Bruce E. Phillips
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Bruce E. Phillips
A Contextual Tightrope
A Contextual Tightrope
Art Criticism, Contemporary Art, Eyecontact, Review, Exhibition ReviewBruce E. Phillips23 March 2018EyeContact, The Performance Arcade
Gavin Hipkins: The Domain
Gavin Hipkins: The Domain
Art Criticism, art asia pacific, Exhibition Review, ReviewBruce E. Phillips20 February 2018Dowse, Gavin Hipkins, Photography, New Zealand Art
Michael Stevenson: Serene Velocity In Practice, MC510/CS183
Michael Stevenson: Serene Velocity In Practice, MC510/CS183
Art Criticism, ReviewBruce E. Phillips19 January 2018review, Auckland Art Gallery, Michael Stevenson
States of Entanglement in the Artwork of Yona Lee
States of Entanglement in the Artwork of Yona Lee
Te TuhiBruce E. Phillips18 November 2017Essay, yona, Yona Lee, Te Tuhi, Contemporary Art
Dreams come from far-away places: Documenta 14 and Skulptur Projekte 2017
Dreams come from far-away places: Documenta 14 and Skulptur Projekte 2017
Review, Art News New Zealand, Art Criticism, Contemporary ArtBruce E. Phillips5 November 2017Art News New Zealand, Contemporary Art, documenta, documenta 14, Skulptur Projekte 2017, germany, Pierre Huyghe, Mata Aho, Naeem Mohaiemen, Shannon Te Ao, Edinburgh Art Festival, Douglas Gordon, Jonas Mekas, Hiva Panahi, Ayse Erkmen
Occulture: The Dark Arts
Occulture: The Dark Arts
Review, Exhibition Review, Contemporary Art, Artlink, Art CriticismBruce E. Phillips19 October 2017City Gallery Wellington, Simon Cuming, Tony Oursler, Thomson & Craighead, Mikala Dwyer, Dane Mitchell, Yin-Ju Chen, Occulture, Brendon Wilkinson, Leo Bensemann, New Zealand Art, Aaron Lister
The Tidal Rhythms of Māori Curating
The Tidal Rhythms of Māori Curating
Review, EyecontactBruce E. Phillips21 September 2017
The Complexity of Acting Out
The Complexity of Acting Out
Eyecontact, ReviewBruce E. Phillips11 July 2017
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