Posts in Contemporary Art
Thinking out Loud with Bruce E. Phillips: On the development of Who can think, what can think at Te Tuhi
Contemporary Art, Essay, Te Tuhi, ArtNowBruce E. Phillipsneurodiversity, Contemporary Art, ArtNow, artnow.nz, Simon Yuill, Judy Singer, Peter Godfrey-Smith, N. Katherine Hayles, curatorial, turing test, who can think, what can think, Who can think, Who can think what can think, Bruce E. Phillips, curator, posthuman, intelligence
No Common Ground
Sculptures in Space
Art News New Zealand, Art Criticism, Contemporary Art, EssayBruce E. PhillipsRocket Lab, Humanity Star, Art News New Zealand, Peter Beck, Tesla Roadster, Elon Musk, SpaceX, Duchampian, readymade, Moon Museum, Andy Warhol, Claes Oldenburg, Robert Rauschenberg, Apollo 12, MoonArk, Trevor Paglen, Creative Time, Carl Sagan, Orbital Reflector
A Contextual Tightrope
Dreams come from far-away places: Documenta 14 and Skulptur Projekte 2017
Review, Art News New Zealand, Art Criticism, Contemporary ArtBruce E. PhillipsArt News New Zealand, Contemporary Art, documenta, documenta 14, Skulptur Projekte 2017, germany, Pierre Huyghe, Mata Aho, Naeem Mohaiemen, Shannon Te Ao, Edinburgh Art Festival, Douglas Gordon, Jonas Mekas, Hiva Panahi, Ayse Erkmen
Occulture: The Dark Arts
Review, Exhibition Review, Contemporary Art, Artlink, Art CriticismBruce E. PhillipsCity Gallery Wellington, Simon Cuming, Tony Oursler, Thomson & Craighead, Mikala Dwyer, Dane Mitchell, Yin-Ju Chen, Occulture, Brendon Wilkinson, Leo Bensemann, New Zealand Art, Aaron Lister
The Future is Already Here: A Review of the 20th Biennale of Sydney
Exhibition Review, Art News New Zealand, Review, Contemporary Art, Art CriticismBruce E. PhillipsRussian Futurist, 20th Biennale of Sydney, Stephanie Rosenthal, Kazimir Malevich, Joyce Campbell, Korakrit Arunanondchai, William Forsyth, Tara Shinoda, Dane Mitchell, Richard Bell, Sydney Biennial
The sympathetic agent
