Bruce E. Phillips
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Bruce E. Phillips
States of Entanglement in the Artwork of Yona Lee
States of Entanglement in the Artwork of Yona Lee
Te TuhiBruce E. Phillips18 November 2017Essay, yona, Yona Lee, Te Tuhi, Contemporary Art
Dreams come from far-away places: Documenta 14 and Skulptur Projekte 2017
Dreams come from far-away places: Documenta 14 and Skulptur Projekte 2017
Review, Art News New Zealand, Art Criticism, Contemporary ArtBruce E. Phillips5 November 2017Art News New Zealand, Contemporary Art, documenta, documenta 14, Skulptur Projekte 2017, germany, Pierre Huyghe, Mata Aho, Naeem Mohaiemen, Shannon Te Ao, Edinburgh Art Festival, Douglas Gordon, Jonas Mekas, Hiva Panahi, Ayse Erkmen
Occulture: The Dark Arts
Occulture: The Dark Arts
Review, Exhibition Review, Contemporary Art, Artlink, Art CriticismBruce E. Phillips19 October 2017City Gallery Wellington, Simon Cuming, Tony Oursler, Thomson & Craighead, Mikala Dwyer, Dane Mitchell, Yin-Ju Chen, Occulture, Brendon Wilkinson, Leo Bensemann, New Zealand Art, Aaron Lister
The Tidal Rhythms of Māori Curating
The Tidal Rhythms of Māori Curating
Review, EyecontactBruce E. Phillips21 September 2017
The Complexity of Acting Out
The Complexity of Acting Out
Eyecontact, ReviewBruce E. Phillips11 July 2017
Transformative Practice and Open Gestures
Transformative Practice and Open Gestures
Essay, Letting SpaceBruce E. Phillips30 June 2017
Forget about the symbolism of light
Forget about the symbolism of light
EssayBruce E. Phillips6 June 2017
Aotearoa and the Hive
Aotearoa and the Hive
Essay, Te TuhiBruce E. Phillips14 May 2017HH
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