578842042-GXCR9FRRR7PY5PEINDK9/web-2073.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Yu-Cheng Chou Yu Cheng-chou A Working History Lu Chieh-Te, 2012 installation, booklet (Chinese & English), 13 x 21 cm, 210 pages, pattern painted on wooden deck, 500 x 500 cm. Commissioned by Taipei Contemporary Centre in Taipei for the exhibition Trading Futures, 2012. Commissioned by Te Tuhi in Auckland for the exhibition Share/Cheat/Unite, 2016. (installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511578846953-TIKWS0CY072HU5WCAUL4/web-2075.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Yu-Cheng Chou A Working History Lu Chieh-Te, 2012 installation, booklet (Chinese & English), 13 x 21 cm, 210 pages, pattern painted on wooden deck, 500 x 500 cm. Commissioned by Taipei Contemporary Centre in Taipei for the exhibition Trading Futures, 2012. Commissioned by Te Tuhi in Auckland for the exhibition Share/Cheat/Unite, 2016. (installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511582308498-6WXX5YUHINXUF8H6TMCD/Working+history.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Yu-Cheng Chou A Working History Lu Chieh-Te, 2012 installation, booklet (Chinese & English), 13 x 21 cm, 210 pages, pattern painted on wooden deck, 500 x 500 cm. Commissioned by Taipei Contemporary Centre in Taipei for the exhibition Trading Futures, 2012. Commissioned by Te Tuhi in Auckland for the exhibition Share/Cheat/Unite, 2016. (installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511581064011-BR1H8MSUI896YBUTAEXP/web-.jpg Bruce E. Phillips Curating - Share/Cheat/Unite photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1505733819421-ABFINQY4EA3HDW2B19PY/web--6.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Sasha Huber Demounting Agassiz, 2008- (installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1505733764835-ZXJL56CNP71WW0WJT1EK/web-1942.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Sasha Huber Agassiz: The Mixed Traces Series, 2010- (installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511577877912-Q8WV5AE8T13LCBQ4BAL1/230271.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Sasha Huber Agassiz: The Mixed Traces Series. Somatological Triptych of Sasha Huber I Furnas de Agassiz in the Tijuca Forest, Rio de Janeiro, 2010 Commissioned photograph by Calè © Sasha Huber Pigment on paper, 60 x 40 cm https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511577884352-EVGMHO1YRLMCTN3JVM97/230272.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Sasha Huber Agassiz: The Mixed Traces Series. Somatological Triptych of Sasha Huber II Mont Vully, Murten, Fribourg, Switzerland, 2013 Commissioned photograph by Siro Micheroli © Sasha Huber Pigment on paper, 60 x 40 cm https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511577884022-3JCZGMD28NDAPT70W7A5/230273.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Sasha Huber Agassiz: The Mixed Traces Series. Somatological Triptych of Sasha Huber III Blackford Hill, Edinburgh, Scotland, 2013 Commissioned photograph by Peter Dibdin © Sasha Huber Pigment on paper, 60 x 40 cm https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511577878411-YP2FBW1L75ASTVP95EGY/23027Sasha_Huber_Somatological_Agassiz_Range_NZ_2015_web.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Sasha Huber Agassiz: The Mixed Traces Series. Somatological Triptych of Sasha Huber IV Agassiz Range, Canterbury, South Island, New Zealand, 2015 Commissioned photograph by Tom Hoyle © Sasha Huber Pigment on paper, 60 x 40 cm https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511577890308-6SBR8HUXSMN59HA1CF6X/230519_rentyhorn.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Sasha Huber Rentyhorn, 2008 ideo, 4:30 min. View video here. (video still) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511577892128-A7XF4LCWFLUSV28K5CBX/2302845_Sasha_Huber_Louis+who_2010.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Sasha Huber Louis Who? What you should know about Louis Agassiz. Intervention, Praça Agassiz, Rio de Janeiro, 2010. Commissioned photography by: Calé, © Sasha Huber. Intervention, Praça Agassiz, Rio de Janeiro, 2010. Video, 3:50 min.View the video here. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511577894296-P98PUHRHTTHQWSVC0RYW/23010046karakia_still_2.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Sasha Huber Karakia - The Resetting Ceremony , 2015 5:20 min (video still) Direction: Sasha Huber Karakia: Jeff Mahuika (Kāti Māhaki, Poutini Kāi Tahu). Transcription: Jeff Mahuika Cinematography: Max Bellamy, Petri Saarikko Editing, post production: Tam Webster Still photography: Tom Hoyle Advisor: Kara Edwards. Support: AVEK, Arts Promotion Centre Finland, Te Whare Hēra Wellington International Artist Residency. Watch excerpt of the video on Av-Arkki here. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511577895507-G6WIYEPEK57DMP00V6M9/2301003201_lecture_2013_web.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Sasha Huber My Racism is a Humanism. A Lecture, 2013 (video still) German, english subtitles, 29 min https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511580996599-KR6YH6GP4BWFWM1TN45K/web--9.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Hu Xiangqian Speech at the edge of the world, 2014 single channel HD video, 12:31 min courtesy of Long March Space, Beijing (installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511581048954-8HSIG8OS7EGSUBPQZMHF/web--11.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Hu Xiangqian Speech at the edge of the world, 2014 single channel HD video, 12:31 min courtesy of Long March Space, Beijing (installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511581454054-3U9HBO405K90D9YIA1WS/Hu+1-2.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Hu Xiangqian Speech at the edge of the world, 2014 (video still) single channel HD video, 12:31 min courtesy of Long March Space, Beijing https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510646709757-1HK7ZLWAVVHJC5BXHSFL/Lowres+Apelu+GE+PAtea1.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Darcell Apelu Generation Exchange (Patea), 2016 a walking tour of Patea 6:00-8:00 am, 24 September 2016 photo Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510646710057-G22S3TNAEHWAIOZYEBEZ/Lowres+Apelu+GE+Patea2.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Darcell Apelu  Generation Exchange (Patea), 2016 a walking tour of Patea 6:00-8:00 am, 24 September 2016 photo Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510646735954-WJMFA9NXE4PXDE1FR2KI/Lowres+Apelu+GE+Patea3.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Darcell Apelu Generation Exchange (Patea), 2016 a walking tour of Patea 6:00-8:00 am, 24 September 2016 photo Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510646736726-Q0EIIKX2H8LPSU39G6R4/Lowres+Apelu+GE+Patea4.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Darcell Apelu Generation Exchange (Patea), 2016 a walking tour of Patea 6:00-8:00 am, 24 September 2016 photo Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510646984610-L3N6HYI9QIFAMI6Y2B2E/IMG_7651.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Darcell Apelu Generation Exchange (Auckland), 2016 a walking tour from New Windsor Road to Mangere Lawn Cemetery 6:00-9:00 am, 1 October 2016 photo by Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510646985934-G0USXPFH3SSKNHM0FH2G/IMG_7703.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Darcell Apelu Generation Exchange (Auckland), 2016 a walking tour from New Windsor Road to Mangere Lawn Cemetery 6:00-9:00 am, 1 October 2016 photo by Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510646743343-WO8U2MP6C5W8D7TZFCI8/Darcell+Gen+Exchange+AKL.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - Darcell Apelu Generation Exchange (Auckland), 2016 a walking tour from New Windsor Road to Mangere Lawn Cemetery 6:00-9:00 am, 1 October 2016 photo by Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511585903155-16PQMU2BTKUNWTTPQQGJ/IMG_0273.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - Ivan Mršić  Kakokarangaphonia Orchestra, 2016 a collaborative offsite performance, 12pm - 1pm, 15 October 2016 Karanga Plaza, Wynyard Quarter, Auckland hoto by Bruce E. Phillips https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511585929992-71TXFNA8LIIXOY9M0PM0/IMG_0288.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - Ivan Mršić  Kakokarangaphonia Orchestra, 2016 a collaborative offsite performance, 12pm - 1pm, 15 October 2016 Karanga Plaza, Wynyard Quarter, Auckland hoto by Bruce E. Phillips https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511585929978-15LGVDZ43J6K887FL48D/IMG_0291.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - Ivan Mršić Kakokarangaphonia Orchestra, 2016 a collaborative offsite performance, 12pm - 1pm, 15 October 2016 Karanga Plaza, Wynyard Quarter, Auckland hoto by Bruce E. Phillips https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511585965865-926QZ564II206IDD5UDC/IMG_0340.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - Ivan Mršić Kakokarangaphonia Orchestra, 2016 a collaborative offsite performance, 12pm - 1pm, 15 October 2016 Karanga Plaza, Wynyard Quarter, Auckland hoto by Bruce E. Phillips https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511585977201-IVJ9ZFFXSVQW5P1L7DFP/IMG_0361.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - Ivan Mršić Kakokarangaphonia Orchestra, 2016 a collaborative offsite performance, 12pm - 1pm, 15 October 2016 Karanga Plaza, Wynyard Quarter, Auckland hoto by Bruce E. Phillips https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511585987794-Z0I6MGNJY75JU8H5JJSC/IMG_0372.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - Ivan Mršić Kakokarangaphonia Orchestra, 2016 a collaborative offsite performance, 12pm - 1pm, 15 October 2016 Karanga Plaza, Wynyard Quarter, Auckland hoto by Bruce E. Phillips https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511585997206-NEIE09DXGGWK6VLO7ZF2/IMG_0373.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - Ivan Mršić  Kakokarangaphonia Orchestra, 2016 a collaborative offsite performance, 12pm - 1pm, 15 October 2016 Karanga Plaza, Wynyard Quarter, Auckland hoto by Bruce E. Phillips https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511586037531-2W6NOCAJGR9BK4MH8BGF/IMG_0414.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - Ivan Mršić  Kakokarangaphonia Orchestra, 2016 a collaborative offsite performance, 12pm - 1pm, 15 October 2016 Karanga Plaza, Wynyard Quarter, Auckland hoto by Bruce E. Phillips https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511595601393-N2IS872VD6XMOJ8LA8UV/Vea+One+Kiosk.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - John Vea One Kiosk Many Exchanges, 2016 In collaboration with Kaitiaki Taonga Taini Drummond and artists Valasi Leota-Seiuli, Sione Mafi, Newman Tumata and Jimmy Wulf. 12:00-1:00 pm, 8 October 2016 Emilia Maud Nixon Garden of Memories, 37 Uxbridge Road, Howick, Auckland photo Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511596483339-QTP1EQF8TOTCILBIC3SA/IMG_4135.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - John Vea One Kiosk Many Exchanges, 2016 In collaboration with Kaitiaki Taonga Taini Drummond and artists Valasi Leota-Seiuli, Sione Mafi, Newman Tumata and Jimmy Wulf. 12:00-1:00 pm, 8 October 2016 Emilia Maud Nixon Garden of Memories, 37 Uxbridge Road, Howick, Auckland photo Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511596483651-Q6L4VRL68AXV4Y6WKS5K/IMG_4136.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - John Vea One Kiosk Many Exchanges, 2016 In collaboration with Kaitiaki Taonga Taini Drummond and artists Valasi Leota-Seiuli, Sione Mafi, Newman Tumata and Jimmy Wulf. 12:00-1:00 pm, 8 October 2016 Emilia Maud Nixon Garden of Memories, 37 Uxbridge Road, Howick, Auckland photo Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511596513239-MZ013QW3EM1AS3RRC63S/IMG_4137.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - John Vea One Kiosk Many Exchanges, 2016 In collaboration with Kaitiaki Taonga Taini Drummond and artists Valasi Leota-Seiuli, Sione Mafi, Newman Tumata and Jimmy Wulf. 12:00-1:00 pm, 8 October 2016 Emilia Maud Nixon Garden of Memories, 37 Uxbridge Road, Howick, Auckland photo Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511596511711-SJ5NJD94UNGBG9F2U83E/IMG_4138.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - John Vea One Kiosk Many Exchanges, 2016 In collaboration with Kaitiaki Taonga Taini Drummond and artists Valasi Leota-Seiuli, Sione Mafi, Newman Tumata and Jimmy Wulf. 12:00-1:00 pm, 8 October 2016 Emilia Maud Nixon Garden of Memories, 37 Uxbridge Road, Howick, Auckland photo Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511596529115-L7KRI94QG9O6I5FFAVSC/IMG_4142.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - John Vea One Kiosk Many Exchanges, 2016 In collaboration with Kaitiaki Taonga Taini Drummond and artists Valasi Leota-Seiuli, Sione Mafi, Newman Tumata and Jimmy Wulf. 12:00-1:00 pm, 8 October 2016 Emilia Maud Nixon Garden of Memories, 37 Uxbridge Road, Howick, Auckland photo Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511596542127-8VWDM5F489CM72U37RE5/IMG_4147.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - John Vea One Kiosk Many Exchanges, 2016 In collaboration with Kaitiaki Taonga Taini Drummond and artists Valasi Leota-Seiuli, Sione Mafi, Newman Tumata and Jimmy Wulf. 12:00-1:00 pm, 8 October 2016 Emilia Maud Nixon Garden of Memories, 37 Uxbridge Road, Howick, Auckland photo Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511596569463-QG2WMZB8FEQY004L3449/IMG_4148.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511596575615-YYZMBR1KPDI12LKR8XFC/IMG_4150.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511596602555-7Z2Y9FE7D96827D457VT/IMG_4151.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511596600494-YURNH640B16B7BW4OO7M/IMG_4152.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - John Vea One Kiosk Many Exchanges, 2016 In collaboration with Kaitiaki Taonga Taini Drummond and artists Valasi Leota-Seiuli, Sione Mafi, Newman Tumata and Jimmy Wulf. 12:00-1:00 pm, 8 October 2016 Emilia Maud Nixon Garden of Memories, 37 Uxbridge Road, Howick, Auckland photo Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511596647601-NLLR72T5X0GEYEBM49K6/IMG_4157.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - John Vea One Kiosk Many Exchanges, 2016 In collaboration with Kaitiaki Taonga Taini Drummond and artists Valasi Leota-Seiuli, Sione Mafi, Newman Tumata and Jimmy Wulf. 12:00-1:00 pm, 8 October 2016 Emilia Maud Nixon Garden of Memories, 37 Uxbridge Road, Howick, Auckland photo Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511596652696-7KHSPXLM05EV3KWYRJ9Q/IMG_4160.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - John Vea One Kiosk Many Exchanges, 2016 In collaboration with Kaitiaki Taonga Taini Drummond and artists Valasi Leota-Seiuli, Sione Mafi, Newman Tumata and Jimmy Wulf. 12:00-1:00 pm, 8 October 2016 Emilia Maud Nixon Garden of Memories, 37 Uxbridge Road, Howick, Auckland photo Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511596667943-7XHECKESARJ661T8SM5X/IMG_4161.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - John Vea One Kiosk Many Exchanges, 2016 In collaboration with Kaitiaki Taonga Taini Drummond and artists Valasi Leota-Seiuli, Sione Mafi, Newman Tumata and Jimmy Wulf. 12:00-1:00 pm, 8 October 2016 Emilia Maud Nixon Garden of Memories, 37 Uxbridge Road, Howick, Auckland photo Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511596673835-T4KU303M2SSZPH1Q0TQL/IMG_4162.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - John Vea One Kiosk Many Exchanges, 2016 In collaboration with Kaitiaki Taonga Taini Drummond and artists Valasi Leota-Seiuli, Sione Mafi, Newman Tumata and Jimmy Wulf. 12:00-1:00 pm, 8 October 2016 Emilia Maud Nixon Garden of Memories, 37 Uxbridge Road, Howick, Auckland photo Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511595594058-8SXJ41EZFZ8CVGK02QVV/JV+low+res.jpg Bruce E. Phillips Curating - Share/Cheat/Unite - John Vea One Kiosk Many Exchanges, 2016 In collaboration with Kaitiaki Taonga Taini Drummond and artists Valasi Leota-Seiuli, Sione Mafi, Newman Tumata and Jimmy Wulf. 12:00-1:00 pm, 8 October 2016 Emilia Maud Nixon Garden of Memories, 37 Uxbridge Road, Howick, Auckland photo Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511596688776-5VL94L5CXKQEJ8NBLFF2/IMG_4165.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - John Vea One Kiosk Many Exchanges, 2016 In collaboration with Kaitiaki Taonga Taini Drummond and artists Valasi Leota-Seiuli, Sione Mafi, Newman Tumata and Jimmy Wulf. 12:00-1:00 pm, 8 October 2016 Emilia Maud Nixon Garden of Memories, 37 Uxbridge Road, Howick, Auckland photo Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511596731360-LLIF5UPAHLYYO030IUGB/IMG_7791.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - John Vea One Kiosk Many Exchanges, 2016 In collaboration with Kaitiaki Taonga Taini Drummond and artists Valasi Leota-Seiuli, Sione Mafi, Newman Tumata and Jimmy Wulf. 12:00-1:00 pm, 8 October 2016 Emilia Maud Nixon Garden of Memories, 37 Uxbridge Road, Howick, Auckland photo Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511596709374-1ZE3XPZIZCA9UEWHF80W/IMG_4166.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - John Vea One Kiosk Many Exchanges, 2016 In collaboration with Kaitiaki Taonga Taini Drummond and artists Valasi Leota-Seiuli, Sione Mafi, Newman Tumata and Jimmy Wulf. 12:00-1:00 pm, 8 October 2016 Emilia Maud Nixon Garden of Memories, 37 Uxbridge Road, Howick, Auckland photo Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511596767724-D17H2P26HYYTBM2ALSXT/IMG_7792.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - John Vea One Kiosk Many Exchanges, 2016 In collaboration with Kaitiaki Taonga Taini Drummond and artists Valasi Leota-Seiuli, Sione Mafi, Newman Tumata and Jimmy Wulf. 12:00-1:00 pm, 8 October 2016 Emilia Maud Nixon Garden of Memories, 37 Uxbridge Road, Howick, Auckland photo Amy Weng https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511596823615-71L4RING5LPHWNUID14D/IMG_7829.jpeg Bruce E. Phillips Curating - Share/Cheat/Unite - John Vea One Kiosk Many Exchanges, 2016 In collaboration with Kaitiaki Taonga Taini Drummond and artists Valasi Leota-Seiuli, Sione Mafi, Newman Tumata and Jimmy Wulf. 12:00-1:00 pm, 8 October 2016 Emilia Maud Nixon Garden of Memories, 37 Uxbridge Road, Howick, Auckland photo Amy Weng https://bruceephillips.com/curating/eddie-clemens monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509050015254-NCS3YPT1OK8K76XK7FGS/_43A4687.jpg Bruce E. Phillips Curating - Eddie Clemens: Clone Cities - Eddie Clemens Clone Cities, 2016 (installation view) commissioned by Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509050010543-N8N0VIPBME6PNBPIUB30/_43A4663.jpg Bruce E. Phillips Curating - Eddie Clemens: Clone Cities - Eddie Clemens Clone Cities, 2016 (installation view) commissioned by Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511600955858-XX9LGETUKRB0ERVDYAI8/_43A2102.jpg Bruce E. Phillips Curating - Eddie Clemens: Clone Cities https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511600956169-8UTT6H8ZEEBWMCS180HP/_43A2104.jpg Bruce E. Phillips Curating - Eddie Clemens: Clone Cities https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511601167738-YIY5393ADGRRJ1U0VUS8/_43A2106.jpg Bruce E. Phillips Curating - Eddie Clemens: Clone Cities https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511601138670-K7BYV4G33GRCG5PBE0IE/_43A2108.jpg Bruce E. Phillips Curating - Eddie Clemens: Clone Cities https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511601293993-DE4HVS9BANJQKXQS6S7H/_43A2109.jpg Bruce E. Phillips Curating - Eddie Clemens: Clone Cities https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511601334641-WUWBK9NRX0WSRQ7JBID7/_43A2110.jpg Bruce E. Phillips Curating - Eddie Clemens: Clone Cities https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511601819407-VL3J1T29QTBUZ28PAEW5/_43A6697.jpg Bruce E. Phillips Curating - Eddie Clemens: Clone Cities https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511601462514-PZD85WHFSRYP0CLF2WBV/_43A2111.jpg Bruce E. Phillips Curating - Eddie Clemens: Clone Cities https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511601495317-ERVY0JRIRI9RBKRGFCNJ/_43A2113.jpg Bruce E. Phillips Curating - Eddie Clemens: Clone Cities https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511601602013-N6JODFHQCPRRZ0LNYS6Y/_43A2115.jpg Bruce E. Phillips Curating - Eddie Clemens: Clone Cities https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511601638799-8MDPFR5YPQUA6AE8CYKA/_43A2118.jpg Bruce E. Phillips Curating - Eddie Clemens: Clone Cities https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511601866492-VCGTFVHJU4G7RCNTJPE9/_43A6674.jpg Bruce E. Phillips Curating - Eddie Clemens: Clone Cities https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511601926839-21DGGYBLKJQWCRJG4B8V/_43A4598.jpg Bruce E. Phillips Curating - Eddie Clemens: Clone Cities https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511601730005-A1QLOCMGNFRGQMPYG2AC/_43A2119.jpg Bruce E. Phillips Curating - Eddie Clemens: Clone Cities https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511601819940-JJYOWBL9BNEDNP0GA3GE/_43A2120.jpg Bruce E. Phillips Curating - Eddie Clemens: Clone Cities https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511601945858-DHRL1D691IAD51WS3UG5/_43A2121.jpg Bruce E. Phillips Curating - Eddie Clemens: Clone Cities https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511602043759-VAOZBA7KDYQTHPABNGDX/_43A2123.jpg Bruce E. Phillips Curating - Eddie Clemens: Clone Cities https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511602071606-AEUK265106V4YNIPLOCD/_43A2125.jpg Bruce E. Phillips Curating - Eddie Clemens: Clone Cities https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511602179350-DIC4VAY7AM0GN45PNJY2/_43A2126.jpg Bruce E. Phillips Curating - Eddie Clemens: Clone Cities https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511602266693-KQ7D922TGZ3YLUY12SV9/_43A2129.jpg Bruce E. Phillips Curating - Eddie Clemens: Clone Cities https://bruceephillips.com/curating/hh2 monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508919720279-S4P5ZOWRUR9TJC1WGLX5/HIVE+HUMS+PART+TWO.gif Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Kalee Jackson Graphic Design https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511905496352-X2KQC4PIVN3MADL1JFGN/_43A3474.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511904159935-N16TMUC8U4E7MNGA98HL/_43A3350-Pano.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Mark Schroder The new modern efficiency, 2016 mixed media, dimensions variable commissioned by Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511904159927-8BE6C47BJ6B76XAKCLIO/_43A3353-Pano.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Mark Schroder The new modern efficiency, 2016 mixed media, dimensions variable commissioned by Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508885147968-YWHWF0569FBI2B1TGUZE/_43A3356-Pano-copy.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Mark Schroder The new modern efficiency, 2016 (installation view) mixed media, dimensions variable commissioned by Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511904188698-ZC0MTN8QDBSM7PY86437/_43A3360-Pano.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Mark Schroder The new modern efficiency, 2016 mixed media, dimensions variable commissioned by Te Tuhi, Auckland photo by Sam Hartnett   https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508885157593-MVQ4JMTBRLB3XZSNGGI8/_43A3434-copy.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Mark Schroder The new modern efficiency, 2016 (detail) mixed media, dimensions variable commissioned by Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508885162269-2RR6JJR5XYWY3S7NQQD0/_43A3445-copy2.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Suji Park Dols, 2015 plaster of Paris and pigment (buried and weathered on Waiheke Island), abandoned coffee table, dimensions variable courtesy of the artist and Ivan Anthony Gallery, Auckland https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508885157862-69JF4EOO3AC81JZMZKSB/_43A3444-copy.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Suji Park Dols, 2015 plaster of Paris and pigment (buried and weathered on Waiheke Island), abandoned coffee table, dimensions variable courtesy of the artist and Ivan Anthony Gallery, Auckland https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511905538436-NGHB2XAOEYWFU98NBKGR/_43A3363-Pano.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Shahriar Asdollah-Zadeh Pale blue dot, 2016 (install view) acrylic, ink and pen on paper 210 x 295 each commissioned by Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508885162527-EZFGTE75RGM63YWY46BT/_43A3447-+copy.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Shahriar Asdollah-Zadeh Pale blue dot, 2016 (install view) acrylic, ink and pen on paper 210 x 295 each commissioned by Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508885160435-XWK11IDMSUS1YVMNEDM6/_43A3446-copy.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Shahriar Asdollah-Zadeh Pale blue dot, 2016 (detail) acrylic, ink and pen on paper 210 x 295 each commissioned by Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511904298161-4477VRACK7QM17A6OXP5/_43A3429-Pano.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Louisa Afoa 23 years, 2013 (install view) HD video and sound, 4:43 mins looped courtesy of the artist and Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511905007392-2SP8HIOJO4YBEYFMQ2M7/Afoa+1.png Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Louisa Afoa 23 years, 2013 (video still) HD video and sound, 4:43 mins looped courtesy of the artist and Te Tuhi, Auckland https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511905036176-65A680HQ5EGZVVO4096E/Afoa+2.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Louisa Afoa 23 years, 2013 (video still) HD video and sound, 4:43 mins looped courtesy of the artist and Te Tuhi, Auckland   https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508994004937-8T1NK623IULV6YDW71XU/_43A3373-Pano-copy.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Reuben Moss Simulations: flood, 2007–16 (installation view) HD video, 10:04 mins looped, inkjet billboard print and timber support 3x6 metres commissioned by Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511904211865-QY3N99T9259QRKZ960MZ/_43A3376-Pano.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Reuben Moss Simulations: flood, 2007–16 D video, 10:04 mins looped, inkjet billboard print and timber, support 3x6 metres commissioned by Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508885151787-530UYTJX0QG9D6AIWBUR/_43A3395-Pano-copy.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Reuben Moss Simulations: flood, 2007–16 (installation view) HD video, 10:04 mins looped, inkjet billboard print and timber support 3x6 metres commissioned by Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508885177034-8LHGQQ09OOJOIB5CF2DK/Flood-webcopy.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Reuben Moss Simulations: flood, 2007-16 (detial) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511904209386-TPPNIMROB5150C6R2DSU/_43A3382-Pano.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Tim J. Veling Support Structures, 2011-13 (install view) 6 C-type prints, 762 x 940mm each courtesy of the artist and Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511904225383-RU9OUZIBF1204ICPC4PF/_43A3385-Pano.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO -  Tim J. Veling Support Structures, 2011-13 (install view) 6 C-type prints, 762 x 940mm each courtesy of the artist and Te Tuhi, Auckland photo by Sam Hartnett   https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511905595997-RBX1I0M9NA07DPZS41M3/05-Support%2BStructures.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Tim J. Veling PK’s Dairy, Ferry Road, 2012 C-type print, 762 x 940mm https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511905596601-MLNGT6CGJBQCWSDY9WT0/08-Support%2BStructures.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Tim J. Veling ‘Radio Shack’, Christchurch Boys High School, Kahu Road, 2011 C-type print, 762 x 940mm https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511905597737-XGU7OO8PIGLQRT5WNBX1/16-Support%2BStructures.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO -  Tim J. Veling Challenge Service Station, Hills Road, 2013 C-type print, 762 x 940mm https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511905598969-5GGT7SFB0ZZHR7SRMIRO/17-Support%2BStructures.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Tim J. Veling Robson Avenue, 2013 C-type print, 762 x 940mm https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511904285684-KVY0RZVCSXCWHHFLG17C/_43A3401-Pano.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Salome Tanuvasa Appreciation, 2014 (install view) mixed media, dimensions variable courtesy of the artist and Te Tuhi, Auckland photo Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508885167905-8C9K8IEAS6PAHE3CYA1E/_43A3463-copy.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Salome Tanuvasa Appreciation, 2014 (detail) mixed media, dimensions variable courtesy of the artist and Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511904349512-2R7E3OPK4SWE9F94CR8E/Scan+48+copy+sm.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Salome Tanuvasa Appreciation, 2014 (detail) mixed media, dimensions variable courtesy of the artist and Te Tuhi, Auckland photo Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508885169605-F4LL43FTYM17B3WKYH8G/_43A3470-copy.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Salome Tanuvasa Appreciation, 2014 (detail) mixed media, dimensions variable courtesy of the artist and Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508885152558-AU6JHU8UQ0P6WIM8CC9U/_43A3398-Pano-copy.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Joanna Langford Joanna Langford The beautiful and the damned, 2008 computer keyboards, cardboard, electrical wire, LED lights and timer dimensions variable courtesy of the artist, Jonathan Smart Gallery, Christchurch and Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508885168167-BFQLPHNF1KQ6HOQ409RF/_43A3458-copy.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Joanna Langford The beautiful and the damned, 2008 computer keyboards, cardboard, electrical wire, LED lights and timer dimensions variable courtesy of the artist, Jonathan Smart Gallery, Christchurch and Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511905452010-EIUM6EGUE3OI5F78D9OE/_43A3459.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Joanna Langford Joanna Langford The beautiful and the damned, 2008 computer keyboards, cardboard, electrical wire, LED lights and timer dimensions variable courtesy of the artist, Jonathan Smart Gallery, Christchurch and Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508885174425-PF5Z9705G2M15GGIVSL4/Avail+-+Max+Bellamy_3-+copy.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Max Bellamy Avail, 2011 (video still) HD video with sound, 12:24 mins looped sound design by Chris Miller courtesy of the artist https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508885153621-36U2KN6963EPULE0E6LO/_43A3406-copy.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Max Bellamy Avail, 2011 (installation view) HD video with sound, 12:24 mins looped sound design by Chris Miller courtesy of the artist and Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508920466831-BBLIXFG898492NLC1N9Z/Avail+-+Max+Bellamy_3-+copy.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Max Bellamy Avail, 2011 (video still) HD video with sound, 12:24 mins looped sound design by Chris Miller courtesy of the artist https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508920462487-IDNUJ81FTS30RG0APE21/_43A3445-copy2.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Suji Park Dols, 2015 plaster of Paris and pigment (buried and weathered on Waiheke Island), abandoned coffee table, dimensions variable courtesy of the artist and Ivan Anthony Gallery, Auckland https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508920482703-4WP73I97GZBSPD1VSL74/Flood-webcopy-2.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Reuben Moss Simulations: flood, 2007-16 (detail) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511903909267-ONSHSSDUSATO449B72BG/08-Support%2BStructures.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Tim J. Veling ‘Radio Shack’, Christchurch Boys High School, Kahu Road, 2011 C-type print, 762 x 940mm https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511905693684-Y907MZC3IOPF71HOP0O7/Afoa+2.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Louisa Afoa 23 years, 2013 (video still) HD video and sound, 4:43 mins looped courtesy of the artist https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511905730517-WTDINFRZW1BBU4166QSN/_43A3447.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Shahriar Asdollah-Zadeh Pale blue dot, 2016 acrylic, ink and pen on paper 210 x 295 each commissioned by Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511905767778-38M3VK0ODUGO325FW959/_43A3398-Pano.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Joanna Langford The beautiful and the damned, 2008 computer keyboards, cardboard, electrical wire, LED lights and timer dimensions variable courtesy of the artist, Jonathan Smart Gallery, Christchurch photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511905798328-44G18H1FFMYIJ6VQVE96/_43A3360-Pano.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Mark Schroder The new modern efficiency, 2016 mixed media, dimensions variable commissioned by Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511905830041-BX71TKZP6V8U1H7CG5QX/Scan+48+copy.jpeg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART TWO - Salome Tanuvasa Appreciation, 2014 (detail) mixed media, dimensions variable courtesy of the artist and Te Tuhi, Auckland https://bruceephillips.com/curating/hh1 monthly 0.5 2017-12-07 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508884310369-TY2HII76G3D0J1PEJKQU/043A1465.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART ONE - Rangituhia Hollis Oho Ake, 2016 (install view) 3 channel colour HD video, 6.2 channel audio, 10:08 mins looped commissioned by Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508884313687-EGDI0TXZXYQ40T67YR9E/043A1481.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART ONE - Rangituhia Hollis Oho Ake, 2016 (install view) 3 channel colour HD video, 6.2 channel audio, 10:08 mins looped commissioned by Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508884303138-CGX18NC0EOY1N05EEHSE/043A1433-copy.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART ONE - Monique Jansen A length without breadth, 2016 (install view) pencil on paper, 4040mm x 2970mm commissioned by Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508884307314-39F1Q1OOD2MJZRKOPD8Y/043A1437.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART ONE - Monique Jansen A length without breadth, 2016 (detail) pencil on paper, 4040mm x 2970mm commissioned by Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508884328488-LGTYM62ZIN2R29FAGE2Z/Homewardbounder+04+webcopy.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART ONE - Caroline McQuarrie Homewardbounder #04, 2013 – 14 digital photographic print on Hahnemuhle Photo Rag, 900mm x 900mm courtesy of the artist https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508884307575-Z0ZFP5MSINJQEN27IUT1/043A1448.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART ONE - Caroline McQuarrie Homewardbounder #01 – 07, 2013 – 14 (install view) digital photographic print on Hahnemuhle Photo Rag, 900mm x 900mm courtesy of the artist photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508884316968-MYLJHRN53JN7002WFHFR/043A1498-Pano.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART ONE - Charlotte Drayton It must be nice to work outside on a day like today, 2016 (install view) pregrown Kapuka (Griselinia) hedges, crushed shell, trellis, paint (Alabaster White), concrete pavers, irrigation system, variable dimensions commissioned by Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508884322367-JROP81SNY08Y5ISU6NED/043A1501-Pano.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART ONE - Charlotte Drayton It must be nice to work outside on a day like today, 2016 (install view) pregrown Kapuka (Griselinia) hedges, crushed shell, trellis, paint (Alabaster White), concrete pavers, irrigation system, variable dimensions commissioned by Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508884310377-GPJ0GMTGE84N2BOJ1DGO/043A1457.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART ONE - Alex Monteith Rena Shipping Container Disaster, 2011 – (install view) 5 channel HD video installation, variable durations looped courtesy of the artist and Te Tuhi, Auckland photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508884327957-Q6MIHQ6LG94P8X5MXTMH/Monteith-Rena-Waihi.jpg Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART ONE - Alex Monteith Rena Disaster, Waihi Beach 11 Jan 2012 Photo by Sarah Munro https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511851964286-3M4RQ251P4V3QDLFB8RR/HIVE+HUMS+PART+ONE.gif Bruce E. Phillips Curating - THE HIVE HUMS WITH MANY MINDS: PART ONE Graphic deign by Kalee Jackson https://bruceephillips.com/curating/these-stories2 monthly 0.5 2017-12-02 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511673180894-RG4A9FTHORDKV9R9I2PJ/DST-TETUHI1015-5762.jpeg Bruce E. Phillips Curating - These stories began before we arrived - Nathan Pohio The feral horses of Natasha von Braun, 2015 dual-channel projection, 5:20 min (installation view Silo 6, Auckland) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511673227880-UN8DFFOC7YL8BVOIHGVV/DST-TETUHI1015-5791.jpeg Bruce E. Phillips Curating - These stories began before we arrived - Shannon Te Ao Two shoots that stretch far out, 2013-14 single channel video, colour + sound 13min 22 sec, Cinematography Iain Frengley (installation veiw) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511673270140-4BCE10OYK6QX68Z0VTES/DST-TETUHI1015-5841.jpeg Bruce E. Phillips Curating - These stories began before we arrived - Chu Chung Teng Taiwan Taiwan, 2011 dual-channel HD video, 100 min (installation veiw Silo 6, Auckland) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511673269582-JCTLW508M8HN8WDA96Q2/DST-TETUHI1015-5830.jpeg Bruce E. Phillips Curating - These stories began before we arrived - Teng Chao-Ming Becoming a different person, 2011 red neon, three separate power switches, 730mm diameter (installation view Silo 6, Auckland) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508877929089-ABMOV45771BNK4TPS8C8/DST-TETUHI1015-5863-copy.jpg Bruce E. Phillips Curating - These stories began before we arrived - Teng Chao-Ming Confession, 2011-15 LED sign (installation veiw Silo 6, Auckland) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508877930109-9CX5OQPB5TVK34H9C66F/DST-TETUHI1015-5880-copy.jpg Bruce E. Phillips Curating - These stories began before we arrived - Natalie Robertson Kawerau drive through, 2006/2015digital video, 4:3, sound, 14:27 min (installation veiw Silo 6, Auckland) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511673206171-T70NH8KBJC5K5R51GYNG/DST-TETUHI1015-5782.jpeg Bruce E. Phillips Curating - These stories began before we arrived - Chang En-Man Arena, 2012, Video, 7' 51" https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511673324955-9TQRWUPJ3MNJ09SUJAPK/DST-TETUHI1015-5883.jpeg Bruce E. Phillips Curating - These stories began before we arrived https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511673347283-MWTB5VOV9JX6ECZL9IHH/DST-TETUHI1015-5903.jpeg Bruce E. Phillips Curating - These stories began before we arrived https://bruceephillips.com/curating/jenny-gillam monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508886019947-8FUGLBPRT4BM5DHX0JFJ/_43A5350-copy.jpg Bruce E. Phillips Curating - At a distance of forty-two days: Jenny Gillam and Eugene Hansen with Adrian McCleland - Jenny Gillam & Eugene Hansen with Adrian McCleland At a distance of forty-two days, 2015 Commissioned by Te Tuhi, Auckland photo: Sam Hartnett (installation veiw) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508886022622-HL98A2YCV3B39EZ3J5LR/_43A5370-webcopy.jpg Bruce E. Phillips Curating - At a distance of forty-two days: Jenny Gillam and Eugene Hansen with Adrian McCleland At a distance of forty-two days, 2015 Commissioned by Te Tuhi, Auckland photo: Sam Hartnett (installation veiw) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508886019702-FY5K7VQAPOT2G7AKFA33/_43A5369-webcopy.jpg Bruce E. Phillips Curating - At a distance of forty-two days: Jenny Gillam and Eugene Hansen with Adrian McCleland - Jenny Gillam & Eugene Hansen with Adrian McCleland At a distance of forty-two days, 2015 Commissioned by Te Tuhi, Auckland photo: Sam Hartnett (installation veiw) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508886021837-EG539TX55OT4PZWG32HO/_43A5374-copy.jpg Bruce E. Phillips Curating - At a distance of forty-two days: Jenny Gillam and Eugene Hansen with Adrian McCleland - Jenny Gillam & Eugene Hansen with Adrian McCleland At a distance of forty-two days, 2015 Commissioned by Te Tuhi, Auckland photo: Sam Hartnett (installation veiw) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508886024483-7FJJFP4R7VX8GKFB7S0P/_43A5382-webcopy.jpg Bruce E. Phillips Curating - At a distance of forty-two days: Jenny Gillam and Eugene Hansen with Adrian McCleland - Jenny Gillam & Eugene Hansen with Adrian McCleland At a distance of forty-two days, 2015 Commissioned by Te Tuhi, Auckland photo: Sam Hartnett (installation veiw) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508886028220-GK5KUE7P8TAI7B1FOY09/_43A5423-copy.jpg Bruce E. Phillips Curating - At a distance of forty-two days: Jenny Gillam and Eugene Hansen with Adrian McCleland - Jenny Gillam & Eugene Hansen with Adrian McCleland At a distance of forty-two days, 2015 Commissioned by Te Tuhi, Auckland photo: Sam Hartnett (installation veiw) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508886028779-ZLWH0GH1MQEGYLX9Y60I/_43A5432-webcopy.jpg Bruce E. Phillips Curating - At a distance of forty-two days: Jenny Gillam and Eugene Hansen with Adrian McCleland - Jenny Gillam & Eugene Hansen with Adrian McCleland At a distance of forty-two days, 2015 Commissioned by Te Tuhi, Auckland photo: Sam Hartnett (installation veiw) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508886029287-CA35BMD50JHY6MXNSGCS/Invite+image+J+Gillam+.jpg Bruce E. Phillips Curating - At a distance of forty-two days: Jenny Gillam and Eugene Hansen with Adrian McCleland - Unloading tree consignment Tresco, Isles of Scilly. Image courtesy of Mike Nelhams, Tresco Abbey Garden Curator, photographer Frank Gibson https://bruceephillips.com/curating/mickey-smith monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510125734389-S9Q23K63AC06V63I4HU7/Smith%2B4-copy.jpg Bruce E. Phillips Curating - Mickey Smith: Cultivate it as you will [Carnegie's New Zealand 1902-2015] https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510125709390-89XZWP31Z8TG9YMVLTXP/_43A5502-copy.jpg Bruce E. Phillips Curating - Mickey Smith: Cultivate it as you will [Carnegie's New Zealand 1902-2015] (install view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509051909024-4Q85APUZKR8X580VIZ41/_43A5348-copy.jpg Bruce E. Phillips Curating - Mickey Smith: Cultivate it as you will [Carnegie's New Zealand 1902-2015] (install view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510125710312-KGZ7TH7HHOC3GEKKSHOV/_43A5419-copy.jpg Bruce E. Phillips Curating - Mickey Smith: Cultivate it as you will [Carnegie's New Zealand 1902-2015] (install view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509051910862-1WJDNFN5RZJ4FNCYL3NP/M+Smith+Te+Tuhi-copy.jpg Bruce E. Phillips Curating - Mickey Smith: Cultivate it as you will [Carnegie's New Zealand 1902-2015] - Mickey Smith Cultivate it as you will [Carnegie's New Zealand 1902-2015], 2015 (video still) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509051910863-49X6DUFJ670PXZ71W5DD/mSmith+1-copy.jpg Bruce E. Phillips Curating - Mickey Smith: Cultivate it as you will [Carnegie's New Zealand 1902-2015] - Mickey Smith Cultivate it as you will [Carnegie's New Zealand 1902-2015], 2015 (video still) https://bruceephillips.com/curating/shannon-te-ao monthly 0.5 2017-12-02 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509051705459-HY747KJXPROLH5VS2RPM/Shannon+Te+Ao1-copy.jpg Bruce E. Phillips Curating - Shannon Te Ao: A torch and a light (cover) - Shannon Te Ao A torch and a light (cover), 2015 single channel video and sound, 7:33 min looped cinematography by Iain Frengley featuring text from 'He waiata aroha' (A song of love), author unknown, trans. Heni Turei and Materoa Ngarimu https://bruceephillips.com/curating/ignas-krunglevicius monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509050300956-8J0TQGFGP2A5H7DW9Z17/_MG_5250-copy.jpg Bruce E. Phillips Curating - Ignas Krunglevicius: Interrogation - Ignas Krunglevicius Interrogation, 2009 dual channel video installation photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509050301462-QCT98M8JVZPRJ42PWB8G/_MG_5252-copy.jpg Bruce E. Phillips Curating - Ignas Krunglevicius: Interrogation - Ignas Krunglevicius Interrogation, 2009 dual channel video installation hoto by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509050302266-4MK45IEZAKPGAJKXT9JW/_MG_5262-copy.jpg Bruce E. Phillips Curating - Ignas Krunglevicius: Interrogation - Ignas Krunglevicius Interrogation, 2009 dual channel video installation hoto by Sam Hartnett https://bruceephillips.com/curating/dieneke-jansen monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509050598559-QX0O7VTHBU7639IXPM70/_MG_5372-webcopy.jpg Bruce E. Phillips Curating - Dieneke Jansen: Areas A & B - Dieneke Jansen G. I. Areas A & B: Hoardings, 2015 photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509050599083-34TLI11CHF42WSCHA609/_MG_5375-webcopy.jpg Bruce E. Phillips Curating - Dieneke Jansen: Areas A & B - Dieneke Jansen G. I. Areas A & B: Hoardings, 2015 photo by Sam Hartnett https://bruceephillips.com/curating/these-stories1 monthly 0.5 2017-12-02 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511675197549-UL94ENUD04GRPGPFI6FE/DSC01149.jpeg Bruce E. Phillips Curating - These stories began before we arrived https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511675191561-UDCOE1X0QS6KAP1KLDXM/DSC01152.jpeg Bruce E. Phillips Curating - These stories began before we arrived https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511675204308-QD4JRHHYSW0SQUR47H7Z/DSC01155.jpeg Bruce E. Phillips Curating - These stories began before we arrived https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511675229383-IRQU5SDTEQ2DYD8T7J34/DSC01189.jpeg Bruce E. Phillips Curating - These stories began before we arrived - Chu Chung Teng & Natalie Robertson (Background) Natalie Robertson Kawerau drive through, 2006/2015 Digital video 4:3 with sound, 14 mins 27 secs (Foreground) Chu Chung Teng Taiwan Taiwan, 2011 dual-channel HD video, 100 min https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511675207579-FST8FK6DX3D6VOYOJ97Y/DSC01159.jpeg Bruce E. Phillips Curating - These stories began before we arrived - Chu Chung Teng & Teng Chao-Ming (left) Chu Chung Teng Taiwan Taiwan, 2011 dual-channel HD video, 100 min (right) Teng Chao-Ming Confession, 2011 text on lightbox, dimensions vary https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511675228757-W21949FGDXQLPZGW0L3C/DSC01175.jpeg Bruce E. Phillips Curating - These stories began before we arrived - Chu Chung Teng Taiwan Taiwan, 2011 dual-channel HD video, 100 min https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511675219845-WOYA7VHWLYSLUS7MX300/DSC01170.jpeg Bruce E. Phillips Curating - These stories began before we arrived - Chu Chung Teng Taiwan Taiwan, 2011 dual-channel HD video, 100 min https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511675216227-CPF2USV58V28XUZRZ8DX/DSC01162.jpeg Bruce E. Phillips Curating - These stories began before we arrived - Teng Chao-Ming Confession, 2011 text on lightbox, dimensions vary https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511675822075-YGFEKKPBXCHC5JWE37IC/DSC01344.jpeg Bruce E. Phillips Curating - These stories began before we arrived - Teng Chao-Ming Confession, 2011 text on lightbox, dimensions vary Becoming a different person, 2011 Neon light, acrylic panel, three separate power switches, 730mm diameter https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511675767739-HU2GQ6BBBVEGI6HZN44L/DSC01259.jpeg Bruce E. Phillips Curating - These stories began before we arrived - Teng Chao-Ming Becoming a different person, 2011 Neon light, acrylic panel, three separate power switches, 730mm diameter https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511675234199-MJ67M9M64ZF83EHIHR6M/DSC01190.jpeg Bruce E. Phillips Curating - These stories began before we arrived - Teng Chao-Ming Becoming a different person, 2011 Neon light, acrylic panel, three separate power switches, 730mm diameter https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511675266445-N4OT1Q1KXZEJJA22M6RH/DSC01200.jpeg Bruce E. Phillips Curating - These stories began before we arrived - Nathan Pohio & Teng Chao-Ming (left) Nathan Pohio The feral horses of Natasha von Braun, 2015 dual-channel projection, 5:20 min (installation view) (right) Teng Chao-Ming Becoming a different person, 2011 Neon light, acrylic panel, three separate power switches, 730mm diameter https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511675299642-7U67WN870XKH77EGFXIJ/DSC01207.jpeg Bruce E. Phillips Curating - These stories began before we arrived - Nathan Pohio The feral horses of Natasha von Braun, 2015 dual-channel projection, 5:20 min (installation view) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511675340883-ZXXCOU5A4S5Y2MSKCXNJ/DSC01233.jpeg Bruce E. Phillips Curating - These stories began before we arrived - Nathan Pohio The feral horses of Natasha von Braun, 2015 dual-channel projection, 5:20 min (installation view) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511675347333-C1Z77PP8TMMINZ4VFHPG/DSC01235.jpeg Bruce E. Phillips Curating - These stories began before we arrived - Nathan Pohio The feral horses of Natasha von Braun, 2015 dual-channel projection, 5:20 min (installation view) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511675701745-C4Z0KKFB47BG4I52L2RT/DSC01196.jpeg Bruce E. Phillips Curating - These stories began before we arrived - ​​​​​​​Chang En-Man & Shannon Te Ao (foreground) Chang En-Man Arena, 2012, Video, 7' 51" (background) Shannon Te Ao Two shoots that stretch far out, 2013-14 single channel video, colour + sound 13min 22 sec, Cinematography Iain Frengley (installation veiw) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511676001162-871MQ9HLVKZQCCZKP5E7/DSC01324.jpeg Bruce E. Phillips Curating - These stories began before we arrived - Chang En-Man Arena, 2012, Video, 7' 51" (installation view) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511676016234-09RTC0GFOD7W5CREMD3L/DSC01241.jpeg Bruce E. Phillips Curating - These stories began before we arrived - Chang En-Man & Shannon Te Ao (foreground) Chang En-Man Arena, 2012, Video, 7' 51" (background) Shannon Te Ao Two shoots that stretch far out, 2013-14 single channel video, colour + sound 13min 22 sec, Cinematography Iain Frengley (installation veiw) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511675302041-9LYKN9TRP4RPO9JKGXM6/DSC01209.jpeg Bruce E. Phillips Curating - These stories began before we arrived - Shannon Te Ao. Two shoots that stretch far out, 2013-14 single channel video, colour + sound 13min 22 sec, Cinematography Iain Frengley (installation veiw) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511675309274-DLF3E3V9E3YGJ51UWMW0/DSC01211.jpeg Bruce E. Phillips Curating - These stories began before we arrived - Shannon Te Ao. Two shoots that stretch far out, 2013-14 single channel video, colour + sound 13min 22 sec, Cinematography Iain Frengley (installation veiw) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511675309530-8XENKRPWP97DW9CGC2VL/DSC01223.jpeg Bruce E. Phillips Curating - These stories began before we arrived https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511675324691-8WXPWW2810JQY6P5ACVV/DSC01227.jpeg Bruce E. Phillips Curating - These stories began before we arrived https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511675421726-QSUJGK919T45QHVPNHAS/IMGP9068.jpeg Bruce E. Phillips Curating - These stories began before we arrived - Shannon Te Ao. live performance https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511675463275-1OYO8W1HITGAB0GWHXIW/IMGP9080.jpeg Bruce E. Phillips Curating - These stories began before we arrived - Shannon Te Ao. live performance https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511675466735-MQYOD4YCAK9EOGLOSLHM/IMGP9084.jpeg Bruce E. Phillips Curating - These stories began before we arrived - Shannon Te Ao. live performance https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511675474002-DXAFIWZDS1OFO1FB1TKV/IMGP9087.jpeg Bruce E. Phillips Curating - These stories began before we arrived - Shannon Te Ao. live performance https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511675446888-9X7OSUNNAVM5J9DPSXDS/IMGP9073.jpeg Bruce E. Phillips Curating - These stories began before we arrived - Shannon Te Ao. live performance https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509051011720-1PNBWIDU805CQHGBHNN7/Chang+En-Man-webcopy.jpg Bruce E. Phillips Curating - These stories began before we arrived - Chang En-Man Arena, 2012, Video, 7' 51" https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509051012501-KLAXRVHKP6PFDC1FUOAX/Shannon+Te+Ao+1-copy.jpg Bruce E. Phillips Curating - These stories began before we arrived - Shannon Te Ao Two shoots that stretch far out, 2013-14 single channel video, colour + sound 13min 22 sec Cinematography Iain Frengley https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509051010657-G8P0KLTKTQTYIWO7DT60/DSC01265-copy.jpg Bruce E. Phillips Curating - These stories began before we arrived - Teng Chao-Ming Becoming a different person, 2011 Neon light, acrylic panel, three separate power switches, 730mm diameter https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511674627677-WAC0BCZTT7TG6ORMKEH4/These+STories+3.jpg Bruce E. Phillips Curating - These stories began before we arrived (Background) Natalie Robertson Kawerau drive through, 2006/2015 Digital video 4:3 with sound, 14 mins 27 secs (Foreground) Chu Chung Teng Taiwan Taiwan, 2011 dual-channel HD video, 100 min https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511674629932-TRGRXLOXA7703A4JBRLE/These+Stories+4.jpg Bruce E. Phillips Curating - These stories began before we arrived - Nathan Pohio The feral horses of Natasha von Braun, 2015 dual-channel projection, 5:20 min (installation view Silo 6, Auckland) https://bruceephillips.com/curating/matt-henry2 monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509052654418-2WTVQX8081FI8DEK1ECO/MAtt+Henry+2014-copy.jpg Bruce E. Phillips Curating - Matt Henry: Structural Relief - Matt Henry Structural Relief (Te Tuhi), 2014 Acrylic on canvas, pine, MDF, 2615 x 5035 mm courtesy of Starkwhite, commissioned by Te Tuhi photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509052653632-Y65QN1DEC337ICCGFWBR/Matt+Henry+2014-4-copy.jpg Bruce E. Phillips Curating - Matt Henry: Structural Relief - Matt Henry Structural Relief (Te Tuhi), 2014 Acrylic on canvas, pine, MDF, 2615 x 5035 mm courtesy of Starkwhite, commissioned by Te Tuhi hoto by Sam Hartnett https://bruceephillips.com/curating/marnie-slater monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510645790640-FEIII3GH7ISBPXDOQ82T/IMG_1904.jpg Bruce E. Phillips Curating - Marnie Slater: A Very Large Triangle https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510645790382-RFLEAGDIE3UI06RWCCDR/IMG_1905.jpg Bruce E. Phillips Curating - Marnie Slater: A Very Large Triangle https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510645846318-W5KOVJFQ933OVLAVZSXL/IMG_1873.jpg Bruce E. Phillips Curating - Marnie Slater: A Very Large Triangle https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510645842335-377ZNG66EGVC9AJ9WMKU/IMG_1871.jpg Bruce E. Phillips Curating - Marnie Slater: A Very Large Triangle https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510645816745-T1M8M76JG570PA35X3DM/IMG_1877.jpg Bruce E. Phillips Curating - Marnie Slater: A Very Large Triangle https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510645877668-JENERUN9LZJQ6N27HCLE/IMG_1878.jpg Bruce E. Phillips Curating - Marnie Slater: A Very Large Triangle https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510645869207-4D3PLEYT5D1I4U3OT9C7/IMG_1876.jpg Bruce E. Phillips Curating - Marnie Slater: A Very Large Triangle https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510645890495-4S5DU2DLKEL55L7O0AN7/IMG_1880.jpg Bruce E. Phillips Curating - Marnie Slater: A Very Large Triangle https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510645906741-05AEW55BB5HVJR95J3WB/IMG_1881.jpg Bruce E. Phillips Curating - Marnie Slater: A Very Large Triangle https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510645814691-7NZDMGPTXFJ16UKQEM97/IMG_1868.jpg Bruce E. Phillips Curating - Marnie Slater: A Very Large Triangle https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510645897621-4LXRETKNL6NSZBMSSBHO/IMG_1884.jpg Bruce E. Phillips Curating - Marnie Slater: A Very Large Triangle https://bruceephillips.com/curating/unstuck-in-time monthly 0.5 2020-11-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508878589040-M6VLG1S62P58XW681SI6/_MG_9499.jpg Bruce E. Phillips Curating - Unstuck in Time - Darcy Lange A documentation of Bradford working life, 1974 Courtesy of the Lange family; the Govettt-Brewster Art Gallery, New Plymouth; The New Zealand Film Archive, Wellington. Special thanks to Mercedes Vicente and Kelly McCosh. photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511684052855-XEUSHYSKP2296PMKDMQB/set2-1+copy.jpg Bruce E. Phillips Curating - Unstuck in Time - Darcy Lange A documentation of Bradford working life, 1974 (video still) courtesy of the Lange family; the Govettt-Brewster Art Gallery, New Plymouth; The New Zealand Film Archive, Wellington. Special thanks to Mercedes Vicente and Kelly McCosh. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511684174927-3U2F2APFUQ02QZ28MBJ5/set2-4+copy.jpg Bruce E. Phillips Curating - Unstuck in Time - Darcy Lange A documentation of Bradford working life, 1974 (video still) courtesy of the Lange family; the Govettt-Brewster Art Gallery, New Plymouth; The New Zealand Film Archive, Wellington. Special thanks to Mercedes Vicente and Kelly McCosh. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511682091109-HJY01P6582R1RMOVXRIW/_MG_9531.jpg Bruce E. Phillips Curating - Unstuck in Time - Phil Dadson Compass of Frailty, 2014 3 channel HD video, 9:20 min looped, purpose- built steel frame, chair and paddle, road cones and barriers, sandbags, shells, beer can tabs, chalk-drawn circle with scribed compass points, painted kayak, water and camellia owers replaced weekly commissioned by Te Tuhi photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511682391028-OLV2IT8WGPV7DKLLH966/_MG_9622.jpg Bruce E. Phillips Curating - Unstuck in Time - Phil Dadson Compass of Frailty, 2014 3 channel HD video, 9:20 min looped, purpose- built steel frame, chair and paddle, road cones and barriers, sandbags, shells, beer can tabs, chalk-drawn circle with scribed compass points, painted kayak, water and camellia owers replaced weekly commissioned by Te Tuhi photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508878592360-5UPBVEX6XVGA613S4KQF/_MG_9521-webcopy.jpg Bruce E. Phillips Curating - Unstuck in Time - Phil Dadson Compass of Frailty, 2014 3 channel HD video, 9:20 min looped, purpose- built steel frame, chair and paddle, road cones and barriers, sandbags, shells, beer can tabs, chalk-drawn circle with scribed compass points, painted kayak, water and camellia owers replaced weekly commissioned by Te Tuhi photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511682093460-YD88BQT8NVH1UY33AXEY/_MG_9539.jpg Bruce E. Phillips Curating - Unstuck in Time - Matthew Cowan The terminalia of funny-land, 2014 (installation view) 16mm transferred to digital, 8:12 min looped performance objects: ‘beating the bounds’ sticks, hand bell, Replica 1920s Luna Park attendant’s uniform proposed funny-land: framed digital giclee print (original held at the Auckland Council Archives) performed by Matthew Cowan, Chris Berthelsen, Justin Jade Morgan, Andrew McCulley, Luis Prichard-Jones, Andy Smith, Justin Tregenza, Ben Whitmore, lmed by Ian Powell commissioned by Te Tuhi photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508878592449-HAIL704TPD67XPOML4RV/_MG_9543-webcopy.jpg Bruce E. Phillips Curating - Unstuck in Time - Matthew Cowan The terminalia of funny-land, 2014 (installation view) 16mm transferred to digital, 8:12 min looped performance objects: ‘beating the bounds’ sticks, hand bell, Replica 1920s Luna Park attendant’s uniform proposed funny-land: framed digital giclee print (original held at the Auckland Council Archives) performed by Matthew Cowan, Chris Berthelsen, Justin Jade Morgan, Andrew McCulley, Luis Prichard-Jones, Andy Smith, Justin Tregenza, Ben Whitmore, lmed by Ian Powell commissioned by Te Tuhi photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511682097026-H60RO6UC5M55KF8EAVWY/_MG_9546-Edit.jpg Bruce E. Phillips Curating - Unstuck in Time - Matthew Cowan The terminalia of funny-land, 2014 (installation view) 16mm transferred to digital, 8:12 min looped performance objects: ‘beating the bounds’ sticks, hand bell, Replica 1920s Luna Park attendant’s uniform proposed funny-land: framed digital giclee print (original held at the Auckland Council Archives) performed by Matthew Cowan, Chris Berthelsen, Justin Jade Morgan, Andrew McCulley, Luis Prichard-Jones, Andy Smith, Justin Tregenza, Ben Whitmore, lmed by Ian Powell commissioned by Te Tuhi photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511682103072-8SQAYBL6DXV8W5O9L2FR/_MG_9548.jpg Bruce E. Phillips Curating - Unstuck in Time - Matthew Cowan The terminalia of funny-land, 2014 (installation view) 16mm transferred to digital, 8:12 min looped performance objects: ‘beating the bounds’ sticks, hand bell, Replica 1920s Luna Park attendant’s uniform proposed funny-land: framed digital giclee print (original held at the Auckland Council Archives) performed by Matthew Cowan, Chris Berthelsen, Justin Jade Morgan, Andrew McCulley, Luis Prichard-Jones, Andy Smith, Justin Tregenza, Ben Whitmore, lmed by Ian Powell commissioned by Te Tuhi photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511682102768-WD9CKBBMNYL152A9U562/_MG_9550-Edit.jpg Bruce E. Phillips Curating - Unstuck in Time - Matthew Cowan The terminalia of funny-land, 2014 (installation view) 16mm transferred to digital, 8:12 min looped performance objects: ‘beating the bounds’ sticks, hand bell, Replica 1920s Luna Park attendant’s uniform proposed funny-land: framed digital giclee print (original held at the Auckland Council Archives) performed by Matthew Cowan, Chris Berthelsen, Justin Jade Morgan, Andrew McCulley, Luis Prichard-Jones, Andy Smith, Justin Tregenza, Ben Whitmore, lmed by Ian Powell commissioned by Te Tuhi photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511684154439-Y3WMA4M7IB2M7JI0LT7S/Luna+Park+Beating+the+Bounds+1.jpg Bruce E. Phillips Curating - Unstuck in Time - Matthew Cowan The terminalia of funny-land, 2014 (performance still) 16mm transferred to digital, 8:12 min looped performance objects: ‘beating the bounds’ sticks, hand bell, Replica 1920s Luna Park attendant’s uniform proposed funny-land: framed digital giclee print (original held at the Auckland Council Archives) performed by Matthew Cowan, Chris Berthelsen, Justin Jade Morgan, Andrew McCulley, Luis Prichard-Jones, Andy Smith, Justin Tregenza, Ben Whitmore, lmed by Ian Powell commissioned by Te Tuhi photo by John Cowan https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511682109888-NTTFV2W0VNKSYFICHBQK/_MG_9556-Edit.jpg Bruce E. Phillips Curating - Unstuck in Time - Toril Johannessen Mean Time, 2011 Dutch train station clock re-programmed so that the pace is contingent on the current global internet activity. courtesy of the artist photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508878592975-WRL56OOVPGRTVJQARM17/_MG_9558.jpg Bruce E. Phillips Curating - Unstuck in Time - Toril Johannessen Mean Time, 2011 Dutch train station clock re-programmed so that the pace is contingent on the current global internet activity. courtesy of the artist photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511683018372-OI5V9KFFX4FVOGP2SCRY/IMG_0237.JPG Bruce E. Phillips Curating - Unstuck in Time - Toril Johannessen Mean Time, 2011 Dutch train station clock re-programmed so that the pace is contingent on the current global internet activity. courtesy of the artist photo by Ian Powell https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511682420216-I0JG22PP6CFX9SBQSO0Q/_MG_9640.jpg Bruce E. Phillips Curating - Unstuck in Time - Tehching Hsieh One Year Performance 1981-1982, (26 September 1981-26 September 1982) poster, statement, map, photographs and video, 32 min courtesy of the artist and Sean Kelly Gallery, New York photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511682125649-WFRT7FE52YSACP0FV6UQ/_MG_9562.jpg Bruce E. Phillips Curating - Unstuck in Time - Tehching Hsieh One Year Performance 1981-1982, (26 September 1981-26 September 1982) poster, statement, map, photographs and video, 32 min courtesy of the artist and Sean Kelly Gallery, New York photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511682125926-O7TPGMHKYPDO0BNHX4A5/_MG_9563.jpg Bruce E. Phillips Curating - Unstuck in Time - Tehching Hsieh One Year Performance 1981-1982, (26 September 1981-26 September 1982) poster, statement, map, photographs and video, 32 min courtesy of the artist and Sean Kelly Gallery, New York photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511682129495-9FDLVPM2WUKCE9KWBEEA/_MG_9564.jpg Bruce E. Phillips Curating - Unstuck in Time - Tehching Hsieh One Year Performance 1981-1982, (26 September 1981-26 September 1982) poster, statement, map, photographs and video, 32 min courtesy of the artist and Sean Kelly Gallery, New York photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511682134859-8QR46TFPWLTVT6V6U70S/_MG_9565.jpg Bruce E. Phillips Curating - Unstuck in Time - Tehching Hsieh One Year Performance 1981-1982, (26 September 1981-26 September 1982) poster, statement, map, photographs and video, 32 min courtesy of the artist and Sean Kelly Gallery, New York photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511682138829-HYEWRU01CG9IDOL2HE6K/_MG_9566.jpg Bruce E. Phillips Curating - Unstuck in Time - Tehching Hsieh One Year Performance 1981-1982, (26 September 1981-26 September 1982) poster, statement, map, photographs and video, 32 min courtesy of the artist and Sean Kelly Gallery, New York photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508878595337-0NJ49LQVW9S8FSLTM6AQ/_MG_9589-copy.jpg Bruce E. Phillips Curating - Unstuck in Time - Duane Linklater Very Real Things, 2013 (installation view) HD video, 10 minutes courtesy of the artist photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511682177304-VX9UDGW18BKF3W2OLONJ/_MG_9588.jpg Bruce E. Phillips Curating - Unstuck in Time - Duane Linklater Very Real Things, 2013 (installation view) HD video, 10 minutes courtesy of the artist photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511682147613-9VBY1VAYA78VGHNLKIT9/_MG_9569.jpg Bruce E. Phillips Curating - Unstuck in Time - Torben Tilly & Robin Watkins Fig 3. Infinity - Created Hollow Spaces, 2014 (installation view) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508878595333-BG17QEAB2Q262NY14KE6/_MG_9574-copy.jpg Bruce E. Phillips Curating - Unstuck in Time - The Otolith Group Medium Earth, 2013 HD video, 41 minutes commissioned by RedCat, Los Angeles courtesy of the artists and LUX, London photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511682159393-3B5COUJ477AWR78NUMTZ/_MG_9573.jpg Bruce E. Phillips Curating - Unstuck in Time - The Otolith Group Medium Earth, 2013 HD video, 41 minutes commissioned by RedCat, Los Angeles courtesy of the artists and LUX, London photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511683044343-NWXSDSOPIPWDLPNEGS7Z/Otolith+1_14.jpg Bruce E. Phillips Curating - Unstuck in Time - The Otolith Group Medium Earth, 2013 (video still) HD video, 41 minutes commissioned by RedCat, Los Angeles courtesy of the artists and LUX, London https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511683038642-FLFFTTLNF8ZTJ4597CR7/Otolith+1_12.jpg Bruce E. Phillips Curating - Unstuck in Time - The Otolith Group Medium Earth, 2013 (video still) HD video, 41 minutes commissioned by RedCat, Los Angeles courtesy of the artists and LUX, London https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511682504998-ZL5EMXJHKJWWCBGGXO27/_MG_9691.jpg Bruce E. Phillips Curating - Unstuck in Time - Sally J. Morgan How long have I been here?, 2014 (performance documentation) interactive performance project 5000-litre water tank, sh (wrasse), aquaculture system, movable platform, shing and cooking equipment performances by Sally J. Morgan occurred at Te Tuhi on Saturday, 2 August, 2 p.m. and Saturday, 6 September, 2 p.m., 2014 commissioned by Te Tuhi photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511682506978-I3XHLMS5YS8UNF21TAJF/_MG_9721.jpg Bruce E. Phillips Curating - Unstuck in Time - Sally J. Morgan How long have I been here?, 2014 (performance documentation) interactive performance project 5000-litre water tank, sh (wrasse), aquaculture system, movable platform, shing and cooking equipment performances by Sally J. Morgan occurred at Te Tuhi on Saturday, 2 August, 2 p.m. and Saturday, 6 September, 2 p.m., 2014 commissioned by Te Tuhi photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511682760192-QJ5T56RFX3MTI0FID8BI/_MG_9777.jpg Bruce E. Phillips Curating - Unstuck in Time - Sally J. Morgan How long have I been here?, 2014 (performance documentation) interactive performance project 5000-litre water tank, sh (wrasse), aquaculture system, movable platform, shing and cooking equipment performances by Sally J. Morgan occurred at Te Tuhi on Saturday, 2 August, 2 p.m. and Saturday, 6 September, 2 p.m., 2014 commissioned by Te Tuhi photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511682820790-V9RL12MNMT60GVPBJICF/_MG_9833.jpg Bruce E. Phillips Curating - Unstuck in Time - Sally J. Morgan How long have I been here?, 2014 (performance documentation) interactive performance project 5000-litre water tank, sh (wrasse), aquaculture system, movable platform, shing and cooking equipment performances by Sally J. Morgan occurred at Te Tuhi on Saturday, 2 August, 2 p.m. and Saturday, 6 September, 2 p.m., 2014 commissioned by Te Tuhi photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511682854455-4689SWM60HAT2LDJ1890/_MG_9877.jpg Bruce E. Phillips Curating - Unstuck in Time - Sally J. Morgan How long have I been here?, 2014 (performance documentation) interactive performance project 5000-litre water tank, sh (wrasse), aquaculture system, movable platform, shing and cooking equipment performances by Sally J. Morgan occurred at Te Tuhi on Saturday, 2 August, 2 p.m. and Saturday, 6 September, 2 p.m., 2014 commissioned by Te Tuhi photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511682858686-II6CL3PLLFQ1K7HP3TKQ/_MG_9882.jpg Bruce E. Phillips Curating - Unstuck in Time - Sally J. Morgan How long have I been here?, 2014 (performance documentation) interactive performance project 5000-litre water tank, sh (wrasse), aquaculture system, movable platform, shing and cooking equipment performances by Sally J. Morgan occurred at Te Tuhi on Saturday, 2 August, 2 p.m. and Saturday, 6 September, 2 p.m., 2014 commissioned by Te Tuhi photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511682896906-ZN3IXKFMRJ3HVMRIGM4L/_MG_9906.jpg Bruce E. Phillips Curating - Unstuck in Time - Sally J. Morgan How long have I been here?, 2014 (performance documentation) interactive performance project 5000-litre water tank, sh (wrasse), aquaculture system, movable platform, shing and cooking equipment performances by Sally J. Morgan occurred at Te Tuhi on Saturday, 2 August, 2 p.m. and Saturday, 6 September, 2 p.m., 2014 commissioned by Te Tuhi photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508878596676-5ZW0FG15N81W8PI0MXAB/_MG_9617-webcopy.jpg Bruce E. Phillips Curating - Unstuck in Time - Martin Awa Clarke Langdon My granddad mostly played the black keys, 2013 (installation view) punga, timber, MDF, audio of recorded performance (random intervals) and live performances on random occasions. photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511685422268-ZDSHIQJ3FI2OUWKCPST7/langdon+performance_12.jpg Bruce E. Phillips Curating - Unstuck in Time - Martin Awa Clarke Langdon My granddad mostly played the black keys, 2013 (performance documentation) punga, timber, MDF, audio of recorded performance (random intervals) and live performances on random occasions. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511685478672-0HWLBMFNMOT7ITGZAFPC/1-moment1.jpg Bruce E. Phillips Curating - Unstuck in Time - Nicolas Kozakis & Raoul Vaneigem A moment of eternity in the passage of time, 2012 (video still) digital video, 5 minutes courtesy of the artists https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511685477460-IHMSWE67TMIL60SU2NYH/4-moment4.jpg Bruce E. Phillips Curating - Unstuck in Time - Nicolas Kozakis & Raoul Vaneigem A moment of eternity in the passage of time, 2012 (video still) digital video, 5 minutes courtesy of the artists https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511685360812-6F8CIII0TEPJTFUZ0MET/TE-TUHI11.jpg Bruce E. Phillips Curating - Unstuck in Time - Kerry Ann Lee Total Recall, 2014 three inkjet billboard prints commissioned by Te Tuhi https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511685368317-8JELMVVFI15CYP2CMTQQ/TE-TUHI33.jpg Bruce E. Phillips Curating - Unstuck in Time - Kerry Ann Lee The Defenders, 2014 three inkjet billboard prints commissioned by Te Tuhi https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511685360520-TS4UEJY0HAJBL228A8MS/TE-TUHI22.jpg Bruce E. Phillips Curating - Unstuck in Time - Kerry Ann Lee Blue Monday, 2014 three inkjet billboard prints commissioned by Te Tuhi https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511685787616-TV9PECHVY5GCM2UNJ0Q5/free-rain.jpeg Bruce E. Phillips Curating - Unstuck in Time - Layne Waerea Fair Weather, 2014 fairweatherblog.com free access to air, water and black humour commissioned by Te Tuhi https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511685792169-XXJ4UMAMH7S2N0LZQQOR/friendly-maori-scholarship-t-shirt.jpg Bruce E. Phillips Curating - Unstuck in Time - Layne Waerea Fair Weather, 2014 fairweatherblog.com free access to air, water and black humour commissioned by Te Tuhi https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511686105170-LYN5KLDNNBPL340BJ1RR/Luna%2BPark%2BBeating%2Bthe%2BBounds%2B1.jpg Bruce E. Phillips Curating - Unstuck in Time - Matthew Cowan The terminalia of funny-land, 2014 16mm transferred to digital, 8:12 min looped performance objects: ‘beating the bounds’ sticks, hand bell, Replica 1920s Luna Park attendant’s uniform proposed funny-land: framed digital giclee print (original held at the Auckland Council Archives) performed by Matthew Cowan, Chris Berthelsen, Justin Jade Morgan, Andrew McCulley, Luis Prichard-Jones, Andy Smith, Justin Tregenza, Ben Whitmore, lmed by Ian Powell commissioned by Te Tuhi photo by John Cowan https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511686111759-IUV6IWZ400YQNT5C5KYY/TE-TUHI11.jpg Bruce E. Phillips Curating - Unstuck in Time - Kerry Ann Lee Total Recall, 2014 three inkjet billboard prints commissioned by Te Tuhi https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511686108545-PEQJV7ED46RFX2L174NR/Otolith%2B1_14.jpg Bruce E. Phillips Curating - Unstuck in Time - The Otolith Group Medium Earth, 2013 (video still) HD video, 41 minutes commissioned by RedCat, Los Angeles courtesy of the artists and LUX, London   https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511686091802-E8I9OZSLG33KY9RJ8SOA/_MG_9563.jpg Bruce E. Phillips Curating - Unstuck in Time - Tehching Hsieh One Year Performance 1981-1982, (26 September 1981-26 September 1982) poster, statement, map, photographs and video, 32 min courtesy of the artist and Sean Kelly Gallery, New York photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511686093698-6Q8PU82LQPEF0AKYQTNY/IMG_0237.JPG Bruce E. Phillips Curating - Unstuck in Time - Toril Johannessen Mean Time, 2011 Dutch train station clock re-programmed so that the pace is contingent on the current global internet activity. courtesy of the artist photo by Ian Powell https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511686109479-F482056UUGNZG63TOEJY/free-rain.jpeg Bruce E. Phillips Curating - Unstuck in Time - Layne Waerea Fair Weather, 2014 fairweatherblog.com free access to air, water and black humour commissioned by Te Tuhi https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511686083342-UQ3LZ6BR55YKG6X5CKHW/_MG_9499.jpg Bruce E. Phillips Curating - Unstuck in Time - Darcy Lange A documentation of Bradford working life, 1974 (installation view) courtesy of the Lange family; the Govettt-Brewster Art Gallery, New Plymouth; The New Zealand Film Archive, Wellington. Special thanks to Mercedes Vicente and Kelly McCosh. photo by Sam Hartnett https://bruceephillips.com/curating/cora-allan-wickliffe monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508887617428-YNES0HJM3CREO1URVE0R/Right+B+Nunes-webcopy.jpg Bruce E. Phillips Curating - Cora-Allan Wickliffe: Electric Waka - Cora-Allan Wickliffe Electric Waka, 2013-14 https://bruceephillips.com/curating/sione-faletau monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508887442762-LI2695UMRV5IP22UH5XF/Right+B+Nunes-webcopy.jpg Bruce E. Phillips Curating - Sione Faletau: Toko'ua - Sione Faletau Toko'ua, 2013 https://bruceephillips.com/curating/becky-nunes monthly 0.5 2017-12-11 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508887150972-6XTMOWO1SEAYDHZTVQCS/Right+B+Nunes-webcopy.jpg Bruce E. Phillips Curating - Becky Nunes: 36S-174E https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508887148323-GID8Q2ZWPBE5XKAJB24O/Left+B+Nunes-webcopy.jpg Bruce E. Phillips Curating - Becky Nunes: 36S-174E https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508887153329-V2WROCMD3SMCF2J3AJHH/MAUNGAREI_RESERVOIR-webcopy.jpg Bruce E. Phillips Curating - Becky Nunes: 36S-174E https://bruceephillips.com/curating/rohan-hartley-mills monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508886753312-S4S5B77TH8WEQ4VPQ7NR/Te+Tui+Wall+1-webcopy.jpg Bruce E. Phillips Curating - Rohan Hartley Mills https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508886755876-TYC3JSJ19FBSEZCCU31Z/Te+Tui+Wall+4-webcopy.jpg Bruce E. Phillips Curating - Rohan Hartley Mills https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508886750725-5H2V2ND9SDIWE1WLW09J/Te+Tuhi+wall+8-webcopy.jpg Bruce E. Phillips Curating - Rohan Hartley Mills https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508886756136-EX1I5TH4OWH34LX262H4/Wall+work+8-webcopy.jpg Bruce E. Phillips Curating - Rohan Hartley Mills https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508886749906-5C3YMLYXYSWD11IRDM4D/Te+Tuhi+6th-webcopy.jpg Bruce E. Phillips Curating - Rohan Hartley Mills https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508886753047-POR7K8NR1GWBSWB28M1H/Te+Tuhi+Wall+10-webcopy.jpg Bruce E. Phillips Curating - Rohan Hartley Mills https://bruceephillips.com/curating/charlotte-drayton monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508888152512-2SYX9IOIGBKMGG74NCJ1/_MG_5409-webcopy.jpg Bruce E. Phillips Curating - Charlotte Drayton - Charlotte Drayton (installation view) Photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508888152243-VV0Y5RAEK8AT92TN2CU0/_MG_5431-webcopy.jpg Bruce E. Phillips Curating - Charlotte Drayton - Charlotte Drayton (installation view) Photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508888153582-JKX4GQW8ZH8803OFS9SB/_MG_5434-webcopy.jpg Bruce E. Phillips Curating - Charlotte Drayton - Charlotte Drayton (installation view) Photo by Sam Hartnett https://bruceephillips.com/curating/matthew-cowan monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508887837777-61T1WEG0WQ9AO3RRIRPV/_MG_5494-Edit-webcopy.jpg Bruce E. Phillips Curating - Matthew Cowan: Flowerbeard - Matthew Cowan Flowerbeard, 2012 (Slovenia, Howick, Oman) Photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508887838384-8JSO85X5OJUQZ6EZD8H9/oman-webcopy.jpg Bruce E. Phillips Curating - Matthew Cowan: Flowerbeard - Matthew Cowan Flowerbeard, 2012 (Oman) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508887843365-SJUOJ1YV81EBF7TSON57/Slovenia-webcopy.jpg Bruce E. Phillips Curating - Matthew Cowan: Flowerbeard - Matthew Cowan Flowerbeard, 2012 (Slovenia) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508887842570-BLLG482HYCNFYR3VLUU1/Stockade+Hill-webcopy.jpg Bruce E. Phillips Curating - Matthew Cowan: Flowerbeard - Matthew Cowan Flowerbeard, 2012 (Howick) https://bruceephillips.com/curating/monique-jansen monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509053160650-CEGTYRE9HIVLZKW1M51T/MJansen+2+lowres.jpg Bruce E. Phillips Curating - Monique Jansen - Monique Jansen Photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509053160918-Z8W6TQM7ULZISIDID3WH/MJansen+3+lowres.jpg Bruce E. Phillips Curating - Monique Jansen - Monique Jansen Photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509053160971-5FGRW6D4JEJ1P43GRG7Q/MJansen+4+lowres.jpg Bruce E. Phillips Curating - Monique Jansen - Monique Jansen Photo by Sam Hartnett https://bruceephillips.com/curating/matt-ellwood-yoon-tae-kim monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509052901769-WAJO867G7M1V3UXTE0XU/McDonalds_Quay_Final-webcopy.jpg Bruce E. Phillips Curating - Matt Ellwood and Yoon Tae Kim https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509052904840-Q67D5JJCVRRMCIPZTX9T/Te_Tuhi_Matt_Yoon_02-webcopy.jpg Bruce E. Phillips Curating - Matt Ellwood and Yoon Tae Kim https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509052904842-H5HUITRG15W0X7EFE7DV/Te_Tuhi_Matt_Yoon-webcopy.jpg Bruce E. Phillips Curating - Matt Ellwood and Yoon Tae Kim https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509052936063-63CG2JCQXOLO6SRWS957/_MG_8409-webcopy.jpg Bruce E. Phillips Curating - Matt Ellwood and Yoon Tae Kim photo Sam Hartnett https://bruceephillips.com/curating/william-popel monthly 0.5 2024-01-25 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508879300445-XJGEOXL38A76PRG127GS/Sequence+01.Still283-copy.jpg Bruce E. Phillips Curating - William Pope.L: The Long White Cloud - William Pope.L The Long White Cloud, 2013 (video still) Commissioned by Te Tuhi https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508879298036-OLH1YCUVGHQ418OX1SQW/_MG_8443-copy.jpg Bruce E. Phillips Curating - William Pope.L: The Long White Cloud - William Pope.L The Long White Cloud, 2013 (installation view) Commissioned by Te Tuhi Photo: Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508879299299-DBM6TLPL604TCYNCYPQ9/_MG_8476-copy.jpg Bruce E. Phillips Curating - William Pope.L: The Long White Cloud The Long White Cloud, 2013 (installation view) Commissioned by Te Tuhi Photo: Sam Hartnett https://bruceephillips.com/curating/derrick-cherrie monthly 0.5 2017-12-02 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508883951577-8NKWUNS9JBY7U2NNZMVQ/_MG_4394_5_6-Edit-copy.jpg Bruce E. Phillips Curating - Derrick Cherrie: Landshaft - Derrick Cherrie Photo: Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508883950781-KNGQHFQESUDDED1KRKZ5/_MG_4410-copy.jpg Bruce E. Phillips Curating - Derrick Cherrie: Landshaft - Derrick Cherrie Photo: Sam Hartnett https://bruceephillips.com/curating/rachel-walters monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508888885742-7P4EUJZ0E9B7XT03CQRE/_MG_5434-webcopy.jpg Bruce E. Phillips Curating - Rachel Walters https://bruceephillips.com/curating/santiago-sierra monthly 0.5 2024-01-25 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508994633345-3E84DPIBKVFGZ42D6JZA/_MG_6744-Edit.jpeg Bruce E. Phillips Curating - Santiago Sierra: Destroyed Word https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508995563552-YS5OJMMH4QJL85YBCSG1/_MG_6742-Edit.jpeg Bruce E. Phillips Curating - Santiago Sierra: Destroyed Word https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508995618133-G0D0MAP76CMCBOQ5CHHG/_MG_6774_5_6-Edit-2.jpeg Bruce E. Phillips Curating - Santiago Sierra: Destroyed Word https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508995625408-9MFHUYXR2UURMTIQFBKL/_MG_6783-Edit.jpeg Bruce E. Phillips Curating - Santiago Sierra: Destroyed Word https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508879849666-6NS4YMUVV9M5NWDP8YQA/1k.jpg Bruce E. Phillips Curating - Santiago Sierra: Destroyed Word - K brush fencing, destroyed by fire in Melbourne, Australia produced by the Melbourne Arts Festival https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508879850689-ZH4T9IU1GIFJO38KH19A/2A.jpg Bruce E. Phillips Curating - Santiago Sierra: Destroyed Word - A wood, plaster, destroyed by sledge hammer in Brétigny, France produced by CAC Brétigny https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508879850767-GYU3YCN72IVUH8C6JLM5/3p.jpg Bruce E. Phillips Curating - Santiago Sierra: Destroyed Word - P wood, destroyed by saw in Graz, Austria produced by Kunstverein Medienturm https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508879851308-AAKW6WADC7BACOQ5YP3G/4I.jpg Bruce E. Phillips Curating - Santiago Sierra: Destroyed Word - I native timber, destroyed by axe in Wewak, Papua New Guinea produced by Greenaway Art Gallery, Adelaide https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508879852704-XFNQL77NCB6G4C8C8ZO2/T2.jpg Bruce E. Phillips Curating - Santiago Sierra: Destroyed Word - T insulating foam, destroyed by saw in Berlin, Germany produced by KOW, Berlin https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508879852095-JIM5BWMUSGEZQ2Y7MOEB/A2.jpg Bruce E. Phillips Curating - Santiago Sierra: Destroyed Word - A milk, destroyed by gunfire in New Zealand produced by Te Tuhi, Auckland https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508879852341-ZPJQL481WH1B0RMYHTGI/L2b.jpg Bruce E. Phillips Curating - Santiago Sierra: Destroyed Word - L aluminium, destroyed by the jaws of life in Reykjavik, Iceland produced by Reykjavik Art Museum https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508879851551-8VWCSKYF3QJVYGCA8JQ6/8I.jpg Bruce E. Phillips Curating - Santiago Sierra: Destroyed Word - I human excreta, destroyed by tow truck in New Delhi, India produced by the artist https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508879851808-4T8MS3F57SJ70NMEDR2H/9S.jpg Bruce E. Phillips Curating - Santiago Sierra: Destroyed Word - S   pig food, destroyed by pigs in Tillburg, Holland produced by INCUBATE Festival, Tilburg https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508879852599-64YK6DZQ2Q4S5LR7W7I9/M12.jpg Bruce E. Phillips Curating - Santiago Sierra: Destroyed Word - M concrete, destroyed by demolition machines in Visby, Sweden produced by Baltic Arts Center, Visby https://bruceephillips.com/curating/soren-dahlgaard-mark-harvey monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508983985197-653I31X0LIPEKGEQTLZN/Gaphoomph+Te+Tuhi+1.jpg Bruce E. Phillips Curating - Søren Dahlgaard & Mark Harvey: Gaphoomph https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508983983658-JSFBP2AEYUF9NMM5AANM/Gaphoomph+Te+Tuhi+2.jpg Bruce E. Phillips Curating - Søren Dahlgaard & Mark Harvey: Gaphoomph https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508984008645-DFCI980JX9P77F64KE26/Gaphoomph+Te+Tuhi+3.jpg Bruce E. Phillips Curating - Søren Dahlgaard & Mark Harvey: Gaphoomph https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508984020977-FGE70FNO4BNZSRHSLZV4/Gaphoomph+Te+Tuhi+4.jpg Bruce E. Phillips Curating - Søren Dahlgaard & Mark Harvey: Gaphoomph Gaphoomph, 2012 performance documentation https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508984033630-SXO1QIFSPPCACCOUOSRJ/Gaphoomph+Te+Tuhi+5.jpg Bruce E. Phillips Curating - Søren Dahlgaard & Mark Harvey: Gaphoomph - Soren Darlgaard & Mark Harvey Gaphoomph, 2012 performance documentation https://bruceephillips.com/curating/steven-chow monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508889356648-RPFLIFZCI8DUZN5YE1MJ/_MG_5434-webcopy.jpg Bruce E. Phillips Curating - Steven Chow: You Leave, I Stay Behind - Steven Chow You Leave, I Stay Behind, 2012 two channel HD video installation (video still) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508995939717-NCU7TZ1HNRGP0WPXYGJ7/_MG_2687_8_9.jpeg Bruce E. Phillips Curating - Steven Chow: You Leave, I Stay Behind Installation view Photo: Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508995933058-UT4O3304KIIS7HW7OJLA/_MG_2690_1_2.jpeg Bruce E. Phillips Curating - Steven Chow: You Leave, I Stay Behind Installation view Photo: Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508995966399-W5E4RW9V39KIF17RJUVW/_MG_3376.jpeg Bruce E. Phillips Curating - Steven Chow: You Leave, I Stay Behind Installation view Photo: Sam Hartnett https://bruceephillips.com/curating/between-memory-and-trace monthly 0.5 2024-01-25 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508982281960-PUFC7FRO80IPKDE4XNMR/_MG_3370.jpeg Bruce E. Phillips Curating - Between memory and trace Graphic design by Kalee Jackson photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508982595309-IBRQRUR1VTREE8CXVFYD/_MG_2654_5_6.jpeg Bruce E. Phillips Curating - Between memory and trace - Ruth Ewan The New Idealism, 2010 Collection of inner record sleeves Courtesy of the artist and Rob Tufnell Gallery, London photo by Sam Hartnett courtesy of Te Tuhi https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508996545980-OGHFSX75158NBM2ZY5S3/_MG_2657_8_9.jpeg Bruce E. Phillips Curating - Between memory and trace - Ruth Ewan The New Idealism, 2010 Collection of inner record sleeves Courtesy of the artist and Rob Tufnell Gallery, London photo by Sam Hartnett courtesy of Te Tuhi https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508982587836-JDA0D77ETYH4NL95MAT8/_MG_2666.jpeg Bruce E. Phillips Curating - Between memory and trace - Maddie Leach Evening Echo, 2011– (installation view of artwork documentation) Evening Echo is a site specific installation active at sunset on the last night of Hanukkah Shalom Park Gas Works Road & Albert Road Cork, Ireland. Nine electric lamps (1 x 4.6m; 8 x 3.6m) with ‘Chatsworth’ columns, ‘Kensington’ lanterns and metal halide bulbs; SELC candelon street light control system. Gallery documentation includes: a ‘Promissory Agreement’ document between Maddie Leach and Cork City Council. VHS footage of the opening ceremony of Shalom Park, 28 April 1989. 59 min (Reproduced courtesy of Fred Rosehill). Announcement in the Evening Echo newspaper, designed by Warren Olds. Reproduction of Shalom Park ceremonial photograph, 1989. Edition of o set printed posters designed by Warren Olds / Studio Ahoy. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508982561504-4WP17S0WMN4CZY0TRZFI/_MG_2675.jpeg Bruce E. Phillips Curating - Between memory and trace - Maddie Leach Evening Echo, 2011– (installation view of artwork documentation) Evening Echo is a site specific installation active at sunset on the last night of Hanukkah Shalom Park Gas Works Road & Albert Road Cork, Ireland. Nine electric lamps (1 x 4.6m; 8 x 3.6m) with ‘Chatsworth’ columns, ‘Kensington’ lanterns and metal halide bulbs; SELC candelon street light control system. Gallery documentation includes: a ‘Promissory Agreement’ document between Maddie Leach and Cork City Council. VHS footage of the opening ceremony of Shalom Park, 28 April 1989. 59 min (Reproduced courtesy of Fred Rosehill). Announcement in the Evening Echo newspaper, designed by Warren Olds. Reproduction of Shalom Park ceremonial photograph, 1989. Edition of o set printed posters designed by Warren Olds / Studio Ahoy. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508982576578-THQL18OJ0P7LL4D8NJUO/_MG_2670.jpeg Bruce E. Phillips Curating - Between memory and trace - Maddie Leach Evening Echo, 2011– (installation view of artwork documentation) Evening Echo is a site specific installation active at sunset on the last night of Hanukkah Shalom Park Gas Works Road & Albert Road Cork, Ireland. Nine electric lamps (1 x 4.6m; 8 x 3.6m) with ‘Chatsworth’ columns, ‘Kensington’ lanterns and metal halide bulbs; SELC candelon street light control system. Gallery documentation includes: a ‘Promissory Agreement’ document between Maddie Leach and Cork City Council. VHS footage of the opening ceremony of Shalom Park, 28 April 1989. 59 min (Reproduced courtesy of Fred Rosehill). Announcement in the Evening Echo newspaper, designed by Warren Olds. Reproduction of Shalom Park ceremonial photograph, 1989. Edition of o set printed posters designed by Warren Olds / Studio Ahoy. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508982580450-BBWTLYCIDGUOPWW9XNWW/_MG_2669.jpeg Bruce E. Phillips Curating - Between memory and trace - Maddie Leach Evening Echo, 2011– (installation view of artwork documentation) Evening Echo is a site specific installation active at sunset on the last night of Hanukkah Shalom Park Gas Works Road & Albert Road Cork, Ireland. Nine electric lamps (1 x 4.6m; 8 x 3.6m) with ‘Chatsworth’ columns, ‘Kensington’ lanterns and metal halide bulbs; SELC candelon street light control system. Gallery documentation includes: a ‘Promissory Agreement’ document between Maddie Leach and Cork City Council. VHS footage of the opening ceremony of Shalom Park, 28 April 1989. 59 min (Reproduced courtesy of Fred Rosehill). Announcement in the Evening Echo newspaper, designed by Warren Olds. Reproduction of Shalom Park ceremonial photograph, 1989. Edition of o set printed posters designed by Warren Olds / Studio Ahoy. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508982271214-LGMLXW575R0YS6HBGG8B/_MG_3363.jpeg Bruce E. Phillips Curating - Between memory and trace - Maddie Leach Evening Echo, 2011– (installation view of artwork documentation) Evening Echo is a site specific installation active at sunset on the last night of Hanukkah Shalom Park Gas Works Road & Albert Road Cork, Ireland. Nine electric lamps (1 x 4.6m; 8 x 3.6m) with ‘Chatsworth’ columns, ‘Kensington’ lanterns and metal halide bulbs; SELC candelon street light control system. Gallery documentation includes: a ‘Promissory Agreement’ document between Maddie Leach and Cork City Council. VHS footage of the opening ceremony of Shalom Park, 28 April 1989. 59 min (Reproduced courtesy of Fred Rosehill). Announcement in the Evening Echo newspaper, designed by Warren Olds. Reproduction of Shalom Park ceremonial photograph, 1989. Edition of o set printed posters designed by Warren Olds / Studio Ahoy. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508982305917-P71ZX0DNSS9QCZSR50HB/_MG_3369.jpeg Bruce E. Phillips Curating - Between memory and trace - Maddie Leach Evening Echo, 2011– (installation view of artwork documentation) Evening Echo is a site specific installation active at sunset on the last night of Hanukkah Shalom Park Gas Works Road & Albert Road Cork, Ireland. Nine electric lamps (1 x 4.6m; 8 x 3.6m) with ‘Chatsworth’ columns, ‘Kensington’ lanterns and metal halide bulbs; SELC candelon street light control system. Gallery documentation includes: a ‘Promissory Agreement’ document between Maddie Leach and Cork City Council. VHS footage of the opening ceremony of Shalom Park, 28 April 1989. 59 min (Reproduced courtesy of Fred Rosehill). Announcement in the Evening Echo newspaper, designed by Warren Olds. Reproduction of Shalom Park ceremonial photograph, 1989. Edition of o set printed posters designed by Warren Olds / Studio Ahoy. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508982369405-GI073KZ2QPV746M1PGYN/_MG_3360-Edit.jpeg Bruce E. Phillips Curating - Between memory and trace - Ruth Ewan Paul Robeson archive (installation view) Paul Robeson, Greatest Hits, insert from album, EMI Records, 1977. Paul Robeson, Knowledge Card, Pomegranate, Publications, California, Plays and Players, May 1959, featuring Paul Robeson as Othello Advertisement for Robeson’s posthumously released greatest hits album. The Persecution of Paul Robeson, Headlines, August 1976, 10 pages from the declassi ed secret intelligence files held on Robeson from CIA and MI5 Photograph of Robeson and Nikita Khrushchev. Here I Stand, Paul Robeson, Beacon Press, Boston, 1958 Paul Robeson Black Heritage US postage stamp, 2004 HMV advert in Paul Robeson UK Tour Programme, 1929–30 Negro Spiritual, by Antonio Salemme, article on the censorship of the original statue of Robeson, Time, December 1930 photo by Sam Hartnett courtesy of Te Tuhi https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508982415708-CD4IITEBJL1SLQTVFH39/_MG_3353.jpeg Bruce E. Phillips Curating - Between memory and trace - Ruth Ewan Paul Robeson archive (installation view) Paul Robeson, Greatest Hits, insert from album, EMI Records, 1977. Paul Robeson, Knowledge Card, Pomegranate, Publications, California, Plays and Players, May 1959, featuring Paul Robeson as Othello Advertisement for Robeson’s posthumously released greatest hits album. The Persecution of Paul Robeson, Headlines, August 1976, 10 pages from the declassi ed secret intelligence files held on Robeson from CIA and MI5 Photograph of Robeson and Nikita Khrushchev. Here I Stand, Paul Robeson, Beacon Press, Boston, 1958 Paul Robeson Black Heritage US postage stamp, 2004 HMV advert in Paul Robeson UK Tour Programme, 1929–30 Negro Spiritual, by Antonio Salemme, article on the censorship of the original statue of Robeson, Time, December 1930 photo by Sam Hartnett courtesy of Te Tuhi https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508982320940-H03DQU1MIHXEKCA9QH9P/_MG_3359.jpeg Bruce E. Phillips Curating - Between memory and trace - Ruth Ewan Paul Robeson archive (installation view) Paul Robeson, Greatest Hits, insert from album, EMI Records, 1977. Paul Robeson, Knowledge Card, Pomegranate, Publications, California, Plays and Players, May 1959, featuring Paul Robeson as Othello Advertisement for Robeson’s posthumously released greatest hits album. The Persecution of Paul Robeson, Headlines, August 1976, 10 pages from the declassi ed secret intelligence files held on Robeson from CIA and MI5 Photograph of Robeson and Nikita Khrushchev. Here I Stand, Paul Robeson, Beacon Press, Boston, 1958 Paul Robeson Black Heritage US postage stamp, 2004 HMV advert in Paul Robeson UK Tour Programme, 1929–30 Negro Spiritual, by Antonio Salemme, article on the censorship of the original statue of Robeson, Time, December 1930 photo by Sam Hartnett courtesy of Te Tuhi https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508982361521-V4V06NXTW2BD4F5DDNWJ/_MG_3357.jpeg Bruce E. Phillips Curating - Between memory and trace - Ruth Ewan Paul Robeson archive (installation view) Paul Robeson, Greatest Hits, insert from album, EMI Records, 1977. Paul Robeson, Knowledge Card, Pomegranate, Publications, California, Plays and Players, May 1959, featuring Paul Robeson as Othello Advertisement for Robeson’s posthumously released greatest hits album. The Persecution of Paul Robeson, Headlines, August 1976, 10 pages from the declassi ed secret intelligence files held on Robeson from CIA and MI5 Photograph of Robeson and Nikita Khrushchev. Here I Stand, Paul Robeson, Beacon Press, Boston, 1958 Paul Robeson Black Heritage US postage stamp, 2004 HMV advert in Paul Robeson UK Tour Programme, 1929–30 Negro Spiritual, by Antonio Salemme, article on the censorship of the original statue of Robeson, Time, December 1930 photo by Sam Hartnett courtesy of Te Tuhi https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508982457541-833A7TY0PZMVU8BRLBE5/_MG_3355.jpeg Bruce E. Phillips Curating - Between memory and trace - Ruth Ewan Paul Robeson archive (installation view) Paul Robeson, Greatest Hits, insert from album, EMI Records, 1977. Paul Robeson, Knowledge Card, Pomegranate, Publications, California, Plays and Players, May 1959, featuring Paul Robeson as Othello Advertisement for Robeson’s posthumously released greatest hits album. The Persecution of Paul Robeson, Headlines, August 1976, 10 pages from the declassi ed secret intelligence files held on Robeson from CIA and MI5 Photograph of Robeson and Nikita Khrushchev. Here I Stand, Paul Robeson, Beacon Press, Boston, 1958 Paul Robeson Black Heritage US postage stamp, 2004 HMV advert in Paul Robeson UK Tour Programme, 1929–30 Negro Spiritual, by Antonio Salemme, article on the censorship of the original statue of Robeson, Time, December 1930 photo by Sam Hartnett courtesy of Te Tuhi https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508982494859-F3JWQYUH5FTMUPBNKMJQ/_MG_2634_5_6-Edit.jpeg Bruce E. Phillips Curating - Between memory and trace - Ruth Ewan Them that plants them is soon forgotten, 2010–12 Crop of 200 Paul Robeson heritage tomato plants photo by Sam Hartnett commissioned by Te Tuhi https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508982564892-TZQGCKGBCHB169NPG1A0/_MG_2568_69_70-Edit.jpeg Bruce E. Phillips Curating - Between memory and trace - Ruth Ewan Them that plants them is soon forgotten, 2010–12 Crop of 200 Paul Robeson heritage tomato plants photo by Sam Hartnett commissioned by Te Tuhi https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508982549625-0RM4O0Q1HZI2MOIUPBCG/_MG_2577_8_9-Edit.jpeg Bruce E. Phillips Curating - Between memory and trace - Ruth Ewan Them that plants them is soon forgotten, 2010–12 Crop of 200 Paul Robeson heritage tomato plants photo by Sam Hartnett commissioned by Te Tuhi https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508982620907-ZQ8K4FUSLIDLQBLYIJ5S/_MG_2605.jpeg Bruce E. Phillips Curating - Between memory and trace - Ruth Ewan Them that plants them is soon forgotten, 2010–12 Crop of 200 Paul Robeson heritage tomato plants photo by Sam Hartnett commissioned by Te Tuhi https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508982462658-EYIBPUOA7BV4L3V8NW0L/_MG_2642-Edit.jpeg Bruce E. Phillips Curating - Between memory and trace - Luke Willis Thompson Untitled, 2012 Three garage doors relating to the death of Pihema Cameron, 26 January 2008 Courtesy of the artist and Hopkinson Mossman, Auckland photo by Sam Hartnett commissioned by Te Tuhi https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508982608739-Z9KO1XG1LI30WPV0VOF9/_MG_2648.jpeg Bruce E. Phillips Curating - Between memory and trace - Luke Willis Thompson Untitled, 2012 Three garage doors relating to the death of Pihema Cameron, 26 January 2008 Courtesy of the artist and Hopkinson Mossman, Auckland commissioned by Te Tuhi photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1646824159780-CJ3MORVU2GBJ5MSRJL0C/_MG_2568_69_70-Edit.jpeg Bruce E. Phillips Curating - Between memory and trace - RUTH EWAN Them that plants them is soon forgotten, 2010–12 Crop of 200 Paul Robeson heritage tomato plants photo by Sam Hartnett commissioned by Te Tuhi https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1646824160825-NH7AL20PXPLIBULXSKIN/_MG_2605.jpeg Bruce E. Phillips Curating - Between memory and trace - RUTH EWAN Them that plants them is soon forgotten, 2010–12 Crop of 200 Paul Robeson heritage tomato plants photo by Sam Hartnett commissioned by Te Tuhi https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508981462563-5SEJRJWIBMXWN4AFOWNU/_MG_6449_50_51.jpg Bruce E. Phillips Curating - Between memory and trace - Ruth Ewan Them that plants them is soon forgotten, 2010–12 (detail) crop of 200 Paul Robeson heritage tomato plants photo by Sam Hartnett courtesy of Te Tuhi https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1646824160560-UPZZTYCKUQDDYP1ZHBSW/_MG_2577_8_9-Edit.jpeg Bruce E. Phillips Curating - Between memory and trace - RUTH EWAN Them that plants them is soon forgotten, 2010–12 Crop of 200 Paul Robeson heritage tomato plants photo by Sam Hartnett commissioned by Te Tuhi https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508996382354-QRSCN4WH9898EB5GIRUC/37_ck27122011evening-echo-010.jpg Bruce E. Phillips Curating - Between memory and trace - Maddie Leach Evening Echo, 2011– (installation view of artwork documentation) Evening Echo is a site specific installation active at sunset on the last night of Hanukkah Shalom Park Gas Works Road & Albert Road Cork, Ireland. Nine electric lamps (1 x 4.6m; 8 x 3.6m) with ‘Chatsworth’ columns, ‘Kensington’ lanterns and metal halide bulbs; SELC candelon street light control system. Gallery documentation includes: a ‘Promissory Agreement’ document between Maddie Leach and Cork City Council. VHS footage of the opening ceremony of Shalom Park, 28 April 1989. 59 min (Reproduced courtesy of Fred Rosehill). Announcement in the Evening Echo newspaper, designed by Warren Olds. Reproduction of Shalom Park ceremonial photograph, 1989. Edition of o set printed posters designed by Warren Olds / Studio Ahoy. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508981442548-H06FC7RXDU95ET5UEG33/_MG_2645-Edit.jpeg Bruce E. Phillips Curating - Between memory and trace - Luke Willis Thompson Untitled, 2012 Three garage doors relating to the death of Pihema Cameron, 26 January 2008 Courtesy of the artist and Hopkinson Mossman, Auckland photo by Sam Hartnett commissioned by Te Tuhi https://bruceephillips.com/curating/all-the-cunning-stunts monthly 0.5 2017-12-02 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512170950235-BXXWXGVZG46TGZNMZLIK/AtCSTheGayzeOff-02.jpg Bruce E. Phillips Curating - All the Cunning Stunts: The Gayze Off!!! - All the Cunning Stunts The Gayze Off!!!, 2012 inkjet billboard print All the Cunning Stunts https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512170940826-BN5VQ2X4TVXYNUZBZL6H/AtCSTheGayzeOff-01.jpg Bruce E. Phillips Curating - All the Cunning Stunts: The Gayze Off!!! - ​​​​​​​All the Cunning Stunts The Gayze Off!!!, 2012 inkjet billboard print https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512170963840-MPPMXUOEBULETZ7HVHUX/AtCSTheGayzeOff-03.jpg Bruce E. Phillips Curating - All the Cunning Stunts: The Gayze Off!!! - ​​​​​​​All the Cunning Stunts The Gayze Off!!!, 2012 inkjet billboard print https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512170879175-J7KY3SF0F56U3D1MU40L/P1040981.JPG Bruce E. Phillips Curating - All the Cunning Stunts: The Gayze Off!!! - ​​​​​​​All the Cunning Stunts The Gayze Off!!!, 2012 inkjet billboard print photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512170874713-U63KLQ8TJMEJP4MF84U9/P1040982.JPG Bruce E. Phillips Curating - All the Cunning Stunts: The Gayze Off!!! - ​​​​​​​All the Cunning Stunts The Gayze Off!!!, 2012 inkjet billboard print photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512170915846-CDA86JLYNR3Z1W5T8WRO/P1040983.JPG Bruce E. Phillips Curating - All the Cunning Stunts: The Gayze Off!!! - ​​​​​​​All the Cunning Stunts The Gayze Off!!!, 2012 inkjet billboard print photo by Sam Hartnett https://bruceephillips.com/curating/yona-lee-2012 monthly 0.5 2017-12-02 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508998623589-CPAJGL5NYCXTG97X6SD3/_MG_5283.jpeg Bruce E. Phillips Curating - Yona Lee: Composition https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508998448275-35MYF96QMOFNYIVFCTYQ/_MG_5267.jpeg Bruce E. Phillips Curating - Yona Lee: Composition https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508998540252-Z53XUAT76J20GQ4H2NC1/_MG_5279.jpeg Bruce E. Phillips Curating - Yona Lee: Composition https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508998524962-TVKZGNRWOIZ94K2NVR34/_MG_5275.jpeg Bruce E. Phillips Curating - Yona Lee: Composition https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508998640598-9R8EAIV1S18LM4MYWDKT/_MG_5287.jpeg Bruce E. Phillips Curating - Yona Lee: Composition https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508998373689-C6L2VFPJIOE3PKW789KS/_MG_5263.jpeg Bruce E. Phillips Curating - Yona Lee: Composition https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508999052443-X28R4ICMFWJ550UEL30Z/_MG_5283.jpeg Bruce E. Phillips Curating - Yona Lee: Composition https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508999023474-0SLZEWBYMYQWZ6BZ6LB5/_MG_5291.jpeg Bruce E. Phillips Curating - Yona Lee: Composition https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508999138655-U5KRRW84LSILWFDTDX04/_MG_5287.jpeg Bruce E. Phillips Curating - Yona Lee: Composition https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508998893912-99OXI6LLF4M2UBY655BD/_MG_5295.jpeg Bruce E. Phillips Curating - Yona Lee: Composition https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508999379603-WQSAP2L7PUFPB3EH9R0P/_MG_5291.jpeg Bruce E. Phillips Curating - Yona Lee: Composition https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508999360558-RBZJVT596OEGI6LS09K4/_MG_5295.jpeg Bruce E. Phillips Curating - Yona Lee: Composition https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508997221199-0D2K74XVXFBYIXJSN016/_MG_5283.jpeg Bruce E. Phillips Curating - Yona Lee: Composition Installation view Photo: Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508997076517-9ZTYGVBXW9Z5K65M8VHY/_MG_2475_6_7-Edit.jpeg Bruce E. Phillips Curating - Yona Lee: Composition Installation view Photo: Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508997125879-D9Y1AD43ZHTDBXV5WGVB/_MG_5267.jpeg Bruce E. Phillips Curating - Yona Lee: Composition Installation view Photo: Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508997173137-RTPOWRXP4BI288RC81PZ/_MG_5275.jpeg Bruce E. Phillips Curating - Yona Lee: Composition Installation view Photo: Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508997267710-YZ7DO0NPYJLYUXM63M35/_MG_5291.jpeg Bruce E. Phillips Curating - Yona Lee: Composition Installation view Photo: Sam Hartnett https://bruceephillips.com/curating/sonya-lacey monthly 0.5 2017-12-02 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509006159064-S8B12WV784079KP017BF/_MG_1151-Edit.jpeg Bruce E. Phillips Curating - Sonya Lacey: Greentext Thread (Installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509006133691-8DTCO3CP5473GTKXBCRC/_MG_1158.jpeg Bruce E. Phillips Curating - Sonya Lacey: Greentext Thread (Installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509006176899-7F92GQ7RN08ILAE62JVQ/_MG_1157.jpeg Bruce E. Phillips Curating - Sonya Lacey: Greentext Thread (Installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508999368573-GH1E5T6MLVOHI3UAIYGH/_MG_1150.jpeg Bruce E. Phillips Curating - Sonya Lacey: Greentext Thread https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508999540545-1P1W1C3Z4SAP593IY4UK/_MG_1151-Edit.jpeg Bruce E. Phillips Curating - Sonya Lacey: Greentext Thread https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508999693075-0E5FC7XBL59UPQLTXD2X/_MG_1155.jpeg Bruce E. Phillips Curating - Sonya Lacey: Greentext Thread https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508999715432-KHKMBYMKUXE0KXL7WST3/_MG_1157.jpeg Bruce E. Phillips Curating - Sonya Lacey: Greentext Thread https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508999778483-5I9FQXLUGNU4180OQ6PQ/_MG_1158.jpeg Bruce E. Phillips Curating - Sonya Lacey: Greentext Thread https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508999888223-U1OW502LG889PA2J637C/_MG_1159.jpeg Bruce E. Phillips Curating - Sonya Lacey: Greentext Thread https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508999888823-BUC3TK9EV9X5JCGIN299/_MG_1160.jpeg Bruce E. Phillips Curating - Sonya Lacey: Greentext Thread https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509000000782-RVOONPZLM57GYOPXFBIF/_MG_1161.jpeg Bruce E. Phillips Curating - Sonya Lacey: Greentext Thread https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508999950328-S9QUXO97RJTAU2VHSACF/_MG_1163.jpeg Bruce E. Phillips Curating - Sonya Lacey: Greentext Thread https://bruceephillips.com/curating/louise-menzies monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508890614437-QJZDYMIJ8GPNI8BQGCCB/Louise+Menzies+web-copy.jpg Bruce E. Phillips Curating - Louise Menzies: Sculpture/Metal - Louise Menzies Sculpture/Metal, 2012 (film still) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509009014541-KNL0GOAKZM1NKDPR7S3R/_MG_1149.jpeg Bruce E. Phillips Curating - Louise Menzies: Sculpture/Metal (Installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509009109312-8P73VQPGMA11UYXHHU5C/_MG_1169-Edit.jpeg Bruce E. Phillips Curating - Louise Menzies: Sculpture/Metal (Installation view) photo by Sam Hartnett https://bruceephillips.com/curating/derrick-cherrie1 monthly 0.5 2017-12-02 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508983186079-X8HXONAT6XUTYX34AD3I/_MG_1076-Edit.jpeg Bruce E. Phillips Curating - Derrick Cherrie: Constituent Parts, Objects and Their Discontents - Landshaft, 2012 Concrete, galvanized steel, glass, timber, cigarettes, 2465 x 7450 x 5325mm (Installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508983195427-LIW5KQYZVHFH2P5HFKV9/_MG_1083-Edit.jpeg Bruce E. Phillips Curating - Derrick Cherrie: Constituent Parts, Objects and Their Discontents - Landshaft, 2012 Concrete, galvanized steel, glass, timber, cigarettes, 2465 x 7450 x 5325mm (Installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508983223673-ZYT8O7XLKW3F6WLC9X49/_MG_1089-Edit.jpeg Bruce E. Phillips Curating - Derrick Cherrie: Constituent Parts, Objects and Their Discontents - Landshaft, 2012 Concrete, galvanized steel, glass, timber, cigarettes, 2465 x 7450 x 5325mm (Installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508983244554-I9NLYCGKMERC9MQZE9A6/_MG_1102.jpeg Bruce E. Phillips Curating - Derrick Cherrie: Constituent Parts, Objects and Their Discontents - Landshaft, 2012 Concrete, galvanized steel, glass, timber, cigarettes, 2465 x 7450 x 5325mm (Installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508983262028-NX4S4S0UHMSBFACYR9P2/_MG_1115.jpeg Bruce E. Phillips Curating - Derrick Cherrie: Constituent Parts, Objects and Their Discontents - Landshaft, 2012 Concrete, galvanized steel, glass, timber, cigarettes, 2465 x 7450 x 5325mm (detail) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508983280076-LJKRIVIGIBNAAQHKKMTX/_MG_1123-Edit.jpeg Bruce E. Phillips Curating - Derrick Cherrie: Constituent Parts, Objects and Their Discontents - Constituent Parts #1 & #4, 2012 (Installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508983297482-L0UM8YOJOTR4WSZS5CDD/_MG_1126-Edit.jpeg Bruce E. Phillips Curating - Derrick Cherrie: Constituent Parts, Objects and Their Discontents - Constituent Parts #1 (untitled), 2012 Galvanised steel, wood, ceramic 2850 x 3350 x 5000mm (Installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508983315627-1NVLHEFVY4H9AR801JN6/_MG_1129-Edit.jpeg Bruce E. Phillips Curating - Derrick Cherrie: Constituent Parts, Objects and Their Discontents - Constituent Parts #1 & #4, 2012 (Installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508983316854-DADI86GVF8EU35EDKLI3/_MG_1132.jpeg Bruce E. Phillips Curating - Derrick Cherrie: Constituent Parts, Objects and Their Discontents - Constituent Parts #4 (Orange Runner), 2012 galvanised steel, timber, corrugated PVC, carpet2700 x 1400 x 4400mm (Installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509009411334-60NUUG01EM8OUIDTOXWY/_MG_1129-Edit.jpeg Bruce E. Phillips Curating - Derrick Cherrie: Constituent Parts, Objects and Their Discontents (Installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508983001543-2D9JM7ZJIEGWZM8VUMJE/_MG_1143.jpeg Bruce E. Phillips Curating - Derrick Cherrie: Constituent Parts, Objects and Their Discontents - Derrick Cherrie Constituent Parts #4 (Orange Runner), 2012(Installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508983021033-9DXL91OZ80EFXP3DF2G3/_MG_1144.jpeg Bruce E. Phillips Curating - Derrick Cherrie: Constituent Parts, Objects and Their Discontents - Derrick Cherrie Constituent Parts #1 (untitled), 2012 (Installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508983020995-QYQPS5OD0RXX8C3432ZG/_MG_1078-Edit.jpeg Bruce E. Phillips Curating - Derrick Cherrie: Constituent Parts, Objects and Their Discontents - Derrick Cherrie Landshaft, 2012 Concrete, galvanized steel, glass, timber, cigarettes, 2465 x 7450 x 5325mm (Installation view) photo by Sam Hartnett https://bruceephillips.com/curating/gregor-kregar monthly 0.5 2024-10-26 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509009623718-CG3386467HB3UTWOSLWK/_MG_1194-Edit.jpeg Bruce E. Phillips Curating - Gregor Kregar: Dream House Project (Installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508881241223-7P74RDX161I1SWV288I8/_MG_1184-Edit.jpg Bruce E. Phillips Curating - Gregor Kregar: Dream House Project (Installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508881246202-BGPW9RK2SGNX7DB3BMQ4/_MG_1187-Edit-copy.jpg Bruce E. Phillips Curating - Gregor Kregar: Dream House Project (Installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508881251527-3ALG8NCLPG9MU8FZLPDQ/P1030754.jpg Bruce E. Phillips Curating - Gregor Kregar: Dream House Project (Installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509009600230-D9QZZ6QRM9RCVXRHKH2F/_MG_1191-Edit.jpeg Bruce E. Phillips Curating - Gregor Kregar: Dream House Project (Installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508881239655-5ONHFPZPREQXVP3V0KO2/_MG_1180-Edit.jpg Bruce E. Phillips Curating - Gregor Kregar: Dream House Project (Installation view) photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508881248076-CHPYV02OJAFJK7CDYJ60/_MG_1206-Edit.jpg Bruce E. Phillips Curating - Gregor Kregar: Dream House Project (Installation view) photo by Sam Hartnett https://bruceephillips.com/curating/what-do-you-mean-we monthly 0.5 2021-09-18 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508882454331-1GVDI9J31KTEQV0VF8YV/edinburgh-011-copy.jpg Bruce E. Phillips Curating - What do you mean, we? - Kalisolaite Uhila Mo‘ui Tukuhausia, 2012 supermarket trolley and belongings (performance documentation of a two-week performance between 19 March–1 April 2012) photo by Bruce E. Phillips https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508882450031-WLS9M57PU687A47UQSQ5/Amanda+Heng-copy.jpg Bruce E. Phillips Curating - What do you mean, we? - Amanda Heng Let's walk, 1999 - 2001 (video still) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508882456175-HVY5PU4EQPVPXOHPFWAD/FARIALsimflying+14mb-copy.jpg Bruce E. Phillips Curating - What do you mean, we? - Simone Aaberg Kærn Smiling in a war zone, 2006 (film still) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508882457748-05BV133N6XSMEJRQBO60/tom23-copy.jpg Bruce E. Phillips Curating - What do you mean, we? - Tom Johnson What a black man feels like, 2004 (video still) video, 29 min, 4:3, colour https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508882458003-RPAW3I11OE4VGVMUN57I/v+2.2+1160-copy.jpg Bruce E. Phillips Curating - What do you mean, we? - Rangituhia Hollis Kia mate mangō-pare, 2012 (video still) HD video commissioned by Te Tuhi https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509010370403-4JY60RCCGWKONBEC3WNC/_MG_8634.jpeg Bruce E. Phillips Curating - What do you mean, we? - Newell Harry  The natives are restless, 2006 - 2012 neon, Helvetica neue light (snow white), timer courtesy of Roslyn Oxley 9 Gallery, Sydney photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509010344503-J87EWOB6NW76FYD2NKPU/_MG_8635.jpeg Bruce E. Phillips Curating - What do you mean, we? - Newell Harry The natives are restless, 2006 - 2012 neon, Helvetica neue light (snow white), timer courtesy of Roslyn Oxley 9 Gallery, Sydney photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509011192180-87VK4N40KG4AJBHUCUCX/_MG_8646-Edit.jpeg Bruce E. Phillips Curating - What do you mean, we? - Simone Aaberg Kærn Smiling in a war zone, 2006 digital video, 78 min, 16:9, colour courtesy of the artist and Galerie Asbæk, Copenhagen photo Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509011255479-CHNI52LGQ5EAJ1XQDUHG/_MG_8647-Edit.jpeg Bruce E. Phillips Curating - What do you mean, we? - boat-people.org Muffled Protest, 2010 (install view) digital video, 7 min 16 sec, 16:9, colour photo Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509011820391-93QHD5PATC2D2BWXOKER/_MG_8666.jpeg Bruce E. Phillips Curating - What do you mean, we? - Colin Nairn God is dead, 2011 (install view) digital video, 45 min 57 sec, 4:3, black & white Information included in this work was sourced from this document and website: 2011 State-sponsored Homophobia: A world survey of laws criminalising same-sex sexual acts between consenting adults, authored and edited by Eddy Bruce Jones and Lucas Itaborahy. International lesbian, gay, bisexual, trans and intersex association: http://ilga.org/ilga/en/index.html photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509010459601-E9V2KXJ44NAAFWJJUN1D/_MG_8634.jpeg Bruce E. Phillips Curating - What do you mean, we? - Newell Harry The natives are restless, 2006–12 neon, Helvetica neue light (snow white), timer courtesy of the artist and Roslyn Oxley 9 Gallery, Sydney photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509010423766-VVGSBLWDO7QOZVJR7QT2/_MG_8635.jpeg Bruce E. Phillips Curating - What do you mean, we? - ​​​​​​​Newell Harry The natives are restless, 2006–12 neon, Helvetica neue light (snow white), timer courtesy of the artist and Roslyn Oxley 9 Gallery, Sydney photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509010793976-KSAGQ5J2VFMFSZ1U6NCT/_MG_8636-Edit-Edit.jpeg Bruce E. Phillips Curating - What do you mean, we? - ​​​​​​​Newell Harry & Rangituhia Hollis (foreground) Newell Harry The natives are restless, 2006–12 neon, Helvetica neue light (snow white), timer courtesy of the artist and Roslyn Oxley 9 Gallery, Sydney photo by Sam Hartnett (background) Rangituhia Hollis Kia mate mango ̄-pare, 2012 (install view) audio by the Puehu wha ̄nau digital video, 5 min, 16:9, black & white photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509011193394-80J30KEHIW9RVT4L424H/_MG_8641-Edit.jpeg Bruce E. Phillips Curating - What do you mean, we? - Rangituhia Hollis Kia mate mango ̄-pare, 2012 (install view) audio by the Puehu wha ̄nau digital video, 5 min, 16:9, black & white photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509012282398-C90DY9WVN9KZE8UA5KBY/_MG_8674.jpeg Bruce E. Phillips Curating - What do you mean, we? - Tom Johnson What a black man feels like, 2004 (install view) video, 29 min, 4:3, colour photo Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511911365091-SO77BM86365ZIFQM8KFM/tom23-copy.jpg Bruce E. Phillips Curating - What do you mean, we? - Tom Johnson What a black man feels like, 2004 (video still) video, 29 min, 4:3, colour https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509011240293-OMK7W4YFFE78IAFAUYTK/_MG_8646-Edit.jpeg Bruce E. Phillips Curating - What do you mean, we? - Simone Aaberg Kærn Smiling in a war zone, 2006 digital video, 78 min, 16:9, colour courtesy of the artist and Galerie Asbæk, Copenhagen photo Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509011960562-T6NXEQ3TGNEP0MBGEOQ2/_MG_8658-Edit.jpeg Bruce E. Phillips Curating - What do you mean, we? gallery view photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511911346676-2L7R65MK7NE1A3FAN1ZG/Amanda%2BHeng-copy.jpg Bruce E. Phillips Curating - What do you mean, we? - Amanda Heng Let's walk, 1999 - 2001 (video still) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509011322527-9W35QNV74H18O7IWVCVC/_MG_8647-Edit.jpeg Bruce E. Phillips Curating - What do you mean, we? - boat-people.org Muffled Protest, 2010 (install view) digital video, 7 min 16 sec, 16:9, colour photo Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509012200695-DYWI81F2SSME4WJR7BTA/_MG_8666.jpeg Bruce E. Phillips Curating - What do you mean, we? - Colin Nairn God is dead, 2011 (install view) digital video, 45 min 57 sec, 4:3, black & white Information included in this work was sourced from this document and website: 2011 State-sponsored Homophobia: A world survey of laws criminalising same-sex sexual acts between consenting adults, authored and edited by Eddy Bruce Jones and Lucas Itaborahy. International lesbian, gay, bisexual, trans and intersex association: http://ilga.org/ilga/en/index.html photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511911251131-ZQXHPPZR27EO1ILC5UHL/Slide153-copy.jpg Bruce E. Phillips Curating - What do you mean, we? - Colin Nairn God is dead, 2011 (video still) digital video, 45 min 57 sec, 4:3, black & white Information included in this work was sourced from this document and website: 2011 State-sponsored Homophobia: A world survey of laws criminalising same-sex sexual acts between consenting adults, authored and edited by Eddy Bruce Jones and Lucas Itaborahy. International lesbian, gay, bisexual, trans and intersex association: http://ilga.org/ilga/en/index.html https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509012635573-IUHP6F29EIR8FTNEPVW1/P1010308.jpeg Bruce E. Phillips Curating - What do you mean, we? - Kalisolaite ‘Uhila Mo‘ui Tukuhausia, 2012 supermarket trolley and belongings (performance documentation of a two-week performance between 19 March–1 April 2012) photo by Bruce E. Phillips https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509012329648-3YKXHAVHCJXL0K5KWYQE/Kalisolaite+Uhila.jpg Bruce E. Phillips Curating - What do you mean, we? - Kalisolaite ‘Uhila Mo‘ui Tukuhausia, 2012 supermarket trolley and belongings (performance documentation of a two-week performance between 19 March–1 April 2012) photo by Bruce E. Phillips https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509012507128-LMM6BH6P3IYKV6JOF5FY/P1010222.jpeg Bruce E. Phillips Curating - What do you mean, we? - Kalisolaite ‘Uhila Mo‘ui Tukuhausia, 2012 supermarket trolley and belongings (performance documentation of a two-week performance between 19 March–1 April 2012) photo by Bruce E. Phillips https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509012451979-1Z5VOTNXEHQEBI09TPHS/P1010220.jpeg Bruce E. Phillips Curating - What do you mean, we? - Kalisolaite ‘Uhila Mo‘ui Tukuhausia, 2012 supermarket trolley and belongings (performance documentation of a two-week performance between 19 March–1 April 2012) photo by Bruce E. Phillips https://bruceephillips.com/curating/graham-fletcher monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508984438558-A6TMCBOYRZT7LRW0VFMI/_MG_8687.jpeg Bruce E. Phillips Curating - Graham Fletcher: Situation Rooms photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508984454301-4ELE0DXD4QVDNTRAITV6/_MG_8693-Edit.jpeg Bruce E. Phillips Curating - Graham Fletcher: Situation Rooms photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508984467923-NKVZE2SSP14364W00GGF/_MG_8694-Edit.jpeg Bruce E. Phillips Curating - Graham Fletcher: Situation Rooms photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508984597663-IF8WYK19S5TUSJC960PW/_MG_8685.jpeg Bruce E. Phillips Curating - Graham Fletcher: Situation Rooms - Graham Fletcher: Situation Rooms, 2012 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508984597957-069F6WYKBLLHL9C18UY2/_MG_8686.jpeg Bruce E. Phillips Curating - Graham Fletcher: Situation Rooms - Graham Fletcher: Situation Rooms, 2012 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508984631463-FFNS968LYDKPMD6E180F/_MG_8690.jpeg Bruce E. Phillips Curating - Graham Fletcher: Situation Rooms - Graham Fletcher: Situation Rooms, 2012 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508984640564-FMMR3U8NZ4OZDYGPLXCM/_MG_8691-Edit.jpeg Bruce E. Phillips Curating - Graham Fletcher: Situation Rooms - Graham Fletcher: Situation Rooms, 2012 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508984677222-X1IEQIMUITI7FUIGC3TA/_MG_8692-Edit.jpeg Bruce E. Phillips Curating - Graham Fletcher: Situation Rooms - Graham Fletcher: Situation Rooms, 2012 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508984685615-58J5GYF9LY4NCW59T9TT/_MG_8699.jpeg Bruce E. Phillips Curating - Graham Fletcher: Situation Rooms - Graham Fletcher: Situation Rooms, 2012 https://bruceephillips.com/curating/tahi-moore monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508980581033-KPK56SSD4NM1MB0CQDD8/_MG_6200.jpeg Bruce E. Phillips Curating - Tahi Moore: I guess you'd call it a video composition with pyramid and beats https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508980611934-U1Z1TEH0UQ9L8NL5SCNA/_MG_6201.jpeg Bruce E. Phillips Curating - Tahi Moore: I guess you'd call it a video composition with pyramid and beats - Tahi Moore I guess you'd call it a video composition with pyramid and beats, 2011 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508980645223-ZD2ZDHJA7ZYR6M2WUHDR/image-asset.jpeg Bruce E. Phillips Curating - Tahi Moore: I guess you'd call it a video composition with pyramid and beats - Tahi Moore I guess you'd call it a video composition with pyramid and beats, 2011 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508980674409-5V5ZNMHN0TO1BSVP0N0C/_MG_6204.jpeg Bruce E. Phillips Curating - Tahi Moore: I guess you'd call it a video composition with pyramid and beats https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508980698464-UZSHR1FME7FAVK7N85T5/_MG_6205.jpeg Bruce E. Phillips Curating - Tahi Moore: I guess you'd call it a video composition with pyramid and beats https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508980439712-9O72OB126FIPGEFHFBW9/_MG_6199.jpeg Bruce E. Phillips Curating - Tahi Moore: I guess you'd call it a video composition with pyramid and beats photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508980475131-9ZKSFBUE651U7QEMLE03/_MG_6202.jpeg Bruce E. Phillips Curating - Tahi Moore: I guess you'd call it a video composition with pyramid and beats photo by Sam Hartnett https://bruceephillips.com/curating/eugene-hansen monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508978501967-B85VVS8SN6ETAZMBRLG9/_MG_6163.jpeg Bruce E. Phillips Curating - Eugene Hansen: RootMeanSquare - Eugene Hansen and Jenny Gillam Future calls the dawn, 2011 multimedia https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508978503675-L46R0CMSM88VZBSTHTHF/_MG_6164.jpeg Bruce E. Phillips Curating - Eugene Hansen: RootMeanSquare - Eugene Hansen and Jenny Gillam Future calls the dawn, 2011 multimedia https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508978549313-W95F43F868UIP7TFOYU1/_MG_6165.jpeg Bruce E. Phillips Curating - Eugene Hansen: RootMeanSquare - Eugene Hansen and Jenny Gillam Future calls the dawn, 2011 multimedia https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508978553279-DSKUWV1ITH8990SEOKRS/_MG_6167.jpeg Bruce E. Phillips Curating - Eugene Hansen: RootMeanSquare Future calls the dawn, 2011 multimedia https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508978596285-ZSB2YOWHHZVMI48UDXNT/_MG_6169.jpeg Bruce E. Phillips Curating - Eugene Hansen: RootMeanSquare - Eugene Hansen and Peter Trevelyan Monophone, 2011 multimedia   https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508978601200-9KA7QK1HZ9MYBEAPI18V/_MG_6170.jpeg Bruce E. Phillips Curating - Eugene Hansen: RootMeanSquare - Eugene Hansen and Peter Trevelyan Monophone, 2011 multimedia   https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508978640628-6XB593H536V6F5OGXXSD/_MG_6171.jpeg Bruce E. Phillips Curating - Eugene Hansen: RootMeanSquare - Eugene Hansen and Peter Trevelyan Monophone, 2011 multimedia   https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508978641942-MHSJEBKVBHPCLDIXETXE/_MG_6173.jpeg Bruce E. Phillips Curating - Eugene Hansen: RootMeanSquare - Eugene Hansen and Peter Trevelyan Monophone, 2011 multimedia   https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508978687539-C2QIQ8Z05201GJXXSVH8/_MG_6174.jpeg Bruce E. Phillips Curating - Eugene Hansen: RootMeanSquare - Eugene Hansen and Peter Trevelyan Monophone, 2011 multimedia   https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508978690499-7N422SPD4NIX4Z9T9HJV/_MG_6175.jpeg Bruce E. Phillips Curating - Eugene Hansen: RootMeanSquare - Eugene Hansen and Jenny Gillam Future calls the dawn, 2011 multimedia   https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508978745878-074I5JOJOLE26R63RP1I/_MG_6176.jpeg Bruce E. Phillips Curating - Eugene Hansen: RootMeanSquare - Eugene Hansen and Dan Shaw Rasta Blasta, 2011 multimedia three tracks looped 22min, 12min, 7min https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508978736195-E73B5I48CW0N35UYMI08/_MG_6177.jpeg Bruce E. Phillips Curating - Eugene Hansen: RootMeanSquare - Eugene Hansen https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508978777011-R4JTAM24CT14DF6XS02I/_MG_6178.jpeg Bruce E. Phillips Curating - Eugene Hansen: RootMeanSquare - Eugene Hansen and Dan Shaw Rasta Blasta, 2011 multimedia three tracks looped 22min, 12min, 7min https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508978806409-45S8ZK5MOMCA9MPXXFVU/_MG_6179.jpeg Bruce E. Phillips Curating - Eugene Hansen: RootMeanSquare https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508979387126-H4VOGVTIA5OPEF7G4OPR/_MG_6197.jpeg Bruce E. Phillips Curating - Eugene Hansen: RootMeanSquare https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508978891391-RPOMMD6849QM72S7LARH/_MG_6185.jpeg Bruce E. Phillips Curating - Eugene Hansen: RootMeanSquare https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508979028411-4B8UE7G3CNZYLMA85VNY/_MG_6188.jpeg Bruce E. Phillips Curating - Eugene Hansen: RootMeanSquare https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508979086079-LEBYCOARBMPACAQ883N4/_MG_6190.jpeg Bruce E. Phillips Curating - Eugene Hansen: RootMeanSquare https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508979256749-UCP88KQ57QFY2HLY90VY/_MG_6194.jpeg Bruce E. Phillips Curating - Eugene Hansen: RootMeanSquare https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508979451627-I9Y2FBHJQSBWKBUX9P6W/_MG_6227-Edit.jpeg Bruce E. Phillips Curating - Eugene Hansen: RootMeanSquare https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508979640018-DQL7MNRDP3R9PTXSIPZF/_MG_6238.jpeg Bruce E. Phillips Curating - Eugene Hansen: RootMeanSquare https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508978126669-U5H7RTVY00EE3IG5QFKG/_MG_6168.jpeg Bruce E. Phillips Curating - Eugene Hansen: RootMeanSquare - Eugene Hansen and Jenny Gillam Future calls the dawn, 2011 multimedia https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508978125751-D7BRTXLDRUIUTYYHFCF0/_MG_6180.jpeg Bruce E. Phillips Curating - Eugene Hansen: RootMeanSquare - Eugene Hansen and Dan Shaw Rasta Blasta, 2011 multimedia three tracks looped 22min, 12min, 7min   https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508978205734-CVL9X1SBTP7NSRIVHPR8/_MG_6191.jpeg Bruce E. Phillips Curating - Eugene Hansen: RootMeanSquare - Eugene Hansen and Mike Heynes Analogue, 2011   https://bruceephillips.com/curating/matt-henry monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508893073484-L8J1O20S583RAV7AW5MC/_DSC0273-1.jpg Bruce E. Phillips Curating - Matt Henry: User Friendly - Matt Henry User Friendly, 2011 Courtesy of the artist and Starkwhite, Auckland https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508893073497-0EFXILP3OS938R7E8L8I/Matt+Henry+User+Friendly-3.jpg Bruce E. Phillips Curating - Matt Henry: User Friendly - Matt Henry User Friendly, 2011 Courtesy of the artist and Starkwhite, Auckland https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508893073999-PCPLI8CZRIQE9UDQOTYR/Matt+Henry+User+Friendly-5.jpg Bruce E. Phillips Curating - Matt Henry: User Friendly - Matt Henry User Friendly, 2011 Courtesy of the artist and Starkwhite, Auckland https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508893074030-K4NLLZ0YLDEMEHWG647K/Matt+Henry+User+Friendly-7.jpg Bruce E. Phillips Curating - Matt Henry: User Friendly - Matt Henry User Friendly, 2011 Courtesy of the artist and Starkwhite, Auckland https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508893074312-G0Y151O28LXYJFE6VA11/Matt+Henry+User+Friendly-11.jpg Bruce E. Phillips Curating - Matt Henry: User Friendly - Matt Henry User Friendly, 2011 Courtesy of the artist and Starkwhite, Auckland https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508893074340-78XBTDD3LQN7YT88U232/Matt+Henry+User+Friendly-15.jpg Bruce E. Phillips Curating - Matt Henry: User Friendly - Matt Henry User Friendly, 2011 Courtesy of the artist and Starkwhite, Auckland https://bruceephillips.com/curating/lisa-crowley monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508892836804-FTS2IP0GJIWEE3NDODD7/lending_hall_sml.jpg Bruce E. Phillips Curating - Lisa Crowley: The Reading Hall - Lisa Crowley The Reading Hall, 2011 dual channel digital video, 16mm B/W film transferred to Blu-ray https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508892836808-ONGA0SZA4B2Z1TPOXU2F/The+Reading+Room+2.jpg Bruce E. Phillips Curating - Lisa Crowley: The Reading Hall - Lisa Crowley The Reading Hall, 2011 dual channel digital video, 16mm B/W film transferred to Blu-ray https://bruceephillips.com/curating/jahjahsphinx monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508893821440-S7WJQZ9KJ4ZPGQ9KD42J/copy2.jpg Bruce E. Phillips Curating - JahJahSphinx: CDJ photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508893820630-5KWILEICHU8A6F0068CT/tumblr_lorrhnLSCA1qay7i1o1_500copy.jpg Bruce E. Phillips Curating - JahJahSphinx: CDJ https://bruceephillips.com/curating/angela-tiatia monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508973291670-R733Z755VXSS1HP0V3QI/Angela+Tiatia2.jpeg Bruce E. Phillips Curating - Angela Tiatia: Neo-colonial Extracts - Angela Tiatia Neo-colonial Extracts, 2010 (installation view) photo by Sam Hartnett   https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508973282249-4TS0BC5EJMN0A3DIE9LU/Angela+Tiatia3.jpeg Bruce E. Phillips Curating - Angela Tiatia: Neo-colonial Extracts - Angela Tiatia (installation view) photo by Sam Hartnett   https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508973330253-84FR2URDH0P6ZMUSR7SJ/Angela+Tiatia6.jpeg Bruce E. Phillips Curating - Angela Tiatia: Neo-colonial Extracts - Angela Tiatia Neo-colonial Extracts, 2010 (installation view) photo by Sam Hartnett   https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508973328521-O78VKQ5AK2MTDHW0IB3Z/Angela+Tiatia7.jpeg Bruce E. Phillips Curating - Angela Tiatia: Neo-colonial Extracts - Angela Tiatia Neo-colonial Extracts, 2010 (installation view) photo by Sam Hartnett   https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508973361203-SXT9QUXU5ETANHZ2TUT4/Tiatia4.jpeg Bruce E. Phillips Curating - Angela Tiatia: Neo-colonial Extracts - Angela Tiatia Neo-colonial Extracts, 2010 (video still) courtesy of the artist https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508973361207-7QU7HBV8GEDN2NL5PS3X/Tiatia12.jpeg Bruce E. Phillips Curating - Angela Tiatia: Neo-colonial Extracts - Angela Tiatia Neo-colonial Extracts, 2010 (video still) courtesy of the artist https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508972958452-C0B0XL4HFEZJEGI4FXCV/Angela+Tiatia5.jpeg Bruce E. Phillips Curating - Angela Tiatia: Neo-colonial Extracts - Angela Tiatia Neo-colonial Extracts, 2010 (installation view) photo by Sam Hartnett   https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508973022669-TB8UV22LP361TO57ZZW8/Tiatia6.jpeg Bruce E. Phillips Curating - Angela Tiatia: Neo-colonial Extracts - Angela Tiatia Neo-colonial Extracts, 2010 (video still) courtesy of the artist   https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508972926724-XUBQ39TK5S2VXH8901C5/Angela+Tiatia4.jpeg Bruce E. Phillips Curating - Angela Tiatia: Neo-colonial Extracts - Angela Tiatia (installation view) hoto by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508972872437-Z466L96XELX198O1MWQ5/Angela+Tiatia1.jpeg Bruce E. Phillips Curating - Angela Tiatia: Neo-colonial Extracts - Angela Tiatia Neo-colonial Extracts, 2010 (installation view) photo by Sam Hartnett   https://bruceephillips.com/curating/afterwork monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508970447216-VYC9N1N7EZYRNOD0QLNG/_MG_2592.jpeg Bruce E. Phillips Curating - Afterwork: Wall Drawing photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508970447189-PJER7USEH7V9WDG4HCQS/_MG_2587.jpeg Bruce E. Phillips Curating - Afterwork: Wall Drawing photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508970498710-L6RT3UXG6KS1J0TR5P8A/_MG_2589.jpeg Bruce E. Phillips Curating - Afterwork: Wall Drawing photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508970477410-JELSIHGI81PVXE300UQ1/_MG_2590.jpeg Bruce E. Phillips Curating - Afterwork: Wall Drawing photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508970511500-OA1JTT263GGACNE2GCH1/_MG_2585.jpeg Bruce E. Phillips Curating - Afterwork: Wall Drawing photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508970530863-V9ZJ3987MFPF3QJJERHG/_MG_2586.jpeg Bruce E. Phillips Curating - Afterwork: Wall Drawing photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508970567924-FOTTDBEKYVK9UMAYSRII/_MG_2480.jpeg Bruce E. Phillips Curating - Afterwork: Wall Drawing photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508970583173-AAPRXTJ3RWPTG4MU6PVY/_MG_2474.jpeg Bruce E. Phillips Curating - Afterwork: Wall Drawing photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508970610013-LBTWVFL4C5WMDW4FSQG6/_MG_2477.jpeg Bruce E. Phillips Curating - Afterwork: Wall Drawing photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508970107428-E9NUDN7BCRE0TWG3GOPE/_MG_2474.jpeg Bruce E. Phillips Curating - Afterwork: Wall Drawing photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508970084289-6R3VETFDNQ1MQC1EHWZB/_MG_2480.jpeg Bruce E. Phillips Curating - Afterwork: Wall Drawing photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508970074460-VILGADYCRSKL4HD62NVA/_MG_2591.jpeg Bruce E. Phillips Curating - Afterwork: Wall Drawing photo by Sam Hartnett   https://bruceephillips.com/curating/rapid-change monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509355651970-70GZ3Z119AEAD0QRR7QR/Rapid%2BChange1.jpeg Bruce E. Phillips Curating - Rapid Change - Kalee Jackson (signage design) installed by Martin Awa Clarke Langdon photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508982070449-YCCIPB02U4M2JP6N5UCO/Rapid+Change2.jpeg Bruce E. Phillips Curating - Rapid Change - Kalee Jackson (signage design) installed by Martin Awa Clarke Langdon photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508981810883-K3YXW1ZOVAI9AHBHMHE7/Ice+House.jpeg Bruce E. Phillips Curating - Rapid Change - Gregory Holm & Matthew Radune Ice House Detroit, 2010 Photograph by Gregory Holm C-type print (installation view, photo Sam Hartnett) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508981844637-5Q3W7U5AX4WNFUEJMNFM/Ice+House2.jpeg Bruce E. Phillips Curating - Rapid Change - Gregory Holm & Matthew Radune Ice House Detroit, 2010 35 mm film transferred to Blu-ray, 6:17min/loop, photography by Gregory Holm, audio by Jeffrey Williams (documentation of a site-specific architectural intervention) Photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508981829260-29N4ZNYODAMYMLBYS6FL/Anu.jpeg Bruce E. Phillips Curating - Rapid Change - Anu Pennanen A Day in the Office, 2006 HD DV CAM transferred to DVD, 16 min/loop audio by Timothy Lambert commissioned by Liverpool Biennial 2006 in collaboration with FACT Photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508981888248-UVI2X118HSK6R3F6A38G/Jansen1.jpeg Bruce E. Phillips Curating - Rapid Change - Dieneke Jansen McLennan Development, Papakura Military Camp, 2011 inkjet billboard print Photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508981912580-MXIW4488KWO60X0JUHDP/Jansen2.jpeg Bruce E. Phillips Curating - Rapid Change - Dieneke Jansen McLennan Development, Papakura Military Camp, 2011 inkjet billboard print Photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508982106776-OQKI5IVAQKW9OIFUDIYB/Rufina+Wu1.jpeg Bruce E. Phillips Curating - Rapid Change - Stefan Canham & Rufina Wu ​​​​​​​ Portraits from Above, 2008 c-prints, silver gelatine prints, CAD drawings as digital prints funded by Kulturbehörde Hamburg supported by Art & Culture Outreach, Hong Kong Photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508982110527-5BTF8S4FER4C53APQ9EG/Rufina+Wu2.jpeg Bruce E. Phillips Curating - Rapid Change - Stefan Canham & Rufina Wu Portraits from Above, 2008 c-prints, silver gelatine prints, CAD drawings as digital prints funded by Kulturbehörde Hamburg supported by Art & Culture Outreach, Hong Kong Photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511432085737-8ON0R0IJDBIT9B6EQOW6/Building+One+PFA_1b.jpg Bruce E. Phillips Curating - Rapid Change - Stefan Canham & Rufina Wu Portraits from Above, 2008 c-prints, silver gelatine prints, CAD drawings as digital prints funded by Kulturbehörde Hamburg supported by Art & Culture Outreach, Hong Kong https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511432368035-VUIB9X6WLKI8A0242UDG/PFA_6a.jpg Bruce E. Phillips Curating - Rapid Change - Stefan Canham & Rufina Wu Portraits from Above, 2008 c-prints, silver gelatine prints, CAD drawings as digital prints funded by Kulturbehörde Hamburg supported by Art & Culture Outreach, Hong Kong https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511432087869-2FK4Z6AIK9ZGFRVDECZK/PFA_2b.jpg Bruce E. Phillips Curating - Rapid Change - Stefan Canham & Rufina Wu Portraits from Above, 2008 c-prints, silver gelatine prints, CAD drawings as digital prints funded by Kulturbehörde Hamburg supported by Art & Culture Outreach, Hong Kong https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511432364719-IAG1KFM99FMC7KQUBO3W/PFA_2a.jpg Bruce E. Phillips Curating - Rapid Change - Stefan Canham & Rufina Wu Portraits from Above, 2008 c-prints, silver gelatine prints, CAD drawings as digital prints funded by Kulturbehörde Hamburg supported by Art & Culture Outreach, Hong Kong https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508982041105-XMA6N40HAKFQ18N2BNYV/Peter+Wareing1.jpeg Bruce E. Phillips Curating - Rapid Change - Peter Wareing Utility Black, 2011 digital video, 30min/loop Photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508982062972-YR3Q8HWY83P6ELMJG3FS/Peter+Wareing2.jpeg Bruce E. Phillips Curating - Rapid Change - Peter Wareing Utility Black, 2011 digital video, 30min/loop Photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508981927010-BS8SBK1C6AA1EX4MVXH7/Mega+Mall1.jpeg Bruce E. Phillips Curating - Rapid Change - Elisapeta Heta Mega Mall Information Centre, 2011 digital video, vinyl signage, timber, MDF, cardboard https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508982001647-ZR84DOIG7MPID0MISZ29/Mega+Mall5.jpeg Bruce E. Phillips Curating - Rapid Change - Elisapeta Heta Mega Mall Information Centre, 2011 digital video, vinyl signage, timber, MDF, cardboard Photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508982026179-FP45G0AF56ZOSTSII1TH/Mega+Mall6.jpeg Bruce E. Phillips Curating - Rapid Change - Elisapeta Heta Mega Mall Information Centre, 2011 digital video, vinyl signage, timber, MDF, cardboard Photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508981959207-625D3HV5V3W3FLUU4FSF/Mega+Mall2.jpeg Bruce E. Phillips Curating - Rapid Change - Elisapeta Heta Mega Mall Information Centre, 2011 digital video, vinyl signage, timber, MDF, cardboard Photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508981964104-YSODQSBXX79LM1PKLAM8/Mega+Mall3.jpeg Bruce E. Phillips Curating - Rapid Change - Elisapeta Heta Mega Mall Information Centre, 2011 digital video, vinyl signage, timber, MDF, cardboard Photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508981999280-A87EQ04TWO6L8FD78X94/Mega+Mall4.jpeg Bruce E. Phillips Curating - Rapid Change - Elisapeta Heta Mega Mall Information Centre, 2011 digital video, vinyl signage, timber, MDF, cardboard Photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511431691058-APUQ2KA418XQ02O0EWWY/Building+One+PFA_1b.jpg Bruce E. Phillips Curating - Rapid Change - Stefan Canham & Rufina Wu Portraits from Above, 2008 Building 1, Sham Shui Po District, Hong Kong c-prints, silver gelatine prints, CAD drawings as digital prints funded by Kulturbehörde Hamburg supported by Art & Culture Outreach, Hong Kong https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511431940121-GXXB73PP7HM1K9WDY2ZB/Ice-House-Detroit-Final-Image_sm.jpg Bruce E. Phillips Curating - Rapid Change - Gregory Holm & Matthew Radune Ice House Detroit, 2010 Photograph by Gregory Holm C-type print https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508968701143-SG1U7EG0CW72RMOCRV1A/Mega+Mall6.jpeg Bruce E. Phillips Curating - Rapid Change - Elisapeta Heta Mega Mall Information Centre, 2011 digital video, vinyl signage, timber, MDF, cardboard photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508968674595-U9BKQXRZUZG7SR9JXL09/Jansen1.jpeg Bruce E. Phillips Curating - Rapid Change - Dieneke Jansen McLennan Development, Papakura Military Camp, 2011 inkjet billboard print photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508968709620-W6NPCRAJZZRHH9OHB5LB/Rapid+Change1.jpeg Bruce E. Phillips Curating - Rapid Change - Kalee Jackson (Exhibition signage) installed by Martin Awa Clarke Langdon photo by Sam Hartnett https://bruceephillips.com/curating/rob-gardiner monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508971333633-HXII95W72ZV1O9FG5HZL/_MG_2094.jpeg Bruce E. Phillips Curating - Rob Gardiner photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508971485931-UP6YW3P6LRCFIDJ5IADA/_MG_2095.jpeg Bruce E. Phillips Curating - Rob Gardiner photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508971510931-R79WUCXWR0P4TP9C7M96/_MG_2104.jpeg Bruce E. Phillips Curating - Rob Gardiner photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508971582302-MYQ0URC3XZVV8LWVC337/_MG_2102.jpeg Bruce E. Phillips Curating - Rob Gardiner photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508971702201-3POVPDQZKJWJ96DQZREY/_MG_2097.jpeg Bruce E. Phillips Curating - Rob Gardiner photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508971724422-81X579VV9KD47XJSQCFF/_MG_2098.jpeg Bruce E. Phillips Curating - Rob Gardiner photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508971735584-W3BGUX1WUDTZGYRTL56O/_MG_2099.jpeg Bruce E. Phillips Curating - Rob Gardiner photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508971758533-XFATZDHBDC5BG6MPSSBA/_MG_2100.jpeg Bruce E. Phillips Curating - Rob Gardiner photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508971774401-Q7ASKRZ21AZDHBWO730Z/_MG_2101.jpeg Bruce E. Phillips Curating - Rob Gardiner photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508971807064-RPBZYOCGVTOD9LUPRY1M/_MG_2103.jpeg Bruce E. Phillips Curating - Rob Gardiner photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508971822626-TC8PHPJSFDLGC8AQJ432/_MG_2104.jpeg Bruce E. Phillips Curating - Rob Gardiner photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508971841446-BN98HPV9D1IZCZRBY394/_MG_2105.jpeg Bruce E. Phillips Curating - Rob Gardiner photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508971842604-YS6199SZMN4LFX5QT6DS/_MG_2108.jpeg Bruce E. Phillips Curating - Rob Gardiner photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508971852603-7OBTI43WZO6IAZX7JBXI/_MG_2106.jpeg Bruce E. Phillips Curating - Rob Gardiner photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508971854906-Q1FQ3IUQ5W0Q0C1R3CKC/_MG_2107.jpeg Bruce E. Phillips Curating - Rob Gardiner photo by Sam Hartnett https://bruceephillips.com/curating/bill-riley monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508972365765-Y3Q5SPAPDNY78DKQE2QB/_MG_2064.jpeg Bruce E. Phillips Curating - Bill Riley: WK:422 - Bill Riley WK:422, 2011 acrylic paint on recycled cardboard photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508972368046-24PNQPMJNY5WXEKYOI4W/_MG_2065.jpeg Bruce E. Phillips Curating - Bill Riley: WK:422 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508972515878-MY57SMGY1M0CILM3QNA3/_MG_2125.jpeg Bruce E. Phillips Curating - Bill Riley: WK:422 photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508972409506-T0D6A4WAJ1M9UARZ6VSJ/_MG_2083.jpeg Bruce E. Phillips Curating - Bill Riley: WK:422 photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508972422548-EX9GUYEEGFKAH9BPYMXE/_MG_2088.jpeg Bruce E. Phillips Curating - Bill Riley: WK:422 photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508972594167-7HEWQVUBPF084PGHWJE4/_MG_2126.jpeg Bruce E. Phillips Curating - Bill Riley: WK:422 photo by Sam Hartnett https://bruceephillips.com/curating/anthony-cribb monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508975049963-E7NXAYUEB8T5K6IJQYBM/-0259.jpeg Bruce E. Phillips Curating - Anthony Cribb: 01/03/2011 - 01/05/2011, Te Tuhi Courtyard - Anthony Cribb 01/03/2011 - 01/05/2011, Te Tuhi Courtyard (Installation view) photo by Sam Hartnett   https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508975001024-IFYVBIBC7A2TTQZ5X6XF/_MG_2599.jpeg Bruce E. Phillips Curating - Anthony Cribb: 01/03/2011 - 01/05/2011, Te Tuhi Courtyard photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508975049049-UJS1X8LLQTXN31JE01T2/_MG_2117.jpeg Bruce E. Phillips Curating - Anthony Cribb: 01/03/2011 - 01/05/2011, Te Tuhi Courtyard photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508975443279-NVZSJGKBN45UKDUUHCDI/_MG_2601.jpeg Bruce E. Phillips Curating - Anthony Cribb: 01/03/2011 - 01/05/2011, Te Tuhi Courtyard 01/03/2011 - 01/05/2011, Te Tuhi Courtyard Installation detail hoto by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508975361058-4A9W8G11EMSGHOY4UBPA/_MG_2598.jpeg Bruce E. Phillips Curating - Anthony Cribb: 01/03/2011 - 01/05/2011, Te Tuhi Courtyard - Anthony Cribb 01/03/2011 - 01/05/2011, Te Tuhi Courtyard Installation detail   https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508975422692-6ZJ2MTBSPLHEMOOU33KN/_MG_2600.jpeg Bruce E. Phillips Curating - Anthony Cribb: 01/03/2011 - 01/05/2011, Te Tuhi Courtyard - Anthony Cribb 01/03/2011 - 01/05/2011, Te Tuhi Courtyard Installation detail hoto by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508975526220-TACJ5NYR1L3PJWCBBEN5/-0260.jpeg Bruce E. Phillips Curating - Anthony Cribb: 01/03/2011 - 01/05/2011, Te Tuhi Courtyard photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508975477479-9EZ09U2YUF694VWSX3BC/-0256.jpeg Bruce E. Phillips Curating - Anthony Cribb: 01/03/2011 - 01/05/2011, Te Tuhi Courtyard photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508975498683-GDAV2VX3WN8HMHKP912S/-0258.jpeg Bruce E. Phillips Curating - Anthony Cribb: 01/03/2011 - 01/05/2011, Te Tuhi Courtyard photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508975467594-3U2F7GDGDFI5W9U8RWRY/-0255.jpeg Bruce E. Phillips Curating - Anthony Cribb: 01/03/2011 - 01/05/2011, Te Tuhi Courtyard photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508975545780-QWKCEBHUEIW3POITC6FG/-0261.jpeg Bruce E. Phillips Curating - Anthony Cribb: 01/03/2011 - 01/05/2011, Te Tuhi Courtyard photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508975591566-286HD80SCBS4F8BGSTRU/-0264.jpeg Bruce E. Phillips Curating - Anthony Cribb: 01/03/2011 - 01/05/2011, Te Tuhi Courtyard photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508975593852-EJ6ABK5ZOPAKF6ZY4ESX/-0265.jpeg Bruce E. Phillips Curating - Anthony Cribb: 01/03/2011 - 01/05/2011, Te Tuhi Courtyard photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508975329239-GNI9HF8T9BGHNF967SJ1/_MG_2116.jpeg Bruce E. Phillips Curating - Anthony Cribb: 01/03/2011 - 01/05/2011, Te Tuhi Courtyard - Anthony Cribb 01/03/2011 - 01/05/2011, Te Tuhi Courtyard Installation detail hoto by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508975208194-EKFC1JAP4NID8XHPHPFY/_MG_2112.jpeg Bruce E. Phillips Curating - Anthony Cribb: 01/03/2011 - 01/05/2011, Te Tuhi Courtyard - Anthony Cribb 01/03/2011 - 01/05/2011, Te Tuhi Courtyard Installation detail hoto by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508975199123-LYV4OBSAAL9XVUZIBE4O/_MG_2109.jpeg Bruce E. Phillips Curating - Anthony Cribb: 01/03/2011 - 01/05/2011, Te Tuhi Courtyard - Anthony Cribb 01/03/2011 - 01/05/2011, Te Tuhi Courtyard Installation detail hoto by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508975269116-V002JLGACLP6MKEOJJ24/_MG_2114.jpeg Bruce E. Phillips Curating - Anthony Cribb: 01/03/2011 - 01/05/2011, Te Tuhi Courtyard - Anthony Cribb 01/03/2011 - 01/05/2011, Te Tuhi Courtyard Installation detail hoto by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508975277608-547ZXF06I9NYI4Z7DJ5V/_MG_2115.jpeg Bruce E. Phillips Curating - Anthony Cribb: 01/03/2011 - 01/05/2011, Te Tuhi Courtyard - Anthony Cribb 01/03/2011 - 01/05/2011, Te Tuhi Courtyard Installation detail hoto by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508975331451-8YFENVQKU67NYTTKN5Z1/_MG_2118.jpeg Bruce E. Phillips Curating - Anthony Cribb: 01/03/2011 - 01/05/2011, Te Tuhi Courtyard - Anthony Cribb 01/03/2011 - 01/05/2011, Te Tuhi Courtyard Installation detail hoto by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508975388195-I6TLZ27A52Z5F3OZ9E0Y/_MG_2119.jpeg Bruce E. Phillips Curating - Anthony Cribb: 01/03/2011 - 01/05/2011, Te Tuhi Courtyard - Anthony Cribb 01/03/2011 - 01/05/2011, Te Tuhi Courtyard Installation detail hoto by Sam Hartnett https://bruceephillips.com/curating/elliot-collins monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508977499373-Q4HOIKLTPR4OTVZAZDSY/_MG_2092.jpeg Bruce E. Phillips Curating - Elliot Collins: Held Together - Elliot Collins Held Together, 2011 nails and string courtesy of Tim Melville Gallery commissioned by Te Tuhi photo by Sam Hartnett   https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508977717374-25G4J7F72387VUQF4UUP/-0415.jpg Bruce E. Phillips Curating - Elliot Collins: Held Together photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508977809657-VV97MWYZDDQ24DQ2R46V/-0313.jpg Bruce E. Phillips Curating - Elliot Collins: Held Together photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508975847246-JQ5H28ICAJS65YM7LY1N/_MG_2091.jpeg Bruce E. Phillips Curating - Elliot Collins: Held Together - Elliot Collins Held Together, 2011 nails and string courtesy of Tim Melville Gallery commissioned by Te Tuhi photo by Sam Hartnett   https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508975853916-KSYDM9HB4WUDFXXHPOST/_MG_2093.jpeg Bruce E. Phillips Curating - Elliot Collins: Held Together photo by Sam Hartnett   https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508975910121-I2ITAKE5JQ478JT3BQ6Q/Picture+019.jpg Bruce E. Phillips Curating - Elliot Collins: Held Together https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508975918727-6EI0WYK3AJMCG1D70LW4/Picture+020.jpg Bruce E. Phillips Curating - Elliot Collins: Held Together https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508975979981-F4XW0WLGL4RCV2Z6BBWI/Picture+021.jpg Bruce E. Phillips Curating - Elliot Collins: Held Together https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508975978417-Z9U69EZM95KHUYUM29SC/Picture+022.jpg Bruce E. Phillips Curating - Elliot Collins: Held Together https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508976046020-2K8YJG514D5KV5ILKV3U/Picture+023.jpg Bruce E. Phillips Curating - Elliot Collins: Held Together https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508976044835-R5EV7RKRRDVHYI770DME/Picture+024.jpg Bruce E. Phillips Curating - Elliot Collins: Held Together https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508976076528-YEJUBBXMIPOBEKIENQBA/Picture+025.jpg Bruce E. Phillips Curating - Elliot Collins: Held Together https://bruceephillips.com/curating/mason monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508980042525-R05BSW14AX9A0HEKGARS/slide+left.jpeg Bruce E. Phillips Curating - Jennifer Mason: The room at the end of the hall https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508980067874-ZR525K5N430OQ2LRTV3G/stuck+middle+copy.jpg Bruce E. Phillips Curating - Jennifer Mason: The room at the end of the hall https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508980072227-TUUIOOUW651ET6WRY6VJ/sunroom+right.jpeg Bruce E. Phillips Curating - Jennifer Mason: The room at the end of the hall https://bruceephillips.com/curating/maddie-leach monthly 0.5 2017-12-02 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511433308775-FLXTBLMERWQAP11RZI3O/Maddie+Leach+1.jpg Bruce E. Phillips Curating - Maddie Leach: Signs and Wonders Shall Appear - Maddie Leach Signs and wonders shall appear, 2010 design by Warren Olds photo by Bruce E. Phillips https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511433314315-8PCAAYZYIWB8F3IYNKO7/Maddie+Leach+2.jpg Bruce E. Phillips Curating - Maddie Leach: Signs and Wonders Shall Appear - Maddie Leach Signs and wonders shall appear, 2010 photo by Bruce E. Phillips https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511433322739-GI1Y2ENN3R6XS0QMULTI/Maddie+Leach+3.jpg Bruce E. Phillips Curating - Maddie Leach: Signs and Wonders Shall Appear - Maddie Leach Signs and wonders shall appear, 2010 photo by Bruce E. Phillips https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511433961364-FXOVCZDSW97Z9Y5GRHRW/M+Leach_02.JPG Bruce E. Phillips Curating - Maddie Leach: Signs and Wonders Shall Appear - Maddie Leach Beaver Island research images, 2008 photo by Maddie Leach https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511433978385-0WWZOZOFE66TUOK0QY61/M+Leach_01.JPG Bruce E. Phillips Curating - Maddie Leach: Signs and Wonders Shall Appear - Maddie Leach Beaver Island research images, 2008 photo by Maddie Leach https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511433985839-5XH1J2W7X4HULYVZ74FP/M+Leach_03+low+res.jpg Bruce E. Phillips Curating - Maddie Leach: Signs and Wonders Shall Appear - Maddie Leach Beaver Island research images, 2008 photo by Maddie Leach https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511433988272-SD00HEQJHFEYN43RZODG/MaddieLeach+BeaverBeacon+Ad.jpg Bruce E. Phillips Curating - Maddie Leach: Signs and Wonders Shall Appear - ​​​​​​​Maddie Leach eaver Bacon advertisement, 2008 design by Warren Olds https://bruceephillips.com/curating/paul-cullen monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508964185482-Q47L7UXTINWS0K58Q2FG/-8053.jpg Bruce E. Phillips Curating - Paul Cullen: MOTEL - Paul Cullen MOTEL, 2010 mixed media courtesy of Jane Sanders, Auckland commissioned by Te Tuhi photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508964225101-WGE44TGW33TRBXHN6KR8/-8721.jpg Bruce E. Phillips Curating - Paul Cullen: MOTEL photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508964250740-RK9078FYBTYSWJKOI7Q4/-8726.jpg Bruce E. Phillips Curating - Paul Cullen: MOTEL photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508964289909-BE08GGYKEHXTDEK1RQC3/-9813.jpg Bruce E. Phillips Curating - Paul Cullen: MOTEL photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508964605294-D10FHW1P2CX5GRIKHBM2/-8033.jpg Bruce E. Phillips Curating - Paul Cullen: MOTEL - Paul Cullen MOTEL, 2010 mixed media courtesy of Jane Sanders, Auckland commissioned by Te Tuhi photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508964578376-TRTDEC8DINP7V0Q2JGNZ/-8034.jpg Bruce E. Phillips Curating - Paul Cullen: MOTEL photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508964626579-NIRQK0JKCU63M5RGZIL6/-8730.jpg Bruce E. Phillips Curating - Paul Cullen: MOTEL photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508964680947-R0UCNFKW617RC9OA7F3O/-8732.jpg Bruce E. Phillips Curating - Paul Cullen: MOTEL photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508964682792-RPPHZCILRYOFKNTEU9L7/-8734.jpg Bruce E. Phillips Curating - Paul Cullen: MOTEL photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508964719074-ORPRWNK6LW6EKNA42WQE/-8738.jpg Bruce E. Phillips Curating - Paul Cullen: MOTEL photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508964728968-R71P58LA60J5MPCUY7VB/-9801.jpg Bruce E. Phillips Curating - Paul Cullen: MOTEL photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508964766327-UHTGPM2Z39Y329K69TAZ/-9816.jpg Bruce E. Phillips Curating - Paul Cullen: MOTEL photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508964766594-UVDWGBFITNKE0RUQA3VU/-9823+%282%29.jpg Bruce E. Phillips Curating - Paul Cullen: MOTEL photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508964794263-UYIGSKL7CEH9BASYXI5E/-9829.jpg Bruce E. Phillips Curating - Paul Cullen: MOTEL photo by Sam Hartnett https://bruceephillips.com/curating/andrew-mcleod monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508896136795-DKX3Y7GIEP3A1HNYGQNM/Andrew+McLeod+street+veiw.jpg Bruce E. Phillips Curating - Andrew McLeod - Andrew McLeod Billboards, 2010 inkjet billboard print courtesy of Ivan Anthony, Auckland commissioned by Te Tuhi photo by Sam Hartnett https://bruceephillips.com/curating/jacob-c-hammes monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508966396208-3MYMAZTSO0W2RMUHOCW5/Chris+Hammes1.jpeg Bruce E. Phillips Curating - Jacob C. Hammes: Synesthetic Collection #1 photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508966396208-25KD3YGIH6Q3778VPG7M/Chris+Hammes3.jpeg Bruce E. Phillips Curating - Jacob C. Hammes: Synesthetic Collection #1 photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509359677522-6FF8LGXX2DFQU6PMXSJG/Chris%2BHammes2.jpeg Bruce E. Phillips Curating - Jacob C. Hammes: Synesthetic Collection #1 photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1509359678147-XFSFIBRLCSFO193ERGZP/Chris%2BHammes4.jpeg Bruce E. Phillips Curating - Jacob C. Hammes: Synesthetic Collection #1 photo by Sam Hartnett https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508966420667-CHOE7S9K5D2P00JGP0M2/Chris+Hammes5.jpeg Bruce E. Phillips Curating - Jacob C. Hammes: Synesthetic Collection #1 photo by Sam Hartnett https://bruceephillips.com/curating/mary-louise-browne monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508967073830-9RBCSR2LA8Y76BQNOASO/ML+Brown1.jpeg Bruce E. Phillips Curating - Mary-Louise Browne: Golden - Mary-Louise Browne Golden, 2010 inkjet billboard print courtesy of Bartley + Company Art, Wellington commissioned by Te Tuhi photography by Neil Finlay https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508967076349-NE3XADRGN9IVXT0AX53J/ML+Brown2.jpeg Bruce E. Phillips Curating - Mary-Louise Browne: Golden https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508967091232-VNP3DSZBOMXWNWSY52R6/ML+Brown3.jpeg Bruce E. Phillips Curating - Mary-Louise Browne: Golden https://bruceephillips.com/curating/kate-woods monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508898753948-BNHAOP1EQP1EFOESDRGN/Double+Lake.jpg Bruce E. Phillips Curating - Kate Woods: Non-Site - Kate Woods Double Lake, 2010 inkjet billboard print courtesy of City Art Rooms, Auckland https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508898754227-5FZS32CBWLNX0NRIRD6L/Flash+and+Forest.jpg Bruce E. Phillips Curating - Kate Woods: Non-Site - Kate Woods Oppenheim Lake, 2010 inkjet billboard print courtesy of City Art Rooms, Auckland https://bruceephillips.com/curating/ruth-thomas-edmond monthly 0.5 2017-12-01 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508965535692-JO0JFC001IGXTYBZUVP9/Ruth-Thomas-Edmond-TeTuhi-HR-2.jpg Bruce E. Phillips Curating - Ruth Thomas-Edmond: Heap Series - Ruth Thomas-Edmond Heap Series 2010 recycled cardboard, PVA glue, acrylic paint courtesy of Anna Bibby Gallery, Auckland commissioned by Te Tuhi photo by Gareth Price https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508965535696-KVHFM9KQZILNU50FHSJN/Ruth-Thomas-Edmond-TeTuhi-HR-6.jpg Bruce E. Phillips Curating - Ruth Thomas-Edmond: Heap Series photo by Gareth Price https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508965549748-8B9KTMFLK2UUXZQD9K0V/Ruth-Thomas-Edmond-TeTuhi-LR-1.jpg Bruce E. Phillips Curating - Ruth Thomas-Edmond: Heap Series photo by Gareth Price https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1508965558985-XWB9V4EKUQ0AT5JDLNSE/Ruth-Thomas-Edmond-TeTuhi-LR-7.jpg Bruce E. Phillips Curating - Ruth Thomas-Edmond: Heap Series photo by Gareth Price https://bruceephillips.com/curating/closeencounters monthly 0.5 2025-03-17 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510647449235-48NM7HQIULBAXKSR3QK1/Close+Encounters+016.jpg Bruce E. Phillips Curating - Close Encounters - Daniel du Bern CARGO, 2009 Collaborating artists: Courtney Lucas, Liz Allen, Tahi Moore, Lochie Bradfield, Simon Taylor, Liv Barrett, Christopher LG Hill, James Deutsher, Nicki Winnichyck, Josh Petherick, Xin Cheng, Helen Johnson, Nick Selenitsch, Nick Mangan, Ruth Buchanan, Matt Hinkley, Sriwhana Spong, Kain Picken & Fiona Lau (Ffixxed), Maddie Leach, g. bridle (The Retreat), Marco Fusinato, Fiona Connor, Sean Peoples, Renee Jaeger, Marnie Slater, Jarrod Rawlins, Masato Takasaka, Susan Jacobs, Dan Bell, Charlie Sofo, Nathan Gray, Sean Bailey (Lakes/Wasted Truth), Ry Haskings, Lisa Radford, Jess Johnson & Jordy Marani, Kate Smith, Thomas Jeppe, Caroline Johnston, Alex Vivian, Ben Tankard, Laura Preston and others. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510644210201-R7XIP06YXX4EYWQEG7U1/Close+Encounters+018.jpg Bruce E. Phillips Curating - Close Encounters - Juan Angel Chávez Bogart, 2009 Plywood and fabric https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510644240084-BSXZ52YNVQNXYZ1W3LDU/Close+Encounters+022+croped.jpg Bruce E. Phillips Curating - Close Encounters - Truman Lowe Water, Origin, Myth, 2009 Willow, leather, paper, copper rod https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510644293746-74LD8KF1G8G3NOWQ82UE/Close+Encounters+021.jpg Bruce E. Phillips Curating - Close Encounters - Walter Hood (left) Why am I the only black guy without a tattoo? 2009 Multimedia installation https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510644352205-H01YYKM9DZ65FX8J1GMY/Close+Encounters+020.jpg Bruce E. Phillips Curating - Close Encounters - Wayne Youle Erection, Destruction, Relocation, Reflection, Erection, 2008-9 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694207418-M145VY8U5ZY9ZUTZLEAG/Close+Encounters+018.jpeg Bruce E. Phillips Curating - Close Encounters - Juan Angel Chávez Bogart, 2009 Plywood and fabric https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510693965159-2TQWAWKVIE4IAV3KHA87/Close+Encounters+002.jpeg Bruce E. Phillips Curating - Close Encounters - Juan Angel Chávez Bogart, 2009 Plywood and fabric https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694185239-0ATMIZWM68SHEAHUFKMI/Close+Encounters+017.jpeg Bruce E. Phillips Curating - Close Encounters - Juan Angel Chávez Bogart, 2009 Plywood and fabric https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510693967011-42DGI1OCTR43H8NUAZOQ/Close+Encounters+001.jpeg Bruce E. Phillips Curating - Close Encounters - Juan Angel Chávez Bogart, 2009 Plywood and fabric https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694236008-NE824CKF6QW68GV0N731/Close+Encounters+020.jpeg Bruce E. Phillips Curating - Close Encounters - Wayne Youle Erection, Destruction, Relocation, Reflection, Erection, 2008-9 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694202311-ROV37ZFGCOE7QVU31FE3/Close+Encounters+020+cropped.jpeg Bruce E. Phillips Curating - Close Encounters - Wayne Youle Erection, Destruction, Relocation, Reflection, Erection, 2008-9 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511426043260-OKLS8PD2LUNZBRRD9WSZ/funny+money.jpg Bruce E. Phillips Curating - Close Encounters - Wayne Youle Funny Money (from the series: Erection, Destruction, Relocation, Reflection, Erection), 2008-9 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694269576-6ASYOTBA9J3DYRPXRR2E/DSC03415.jpeg Bruce E. Phillips Curating - Close Encounters - Wayne Youle Erection, Destruction, Relocation, Reflection, Erection, 2008-9 (detail) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694275120-TMUW9O2ZCHVBJVN0AS65/DSC03454.jpeg Bruce E. Phillips Curating - Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694254222-GKS0IHNRXMYFGNOHG8SZ/DSC03393.jpeg Bruce E. Phillips Curating - Close Encounters - Wayne Youle Erection, Destruction, Relocation, Reflection, Erection, 2008-9 (detail) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694263022-XBRT7PCNZ2R90VXIW6UA/DSC03405.jpeg Bruce E. Phillips Curating - Close Encounters - Wayne Youle Erection, Destruction, Relocation, Reflection, Erection, 2008-9 (detail) https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510693993378-ZFWBQVT2P2TZAXB46PMB/Close+Encounters+003.jpeg Bruce E. Phillips Curating - Close Encounters - Wayne Youle Erection, Destruction, Relocation, Reflection, Erection, 2008-9 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511426614800-OBYHXTP1AUZRLO6QPSEA/Close+Encounters+021.jpeg Bruce E. Phillips Curating - Close Encounters - Walter Hood Why am I the only black guy without a tattoo?, 2009 Multimedia installation https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511426615105-K7S24UAWGOI3CFT8XIVT/Close+Encounters+019.jpeg Bruce E. Phillips Curating - Close Encounters - Walter Hood Why am I the only black guy without a tattoo?, 2009 Multimedia installation https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511426625769-SWPDBY4UIPK2YSQRER30/Close+Encounters+028.jpeg Bruce E. Phillips Curating - Close Encounters - Walter Hood Why am I the only black guy without a tattoo?, 2009 Multimedia installation https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510693276812-9KVCN3EO331MFRSUBM3V/Close+Encounters+022+croped.jpg Bruce E. Phillips Curating - Close Encounters - Truman Lowe Water, Origin, Myth, 2009 Willow, leather, paper, copper rod https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510693992805-KLYLAMSL8CZS190DIQ95/Close+Encounters+004.jpeg Bruce E. Phillips Curating - Close Encounters - Daniel du Bern CARGO, 2009 Collaborating artists: Courtney Lucas, Liz Allen, Tahi Moore, Lochie Bradfield, Simon Taylor, Liv Barrett, Christopher LG Hill, James Deutsher, Nicki Winnichyck, Josh Petherick, Xin Cheng, Helen Johnson, Nick Selenitsch, Nick Mangan, Ruth Buchanan, Matt Hinkley, Sriwhana Spong, Kain Picken & Fiona Lau (Ffixxed), Maddie Leach, g. bridle (The Retreat), Marco Fusinato, Fiona Connor, Sean Peoples, Renee Jaeger, Marnie Slater, Jarrod Rawlins, Masato Takasaka, Susan Jacobs, Dan Bell, Charlie Sofo, Nathan Gray, Sean Bailey (Lakes/Wasted Truth), Ry Haskings, Lisa Radford, Jess Johnson & Jordy Marani, Kate Smith, Thomas Jeppe, Caroline Johnston, Alex Vivian, Ben Tankard, Laura Preston and others. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694023525-8BIFF1QUD01GZ601ZAKO/Close+Encounters+005.jpeg Bruce E. Phillips Curating - Close Encounters - Daniel du Bern CARGO, 2009 Collaborating artists: Courtney Lucas, Liz Allen, Tahi Moore, Lochie Bradfield, Simon Taylor, Liv Barrett, Christopher LG Hill, James Deutsher, Nicki Winnichyck, Josh Petherick, Xin Cheng, Helen Johnson, Nick Selenitsch, Nick Mangan, Ruth Buchanan, Matt Hinkley, Sriwhana Spong, Kain Picken & Fiona Lau (Ffixxed), Maddie Leach, g. bridle (The Retreat), Marco Fusinato, Fiona Connor, Sean Peoples, Renee Jaeger, Marnie Slater, Jarrod Rawlins, Masato Takasaka, Susan Jacobs, Dan Bell, Charlie Sofo, Nathan Gray, Sean Bailey (Lakes/Wasted Truth), Ry Haskings, Lisa Radford, Jess Johnson & Jordy Marani, Kate Smith, Thomas Jeppe, Caroline Johnston, Alex Vivian, Ben Tankard, Laura Preston and others. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694024661-MBBZVI4BPFPFQH2P14OM/Close+Encounters+006.jpeg Bruce E. Phillips Curating - Close Encounters - Daniel du Bern CARGO, 2009 Collaborating artists: Courtney Lucas, Liz Allen, Tahi Moore, Lochie Bradfield, Simon Taylor, Liv Barrett, Christopher LG Hill, James Deutsher, Nicki Winnichyck, Josh Petherick, Xin Cheng, Helen Johnson, Nick Selenitsch, Nick Mangan, Ruth Buchanan, Matt Hinkley, Sriwhana Spong, Kain Picken & Fiona Lau (Ffixxed), Maddie Leach, g. bridle (The Retreat), Marco Fusinato, Fiona Connor, Sean Peoples, Renee Jaeger, Marnie Slater, Jarrod Rawlins, Masato Takasaka, Susan Jacobs, Dan Bell, Charlie Sofo, Nathan Gray, Sean Bailey (Lakes/Wasted Truth), Ry Haskings, Lisa Radford, Jess Johnson & Jordy Marani, Kate Smith, Thomas Jeppe, Caroline Johnston, Alex Vivian, Ben Tankard, Laura Preston and others. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694051875-IRP1VTK14Z83CPSA8D5S/Close+Encounters+007.jpeg Bruce E. Phillips Curating - Close Encounters - Daniel du Bern CARGO, 2009 Collaborating artists: Courtney Lucas, Liz Allen, Tahi Moore, Lochie Bradfield, Simon Taylor, Liv Barrett, Christopher LG Hill, James Deutsher, Nicki Winnichyck, Josh Petherick, Xin Cheng, Helen Johnson, Nick Selenitsch, Nick Mangan, Ruth Buchanan, Matt Hinkley, Sriwhana Spong, Kain Picken & Fiona Lau (Ffixxed), Maddie Leach, g. bridle (The Retreat), Marco Fusinato, Fiona Connor, Sean Peoples, Renee Jaeger, Marnie Slater, Jarrod Rawlins, Masato Takasaka, Susan Jacobs, Dan Bell, Charlie Sofo, Nathan Gray, Sean Bailey (Lakes/Wasted Truth), Ry Haskings, Lisa Radford, Jess Johnson & Jordy Marani, Kate Smith, Thomas Jeppe, Caroline Johnston, Alex Vivian, Ben Tankard, Laura Preston and others. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694053637-2BH7AYPQMBIB3VG5BDSE/Close+Encounters+008.jpeg Bruce E. Phillips Curating - Close Encounters - Daniel du Bern CARGO, 2009 Collaborating artists: Courtney Lucas, Liz Allen, Tahi Moore, Lochie Bradfield, Simon Taylor, Liv Barrett, Christopher LG Hill, James Deutsher, Nicki Winnichyck, Josh Petherick, Xin Cheng, Helen Johnson, Nick Selenitsch, Nick Mangan, Ruth Buchanan, Matt Hinkley, Sriwhana Spong, Kain Picken & Fiona Lau (Ffixxed), Maddie Leach, g. bridle (The Retreat), Marco Fusinato, Fiona Connor, Sean Peoples, Renee Jaeger, Marnie Slater, Jarrod Rawlins, Masato Takasaka, Susan Jacobs, Dan Bell, Charlie Sofo, Nathan Gray, Sean Bailey (Lakes/Wasted Truth), Ry Haskings, Lisa Radford, Jess Johnson & Jordy Marani, Kate Smith, Thomas Jeppe, Caroline Johnston, Alex Vivian, Ben Tankard, Laura Preston and others. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694084862-XBAOZMUJA12Z0MDLVJWB/Close+Encounters+009.jpeg Bruce E. Phillips Curating - Close Encounters - Daniel du Bern CARGO, 2009 Collaborating artists: Courtney Lucas, Liz Allen, Tahi Moore, Lochie Bradfield, Simon Taylor, Liv Barrett, Christopher LG Hill, James Deutsher, Nicki Winnichyck, Josh Petherick, Xin Cheng, Helen Johnson, Nick Selenitsch, Nick Mangan, Ruth Buchanan, Matt Hinkley, Sriwhana Spong, Kain Picken & Fiona Lau (Ffixxed), Maddie Leach, g. bridle (The Retreat), Marco Fusinato, Fiona Connor, Sean Peoples, Renee Jaeger, Marnie Slater, Jarrod Rawlins, Masato Takasaka, Susan Jacobs, Dan Bell, Charlie Sofo, Nathan Gray, Sean Bailey (Lakes/Wasted Truth), Ry Haskings, Lisa Radford, Jess Johnson & Jordy Marani, Kate Smith, Thomas Jeppe, Caroline Johnston, Alex Vivian, Ben Tankard, Laura Preston and others. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694085788-6MVSBDMQWD2EEG8D38L4/Close+Encounters+010.jpeg Bruce E. Phillips Curating - Close Encounters - Daniel du Bern CARGO, 2009 Collaborating artists: Courtney Lucas, Liz Allen, Tahi Moore, Lochie Bradfield, Simon Taylor, Liv Barrett, Christopher LG Hill, James Deutsher, Nicki Winnichyck, Josh Petherick, Xin Cheng, Helen Johnson, Nick Selenitsch, Nick Mangan, Ruth Buchanan, Matt Hinkley, Sriwhana Spong, Kain Picken & Fiona Lau (Ffixxed), Maddie Leach, g. bridle (The Retreat), Marco Fusinato, Fiona Connor, Sean Peoples, Renee Jaeger, Marnie Slater, Jarrod Rawlins, Masato Takasaka, Susan Jacobs, Dan Bell, Charlie Sofo, Nathan Gray, Sean Bailey (Lakes/Wasted Truth), Ry Haskings, Lisa Radford, Jess Johnson & Jordy Marani, Kate Smith, Thomas Jeppe, Caroline Johnston, Alex Vivian, Ben Tankard, Laura Preston and others. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694117929-L2N0D5BIMLMEL1QPD4ZR/Close+Encounters+011.jpeg Bruce E. Phillips Curating - Close Encounters - Daniel du Bern CARGO, 2009 Collaborating artists: Courtney Lucas, Liz Allen, Tahi Moore, Lochie Bradfield, Simon Taylor, Liv Barrett, Christopher LG Hill, James Deutsher, Nicki Winnichyck, Josh Petherick, Xin Cheng, Helen Johnson, Nick Selenitsch, Nick Mangan, Ruth Buchanan, Matt Hinkley, Sriwhana Spong, Kain Picken & Fiona Lau (Ffixxed), Maddie Leach, g. bridle (The Retreat), Marco Fusinato, Fiona Connor, Sean Peoples, Renee Jaeger, Marnie Slater, Jarrod Rawlins, Masato Takasaka, Susan Jacobs, Dan Bell, Charlie Sofo, Nathan Gray, Sean Bailey (Lakes/Wasted Truth), Ry Haskings, Lisa Radford, Jess Johnson & Jordy Marani, Kate Smith, Thomas Jeppe, Caroline Johnston, Alex Vivian, Ben Tankard, Laura Preston and others. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694115271-G52P8JD2FGSF64GZDE8D/Close+Encounters+012.jpeg Bruce E. Phillips Curating - Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694152137-E8RYBS9UIK1LKD0JQMR8/Close+Encounters+013.jpeg Bruce E. Phillips Curating - Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694154698-HOUZVCCW13PNME0ZMH9S/Close+Encounters+014.jpeg Bruce E. Phillips Curating - Close Encounters - Daniel du Bern CARGO, 2009 Collaborating artists: Courtney Lucas, Liz Allen, Tahi Moore, Lochie Bradfield, Simon Taylor, Liv Barrett, Christopher LG Hill, James Deutsher, Nicki Winnichyck, Josh Petherick, Xin Cheng, Helen Johnson, Nick Selenitsch, Nick Mangan, Ruth Buchanan, Matt Hinkley, Sriwhana Spong, Kain Picken & Fiona Lau (Ffixxed), Maddie Leach, g. bridle (The Retreat), Marco Fusinato, Fiona Connor, Sean Peoples, Renee Jaeger, Marnie Slater, Jarrod Rawlins, Masato Takasaka, Susan Jacobs, Dan Bell, Charlie Sofo, Nathan Gray, Sean Bailey (Lakes/Wasted Truth), Ry Haskings, Lisa Radford, Jess Johnson & Jordy Marani, Kate Smith, Thomas Jeppe, Caroline Johnston, Alex Vivian, Ben Tankard, Laura Preston and others. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694192159-JMKGWF72XZUIQ6ZTR9HV/Close+Encounters+015.jpeg Bruce E. Phillips Curating - Close Encounters - Daniel du Bern CARGO, 2009 Collaborating artists: Courtney Lucas, Liz Allen, Tahi Moore, Lochie Bradfield, Simon Taylor, Liv Barrett, Christopher LG Hill, James Deutsher, Nicki Winnichyck, Josh Petherick, Xin Cheng, Helen Johnson, Nick Selenitsch, Nick Mangan, Ruth Buchanan, Matt Hinkley, Sriwhana Spong, Kain Picken & Fiona Lau (Ffixxed), Maddie Leach, g. bridle (The Retreat), Marco Fusinato, Fiona Connor, Sean Peoples, Renee Jaeger, Marnie Slater, Jarrod Rawlins, Masato Takasaka, Susan Jacobs, Dan Bell, Charlie Sofo, Nathan Gray, Sean Bailey (Lakes/Wasted Truth), Ry Haskings, Lisa Radford, Jess Johnson & Jordy Marani, Kate Smith, Thomas Jeppe, Caroline Johnston, Alex Vivian, Ben Tankard, Laura Preston and others. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1511427070773-ND0UPTRNSAHIS8CB69N0/Close%2BEncounters%2B016.jpg Bruce E. Phillips Curating - Close Encounters - Daniel du Bern CARGO, 2009 Collaborating artists: Courtney Lucas, Liz Allen, Tahi Moore, Lochie Bradfield, Simon Taylor, Liv Barrett, Christopher LG Hill, James Deutsher, Nicki Winnichyck, Josh Petherick, Xin Cheng, Helen Johnson, Nick Selenitsch, Nick Mangan, Ruth Buchanan, Matt Hinkley, Sriwhana Spong, Kain Picken & Fiona Lau (Ffixxed), Maddie Leach, g. bridle (The Retreat), Marco Fusinato, Fiona Connor, Sean Peoples, Renee Jaeger, Marnie Slater, Jarrod Rawlins, Masato Takasaka, Susan Jacobs, Dan Bell, Charlie Sofo, Nathan Gray, Sean Bailey (Lakes/Wasted Truth), Ry Haskings, Lisa Radford, Jess Johnson & Jordy Marani, Kate Smith, Thomas Jeppe, Caroline Johnston, Alex Vivian, Ben Tankard, Laura Preston and others. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694246046-E7VDPO8BI67ADLTWFNA0/Close+Encounters+024.jpeg Bruce E. Phillips Curating - Close Encounters - Daniel du Bern CARGO, 2009 Collaborating artists: Courtney Lucas, Liz Allen, Tahi Moore, Lochie Bradfield, Simon Taylor, Liv Barrett, Christopher LG Hill, James Deutsher, Nicki Winnichyck, Josh Petherick, Xin Cheng, Helen Johnson, Nick Selenitsch, Nick Mangan, Ruth Buchanan, Matt Hinkley, Sriwhana Spong, Kain Picken & Fiona Lau (Ffixxed), Maddie Leach, g. bridle (The Retreat), Marco Fusinato, Fiona Connor, Sean Peoples, Renee Jaeger, Marnie Slater, Jarrod Rawlins, Masato Takasaka, Susan Jacobs, Dan Bell, Charlie Sofo, Nathan Gray, Sean Bailey (Lakes/Wasted Truth), Ry Haskings, Lisa Radford, Jess Johnson & Jordy Marani, Kate Smith, Thomas Jeppe, Caroline Johnston, Alex Vivian, Ben Tankard, Laura Preston and others. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694267549-TR9P7STUJ14LD7KB0Q3I/Close+Encounters+025.jpeg Bruce E. Phillips Curating - Close Encounters - Daniel du Bern CARGO, 2009 Collaborating artists: Courtney Lucas, Liz Allen, Tahi Moore, Lochie Bradfield, Simon Taylor, Liv Barrett, Christopher LG Hill, James Deutsher, Nicki Winnichyck, Josh Petherick, Xin Cheng, Helen Johnson, Nick Selenitsch, Nick Mangan, Ruth Buchanan, Matt Hinkley, Sriwhana Spong, Kain Picken & Fiona Lau (Ffixxed), Maddie Leach, g. bridle (The Retreat), Marco Fusinato, Fiona Connor, Sean Peoples, Renee Jaeger, Marnie Slater, Jarrod Rawlins, Masato Takasaka, Susan Jacobs, Dan Bell, Charlie Sofo, Nathan Gray, Sean Bailey (Lakes/Wasted Truth), Ry Haskings, Lisa Radford, Jess Johnson & Jordy Marani, Kate Smith, Thomas Jeppe, Caroline Johnston, Alex Vivian, Ben Tankard, Laura Preston and others. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694401984-9U9TS03PQPEB08OK5MZY/DSC03246.JPG Bruce E. Phillips Curating - Close Encounters - Tania Bruguera Untitled, 2009 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694337496-QQNPN1TDPG9TVL1XFKQB/DSC03241.JPG Bruce E. Phillips Curating - Close Encounters - Tania Bruguera Untiled, 2009 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694415090-ICYNFNZ04KF954PCFW87/DSC03248.JPG Bruce E. Phillips Curating - Close Encounters - Tania Bruguera Untitled, 2009 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1510694472442-WJ3KJLEIF0M4XXEG4LAY/DSC03252.JPG Bruce E. Phillips Curating - Close Encounters - Tania Bruguera Untitled, 2009 https://bruceephillips.com/curating/category/scu monthly 0.5 https://bruceephillips.com/curating/category/Curating+Highlight monthly 0.5 https://bruceephillips.com/curating/category/Edinburgh+Art+Festival monthly 0.5 https://bruceephillips.com/curating/category/Te+Tuhi monthly 0.5 https://bruceephillips.com/curating/tag/HH monthly 0.5 https://bruceephillips.com/curating/tag/MTG monthly 0.5 https://bruceephillips.com/curating/tag/Daniel+Campbell-Macdonald monthly 0.5 https://bruceephillips.com/curating/tag/Shannon+Novak monthly 0.5 https://bruceephillips.com/curating/tag/Ben+Pearce monthly 0.5 https://bruceephillips.com/curating/tag/Geophagy monthly 0.5 https://bruceephillips.com/curating/tag/Centre+of+Contemporary+Art+Christchurch monthly 0.5 https://bruceephillips.com/curating/tag/Eugene+Hansen monthly 0.5 https://bruceephillips.com/curating/tag/CE2 monthly 0.5 https://bruceephillips.com/curating/tag/DC2 monthly 0.5 https://bruceephillips.com/curating/tag/Cassandra+Barnett monthly 0.5 https://bruceephillips.com/curating/tag/DC1 monthly 0.5 https://bruceephillips.com/curating/tag/Ann+Shelton monthly 0.5 https://bruceephillips.com/curating/tag/Natalie+Robertson monthly 0.5 https://bruceephillips.com/curating/tag/Jacob+Scott monthly 0.5 https://bruceephillips.com/curating/tag/scu1 monthly 0.5 https://bruceephillips.com/curating/tag/Kauri+Hawkins monthly 0.5 https://bruceephillips.com/curating/tag/UT monthly 0.5 https://bruceephillips.com/curating/tag/WDMW monthly 0.5 https://bruceephillips.com/curating/tag/John+Brown monthly 0.5 https://bruceephillips.com/curating/tag/Martin+Poppelwell monthly 0.5 https://bruceephillips.com/curating/tag/scu monthly 0.5 https://bruceephillips.com/curating/tag/close+encounters monthly 0.5 https://bruceephillips.com/curating/tag/David+Trubridge monthly 0.5 https://bruceephillips.com/curating/tag/Philip+Kelly monthly 0.5 https://bruceephillips.com/curating/tag/Tim+Thatcher monthly 0.5 https://bruceephillips.com/curating/tag/George+Nuku monthly 0.5 https://bruceephillips.com/curating/tag/Joyce+Campbell monthly 0.5 https://bruceephillips.com/curating/tag/Clare+Plug monthly 0.5 https://bruceephillips.com/curating/tag/Noel+Meek monthly 0.5 https://bruceephillips.com/curating/tag/HH2 monthly 0.5 https://bruceephillips.com/curating/tag/Terri+Ripeka+Crawford monthly 0.5 https://bruceephillips.com/curating/tag/The+chronicle+of monthly 0.5 https://bruceephillips.com/curating/tag/Kat+Lang monthly 0.5 https://bruceephillips.com/curating/tag/Engine+Room monthly 0.5 https://bruceephillips.com/curating/tag/TCO monthly 0.5 https://bruceephillips.com/curating/tag/Kamaka+Pottery monthly 0.5 https://bruceephillips.com/curating/tag/CoCA monthly 0.5 https://bruceephillips.com/curating/tag/Miranda+Bellamy monthly 0.5 https://bruceephillips.com/curating/tag/Vanessa+Arthur monthly 0.5 https://bruceephillips.com/curating/tag/Hastings+City+Art+Gallery monthly 0.5 https://bruceephillips.com/curating/tag/Simon+Endres monthly 0.5 https://bruceephillips.com/curating/tag/Annette+Bull monthly 0.5 https://bruceephillips.com/curating/tag/Ayesha+Green monthly 0.5 https://bruceephillips.com/curating/tag/EAST monthly 0.5 https://bruceephillips.com/curating/tag/Lara+Lindsay+Parker monthly 0.5 https://bruceephillips.com/curating/tag/SS monthly 0.5 https://bruceephillips.com/curating/tag/ST monthly 0.5 https://bruceephillips.com/curating/tag/vjRex monthly 0.5 https://bruceephillips.com/curating/tag/CE monthly 0.5 https://bruceephillips.com/curating/tag/stories2 monthly 0.5 https://bruceephillips.com/curating/tag/GK monthly 0.5 https://bruceephillips.com/curating/tag/stories1 monthly 0.5 https://bruceephillips.com/curating/tag/The+chronicle+of+collective monthly 0.5 https://bruceephillips.com/curating/tag/BMT monthly 0.5 https://bruceephillips.com/curating/tag/Peter+Madden monthly 0.5 https://bruceephillips.com/curating/tag/Massey+University monthly 0.5 https://bruceephillips.com/curating/tag/ST2 monthly 0.5 https://bruceephillips.com/curating/tag/yona monthly 0.5 https://bruceephillips.com/curating/tag/Erica+Sklenars monthly 0.5 https://bruceephillips.com/curating/tag/UT2 monthly 0.5 https://bruceephillips.com/curating/tag/Jenny+Gillam monthly 0.5 https://bruceephillips.com/curating/tag/Rangituhia+Hollis monthly 0.5 https://bruceephillips.com/curating/tag/Sonya+Lacey monthly 0.5 https://bruceephillips.com/curating/tag/Michael+Hawksworth monthly 0.5 https://bruceephillips.com/curating/tag/Amanda+Fauteux monthly 0.5 https://bruceephillips.com/curating/tag/PL monthly 0.5 https://bruceephillips.com/phillips daily 1.0 2024-11-02 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1512177646789-LV820WFH53WAKWETEOC1/EdArtFest8500.jpg Bruce E. Phillips Writer & Curator https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1523959598365-EPWC5DLGGTD2256O5RSX/Jonathas_de_Andrade.jpg Bruce E. Phillips Writer & Curator https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1524171376038-VZJTKBWKG0CROA2OTKQ9/110CoCAPeterRobinson7822.jpg Bruce E. Phillips Writer & Curator https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539921909228-EBRTOZI7TEWHB6SAKBUI/Geophagy+at+CoCA_Janneth+Gil+photo2.jpg Bruce E. Phillips Writer & Curator https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1539923492094-ZLQW1PQA6RVDQREG90A5/Kauri+Hawkins1.jpg Bruce E. Phillips Writer & Curator https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1551303904325-P39XN0II7NE2BJ1XRSX8/Harvey+1.jpg Bruce E. Phillips Writer & Curator https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1558496226869-1FB1OT8EAAU3Q2I9DNRE/lrg-4921.jpg Bruce E. Phillips Writer & Curator https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1635520039095-W3E46N13HX6IB2OWUVZH/Dawn+Transverse+2021+vjRex+aka+Eugene+Hansen.jpg Bruce E. Phillips Writer & Curator https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1637237550745-DZZXPF5VIFJAY491P40F/01rata.00_06_06_02.Still016.jpg Bruce E. Phillips Writer & Curator https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1644412418944-JZUGVBUCFH2X06BKDT52/1+_43A1215large+A4.jpg Bruce E. Phillips Writer & Curator https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1662041446115-RKEIJOOO4N1Y7LBQHA14/Bruce_Mas+Arte+Mas+Accion_MAMA+Doc+Space.jpg Bruce E. Phillips Writer & Curator https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1670168486116-CFR5AEIBQATJB4Z155CE/Bailee+Lobb+-+In+Bathing+Bask+-+Interior+view+of+Big+Blue+with+Reclining+Figure.jpg Bruce E. Phillips Writer & Curator https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1670169593423-0Q4AJQAVIQ62WYZQ5AFF/StefanKaegi_TempleDuPresent_Gimel_201107_157_1920px_%C2%A9+Philippe+Weissbrodt.jpg Bruce E. Phillips Writer & Curator https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/8eaa3b4e-1f31-40e5-b456-c04e6a373462/_DSF3933web.jpg Bruce E. Phillips Writer & Curator https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1718968920522-KSEVVXQ605N5NZQMIMGC/TCO__A-NEW-LOVE-ORDER__TW-05.jpg Bruce E. Phillips Writer & Curator https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1729962829775-EPP1E0GJIXA5HVY4N6ZZ/IMG_4543.JPG Bruce E. Phillips Writer & Curator https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730553564186-QFK3EQ4CYE13G2IWNVHV/IMG_5392.jpg Bruce E. Phillips Writer & Curator https://bruceephillips.com/notes daily 0.75 2025-03-16 https://bruceephillips.com/notes/lanzarote-as-studio monthly 0.5 2025-03-16 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1739382124880-6TVRAY5TWDG9QP9RGJES/IMG_6165.jpg Notes - Lanzarote as studio https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1739382119323-HHVKX6WZSYKZH2IUMEIV/IMG_6170.jpg Notes - Lanzarote as studio Casa Museo José Saramago, "A Casa" in Tías, Lanzarote, Spain https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1739381902866-PE88MGGUUN3NC6E7GFCG/IMG_5946.jpg Notes - Lanzarote as studio https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1739381903796-OE4BAYG6Z0ZNOFHJQUS7/IMG_5954.jpg Notes - Lanzarote as studio https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1739381908732-I03XJETCKYBTILNL1Z9L/IMG_5955.jpg Notes - Lanzarote as studio https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1739381909747-USKTFUVSCTN6JOZRAJZ7/IMG_5958.jpg Notes - Lanzarote as studio https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1739381880081-KDLR3U4V5YD5TG17K8AJ/IMG_5833.jpg Notes - Lanzarote as studio https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1739381896894-AU2W2QILLISXOIPKOH72/IMG_5931.jpg Notes - Lanzarote as studio https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1739381898009-8S51OFSMQFA3FJQKT74K/IMG_5936.jpg Notes - Lanzarote as studio https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1739381889787-2A9F9I6A6P8MFC21NZ0Q/IMG_5922.jpg Notes - Lanzarote as studio https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1739381882301-16MY2VOJ0OH71Y584T1M/IMG_5895.jpg Notes - Lanzarote as studio https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1739381889896-NMGZHM12S14B5K48GLJC/IMG_5900.jpg Notes - Lanzarote as studio Palm Grove House, César Manrique House Museum, Haría, Lanzarote, Spain. All photos by Bruce E. Phiilps. https://bruceephillips.com/notes/jeremy-dellers-procession monthly 0.5 2025-03-16 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1735477446120-B8KJEDBMPR7ZCD7GP87D/IMG_5489.jpg Notes - Jeremy Deller's Procession https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1735477550097-JQG0TL1CXQYDD2H27B5Z/IMG_5534.jpg Notes - Jeremy Deller's Procession https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1735477556632-N40756XO2WNG7ZZECOPB/IMG_5539.jpg Notes - Jeremy Deller's Procession https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1735477557925-W45RU2M9ZP4OT5B90SLS/IMG_5542.jpg Notes - Jeremy Deller's Procession https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1735477563130-B6142ORO92UF85KX914J/IMG_5543.jpg Notes - Jeremy Deller's Procession https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1735477565533-2K1AHQQLNGCYAY1YD22H/IMG_5548.jpg Notes - Jeremy Deller's Procession https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1735477569700-GGBOMM3RXDU38H907TTR/IMG_5551.jpg Notes - Jeremy Deller's Procession https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1735477573556-QN5PH7OR145FLNHNZLTE/IMG_5567.jpg Notes - Jeremy Deller's Procession https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1735477577267-S1CVO46SOGP95L6CD0SS/IMG_5581.jpg Notes - Jeremy Deller's Procession https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1735477581358-5AGEPKZ4BITQVFW8PDH1/IMG_5585.jpg Notes - Jeremy Deller's Procession https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1735477588736-BCVRZ1ZPLBZG1ELF2XGW/IMG_5595.jpg Notes - Jeremy Deller's Procession https://bruceephillips.com/notes/personal-accounts monthly 0.5 2024-11-16 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1731267641285-37YY35XQ3WVAZ0UYJ371/IMG_5471.jpg Notes - Personal Accounts https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1731267373410-KOUNC6UTN9F88QCM981B/IMG_5458.jpg Notes - Personal Accounts https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1731267373637-GSWCMIYXRX9MJKSV4EYE/IMG_5463.jpg Notes - Personal Accounts https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1731267519120-WD9FQ2KL2YO7QPDBDUTE/IMG_5454.jpg Notes - Personal Accounts https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1731267382614-ZGYOYHV3JO1Y3SEVOLMS/IMG_5476.jpg Notes - Personal Accounts Gabrielle Goliath, Personal Accounts (2024). Photos and video by Bruce E. Phillips https://bruceephillips.com/notes/poetic-intention monthly 0.5 2024-11-02 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730050447686-DD0Q8F92KMPI1E0YD2R4/IMG_4840.jpg Notes - Poetic Intention https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730050440823-L9V59S7URRWM9YHEQCIO/IMG_4839.jpg Notes - Poetic Intention https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730050440944-4QSER2OL666P7ICYDV3X/IMG_4836.jpg Notes - Poetic Intention Oussama Tabti, Stand By, 2011. Photos by Bruce E. Phillips. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730049677214-UDVESEIT1EMPTRSKP50F/IMG_4829.jpg Notes - Poetic Intention Dora García, The Joycean Society, 2013. Photo by Bruce E. Phillips. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730026665724-EXV4W1B2HQQ5U3BEKNZU/IMG_4830.jpg Notes - Poetic Intention https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730026673865-ZJKTP6X5OORF287ZQXMA/IMG_4832.jpg Notes - Poetic Intention https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730026685250-3Y82IVQ8TYLFG3AS5C19/IMG_4835.jpg Notes - Poetic Intention https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730026677693-2C1WQ2UA0U07GLYXJSYF/IMG_4834.jpg Notes - Poetic Intention Dora García, The Joycean Society, 2013. Photos by Bruce E. Phillips. https://bruceephillips.com/notes/manifesta-15-casa-gomis monthly 0.5 2024-10-27 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730022984507-2O15TY2RXTB9NCWY607D/IMG_4996.jpg Notes - Manifesta 15: Casa Gomis Enrique Ramírez, Para construir un jardín necesitamos de un trozo de tierra y la eternidad, 2019. Photo by Bruce E. Phillips. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730019361457-RR2EWGTLFIDT7MFAWUXH/IMG_4903.jpg Notes - Manifesta 15: Casa Gomis Larry Achiampong, Detention, 2024. Photo by Bruce E. Phillips. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730019395574-UQLG5KOSRJNLV9PM4Z3D/IMG_5058.jpg Notes - Manifesta 15: Casa Gomis Casa Gomis designed by Antoni Bonet Castellana. Photo by Bruce E. Phillips. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730018308424-ERYLE9VCBIGQXFHMCAPU/IMG_5002.jpg Notes - Manifesta 15: Casa Gomis Felipe Romero Beltrán, Dialect, 2020-23. Photo by Bruce E. Phillips. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730019368668-2MURO5E3JG2WBKK17ML7/IMG_4963.jpg Notes - Manifesta 15: Casa Gomis https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730021651411-CLXHN4QQRWSWXMCHKDHD/IMG_4997.jpg Notes - Manifesta 15: Casa Gomis https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730019388727-SWZVZDDY012JA68S42HW/IMG_5030.jpg Notes - Manifesta 15: Casa Gomis https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730019383240-3CK55D60QEBEEKVE9Y0I/IMG_5013.jpg Notes - Manifesta 15: Casa Gomis https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730021275419-YLSLJZNXS2X1174W8RZN/IMG_5046-2.jpg Notes - Manifesta 15: Casa Gomis https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730019382163-QVEA88JU4KEM3X9ZF28I/IMG_5012.jpg Notes - Manifesta 15: Casa Gomis https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730021243339-MULDE034OVDMINT9QAS6/IMG_4968.jpg Notes - Manifesta 15: Casa Gomis Casa Gomis designed by Antoni Bonet Castellana. Photo by Bruce E. Phillips. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730019358915-E6Z1W5A7GIGWGGDF968E/IMG_4883.jpg Notes - Manifesta 15: Casa Gomis https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730019366402-KXZHSG39GXCXBSFNUZD0/IMG_4906.jpg Notes - Manifesta 15: Casa Gomis Larry Achiampong, Detention, 2024. Photo by Bruce E. Phillips. https://bruceephillips.com/notes/manifesta-15-in-five-photos monthly 0.5 2024-10-27 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730023637109-VC0RWYZE8ERTBXLBLZ4S/IMG_4738.jpg Notes - Manifesta 15 in five photos Claire Fontaine, When women strike the world stops, 2020. Photo by Bruce E. Phillips. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730023643905-RIWLVUBE2P9MC8CVXOEJ/IMG_4855.jpg Notes - Manifesta 15 in five photos Martin Toloku, Immortal Smell, 2024. Photo by Bruce E. Phillips. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730023646469-200HGCLXL8NFXEV9ERN1/IMG_5002.jpg Notes - Manifesta 15 in five photos Felipe Romero Beltrán, Dialect, 2020-23. Photo by Bruce E. Phillips. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730023636404-6JFMWEMOOVFHD40Y1A43/IMG_4717.jpg Notes - Manifesta 15 in five photos Asad Raza, Prehension, 2024. Photo by Bruce E. Phillips https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1730023652081-BG2LV6UISL9KBAMTGLK0/IMG_5088.jpg Notes - Manifesta 15 in five photos Manifesta 15. Photo by Bruce E. Phillips. https://bruceephillips.com/notes/category/The+Modern+Institute monthly 0.5 https://bruceephillips.com/notes/category/Manifesta+15 monthly 0.5 https://bruceephillips.com/notes/tag/Claire+Fontaine monthly 0.5 https://bruceephillips.com/notes/tag/The+Modern+Institute monthly 0.5 https://bruceephillips.com/notes/tag/Manifesta+15 monthly 0.5 https://bruceephillips.com/notes/tag/Asad+Raza monthly 0.5 https://bruceephillips.com/notes/tag/Gabrielle+Goliath monthly 0.5 https://bruceephillips.com/notes/tag/University+of+Edinburgh monthly 0.5 https://bruceephillips.com/notes/tag/Oussama+Tabti monthly 0.5 https://bruceephillips.com/notes/tag/MACBA monthly 0.5 https://bruceephillips.com/notes/tag/Larry+Achiampong monthly 0.5 https://bruceephillips.com/notes/tag/Enrique+Ram%C3%ADrez monthly 0.5 https://bruceephillips.com/notes/tag/Martin+Toloku monthly 0.5 https://bruceephillips.com/notes/tag/Casa+Gomis monthly 0.5 https://bruceephillips.com/notes/tag/Antoni+Bonet+Castellana monthly 0.5 https://bruceephillips.com/notes/tag/Dora+Garc%C3%ADa monthly 0.5 https://bruceephillips.com/notes/tag/Talbot+Rice+Gallery monthly 0.5 https://bruceephillips.com/notes/tag/Felipe+Romero+Beltr%C3%A1n monthly 0.5 https://bruceephillips.com/notes/tag/Jeremy+Deller monthly 0.5 https://bruceephillips.com/exhibition-archive daily 0.75 2017-11-30 https://bruceephillips.com/contact daily 0.75 2018-03-28 https://bruceephillips.com/bio daily 0.75 2023-07-01 https://bruceephillips.com/writing-archive daily 0.75 2017-11-30 https://bruceephillips.com/cvbruceephillips daily 0.75 2024-06-21 https://bruceephillips.com/publications daily 0.75 2022-02-09 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/e89bf385-cc75-4b88-97bc-06386726a0ef/MG_6783-Edit-1024x976.jpg Publications Destroyed Word by internationally renowned Spanish artist Santiago Sierra was exhibited at Te Tuhi in 2013 and is the artist’s first major work to be presented in Aotearoa New Zealand. The exhibition was accompanied by a range of ephemera (poster, postcard series, booklet) and an e-publication. To read the e-publication visit Te Tuhi here. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1644412976755-H9EBRNVL6E42TK035CGQ/product+with+badges.jpg Publications https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1644412951307-YSZ6MT2A3LM2AF3BK2GG/043A1747.jpg Publications https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1644412959741-8XEBLFLX7J78FADRDUF9/043A1749.jpg Publications https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1644412933899-76W80OHPHYEDKK299HMO/043A1739.jpg Publications https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1644412959740-01N9IX1F3RCPDNLRMFUO/043A1748.jpg Publications https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1644413109402-XN7A1SJUDHFFV08ENHZM/Shop+banner+with+badges.jpg Publications https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/7a2e154b-7ab3-428b-aa20-9293d8e8150e/43A1215large-1440x960.jpg Publications Te Tuhi is proud to present the publication THE HIVE HUMS WITH MANY MINDS. This 130-page, full colour, limited edition publication features essays by Tessa Laird, Gregory Kan and Ruth Watson, and Bruce E. Phillips, plus additional contributions by exhibiting artists such as a foldout page work by Monique Jansen, and texts by Shahriar Asdollah-Zadeh and Charlotte Drayton. The work is complemented by graphic design by Kalee Jackson. The publication documents and extends the two-part 2016 exhibition of the same name, that explored issues of globalisation through the work of 14 Aotearoa New Zealand artists including: Louisa Afoa, Shahriar Asdollah-Zadeh, Max Bellamy, Charlotte Drayton, Rangituhia Hollis, Monique Jansen, Joanna Langford, Alex Monteith, Caroline McQuarrie, Reuben Moss, Suji Park, Mark Schroder, Salome Tanuvasa and Tim J. Veling. Ranging from large-scale video and sculptural works to elaborate drawings and paintings, the artists provided perceptive musings on a tangled mass of interrelated issues including information control, global mobility, migration, sovereignty, colonisation, environmental destruction, urbanism, oversaturated mediascapes, social emergence and material residues of the Anthropocene. To purchase visit Te Tuhi’s online shop here. ISBN: 978-0-908995-58-5 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1644412683375-WEY182S1HPZQ76I6JSUF/1+_43A1215large+A4.jpg Publications https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1644412752212-BLOOZRO4BPDSL1RH6RIB/alt+_43A1218large+A4.jpg Publications https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1644412684347-QK4J6FJBPCS3TP4OJYZ3/2+_43A1220large+A4.jpg Publications https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1644412697700-XEF49C0N3DMA2DNBZBO5/3_43A1228large+A4.jpg Publications https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1644412698979-EWBQHLBGR5DAGDR7UJBI/4_43A1229large+A4.jpg Publications https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1644412710820-PW40HEG0LVDPQP8GJXLP/5_43A1232large+A4.jpg Publications https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1644412712795-HWFZ0KWS0D0UQQ473GOL/6+_43A1234large+A4.jpg Publications https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1644412722847-0M612DYM2ARYNU8S9TC5/7_43A1245large+A4.jpg Publications https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1644412737756-DG3M7WY1TIRERP7XCJLC/9_43A1256large+A4.jpg Publications https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1644412747046-185MXW1KMGV3SABQD454/10+_43A1264large+A4.jpg Publications https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/9778435b-f2ea-4577-9977-98d2b4ba4ab2/043A2203-1440x960.jpg Publications Winner, Best Major Exhibition Catalogue – Museums Australasia Multimedia & Publication Design Awards (international museum award) Winner, HarperCollins Publishers Award for Best Cover 2016 – Publishers Association of New Zealand Awards Bronze Award, Editorial and Books – Best Design Awards 2016 Unstuck in Time was an expansive exhibition that included an international selection of 21 artists. Unstuck in Time (the printed edition), edited by Rebecca Lal and designed by Kalee Jackson, collates all three volumes of the previously released e-books, plus many additional features not available in the online versions. This limited edition, hardcover, colour, 200-page book features writing by Paula Booker, Brenda Chappell, Eu Jin Chua, Melissa Laing, James McCarthy, Martin Patrick, Bruce E. Phillips and Andy Thomson. Bonus features include additional pageworks by Kate Woods and Lightreading, and writing by Amy Howden-Chapman, Andrew Kennedy, Bruce E. Phillips, Peter Shand and Anna-Marie White. To purchase visit Te Tuhi’s online shop here. ISBN: 978-0-908995-52-3 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/a41ae6b9-a80d-4b50-ba06-01aa8f4bba98/43A1487lrg-1440x960.jpg Publications Te Tuhi is proud to present the publication Yona Lee: In Transit (Arrival). Documenting the elaborate installation In Transit (Arrival) by Auckland based artist Yona Lee, this limited edition bi-lingual (English and Korean) publication features full-page colour images of the work plus writing by Jinsuk Suh, Director, Nam June Paik Art Center, Seoul; Bruce E. Phillips, Curator at Large, Te Tuhi; Jungah Lee, Curator, Alternative Space LOOP, Seoul and design by award winning graphic designer Kalee Jackson. Commissioned by Te Tuhi in 2017, In Transit (Arrival) was a complex maze-like construction made of 1.4 kilometres of steel tube and a miscellany of everyday objects, ranging from coat hangers to bus handles, and from street signs to umbrellas. This ambitious large-scale work weaved throughout the entire length of Te Tuhi's building and provided an intriguing framework to consider the objects that surround us, the infrastructures that mobilise and the systems that control. To purchase visit Te Tuhi’s online shop here. ISBN: 978-0-908995-63-9 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/cd91d7a4-63cb-4f0c-b2a6-ee8afe61fa87/0J9A0085-wp-1440x960.jpg Publications In 2012 artist Gregor Kregar took over Te Tuhi's large foyer entrance with the Dream House Project, an enormous bird nest-like timber structure that viewers could walk through and sit within. This publication documents the installation in full-colour photographs by Sam Hartnett and an essay by curator Bruce E. Phillips. The publication is edited by Rebecca Lal. To purchase visit Te Tuhi’s online shop here. ISBN: 979-0-9582891-5-3 https://bruceephillips.com/close-encounters daily 0.75 2025-03-17 https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/eb4144f2-d042-42ac-a947-c83026f7f68b/DSC03246.jpg Close Encounters Working with a group of emerging artists, Tania Bruguera staged a social intervention at the Hyde Park Art Centre that interrupted an exhibition opening. The performance was designed to simulate how bureaucratic power interferes with societal belonging. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/f5246447-6c9c-4ce6-a52f-37e43a691115/Close%2BEncounters%2B002.jpeg Close Encounters After a residency in New Zealand, Chicago artist Juan Angel Chávez created an installation at the Hyde Park Art Centre. Acting as a gateway or portal, Chávez’s work responded to the transformational significance of smoke used in indigenous ceremonies and forms found in community architecture in Chicago and New Zealand. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/8d92c3d2-b261-4ada-837a-2def86f0f2d8/M%2BLeach_03%2Blow%2Bres.jpg Close Encounters For Close Encounters artist Maddie Leach concluded a yearlong community engagement project focused on the wild heirloom apple trees of the Beaver Archipelago – a small group of islands in northern Lake Michigan. Leach collaborated with the local community to locate these historic trees, to harvest the apples and transport them to deprived areas of Chicago that lack supermarkets and access to fresh produce. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1742214413368-079ZSKCBK8DN23X7IHS4/Litvin_0062.jpg Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1742214413193-9TOU8Z9CB25WGD4DSIGD/Litvin_0058.jpg Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1742214414439-0S8N9KTQYV76JU48TI9B/Litvin_9242.jpg Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1742214415075-L28NAU4CCM41GGZIUHHX/Litvin_9251.jpg Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1742214417315-LSC0CPZGTH646DFUW5M4/Litvin_9418.jpg Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1742214417986-1KFHFUVM07SUGOO06BQU/Litvin_9478.jpg Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1742214418266-AKYVDUHRHFTK6ROEHK8D/Litvin_9514.jpg Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1742214419240-9E411JVL4ZXNDRE4DUFI/Litvin_9521.jpg Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1742214419362-UYV2H9VWI4QAX02UBYNB/Litvin_9524.jpg Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1742214420418-AXQFGTXLWMUUSYMFSPXQ/Litvin_9614.jpg Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1742214421414-8OC8XMPEXOT6B5WLHIM4/Litvin_9914.jpg Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1742214421524-VZPIJDRBUYLWKF4DYXLN/Litvin_9917.jpg Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/535c883d-69ab-4f86-8193-3b1ce3939026/Close%2BEncounters%2B016.jpg Close Encounters Daniel du Bern, in collaboration with forty artists, created an elaborate flee market-style installation that sprawled throughout the Hyde Park Art Centre and culminated in a yard sale with contributions donated to charity. By engaging this expanded network du Bern sought to demonstrate how we are all dependant upon a web of relations that span beyond individual creativity. https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1742225170601-IDSD3ZVYE0A2G7CDMT8Y/fm_logo_0.jpeg Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1742225350470-II848T4X294DZW7BFUXR/boeing-logo-black-and-white.png Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1742225170423-6WODHVWJ9LFMTM4RTS3H/Illinois_Arts_Council-logo-8A2EC109BF-seeklogo.com.gif Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1742225171333-TBYXJTYXO7BDBZQ3HEZ7/images-2.png Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/1742225237109-UQBW3UL0OBJLV0HZDKSE/cnz_logo_png.png Close Encounters https://images.squarespace-cdn.com/content/v1/59be59037131a59f1c55a394/85033e48-8897-42fe-b3ef-31c033310ec6/Litvin_0022.jpg Close Encounters - Make it stand out Whatever it is, the way you tell your story online can make all the difference.