Unstuck in Time
The terminalia of funny-land, 2014
16mm transferred to digital, 8:12 min looped performance objects: ‘beating the bounds’ sticks, hand bell, Replica 1920s Luna Park attendant’s uniform proposed funny-land: framed digital giclee print (original held at the Auckland Council Archives) performed by Matthew Cowan, Chris Berthelsen, Justin Jade Morgan, Andrew McCulley, Luis Prichard-Jones, Andy Smith, Justin Tregenza, Ben Whitmore, lmed by Ian Powell
commissioned by Te Tuhi
photo by John Cowan
Total Recall, 2014
three inkjet billboard prints
commissioned by Te Tuhi
Medium Earth, 2013
(video still) HD video, 41 minutes
commissioned by RedCat, Los Angeles
courtesy of the artists and LUX, London
One Year Performance 1981-1982,
(26 September 1981-26 September 1982)
poster, statement, map, photographs and video, 32 min
courtesy of the artist and Sean Kelly Gallery, New York
photo by Sam Hartnett
Mean Time, 2011
Dutch train station clock re-programmed so that the pace is contingent on the current global internet activity.
courtesy of the artist
photo by Ian Powell
Fair Weather, 2014
fairweatherblog.com
free access to air, water and black humour
commissioned by Te Tuhi
A documentation of Bradford working life, 1974
(installation view) courtesy of the Lange family; the Govettt-Brewster Art Gallery, New Plymouth; The New Zealand Film Archive, Wellington. Special thanks to Mercedes Vicente and Kelly McCosh.
photo by Sam Hartnett
02 August 2014 - 26 October 2014
The Otolith Group // Matthew Cowan // Phil Dadson // Tehching Hsieh // Toril Johannessen // Martin Awa Clarke Langdon // Darcy Lange // Kerry Ann Lee // Duane Linklater // Sally J. Morgan // Simon Morris // Sorawit Songsataya // Shannon Te Ao // Layne Waerea // Kate Woods // Nicolas Kozakis & Raoul Vaneigem // lightreading: Sonya Lacey & Sarah Rose // Torben Tilly & Robin Watkins
Curated by Bruce E. Phillips
Unstuck in Time is a multi-format exhibition that explores how perceptions of time influence humankind's occupation of the earth and our relationship to each other. The exhibition features a selection of 21 artists invited to contribute towards either a series of process-led commissions, a group show or a publication project.
Unstuck in Time takes its title from Kurt Vonnegut's seminal 1969 sci-fi novel Slaughterhouse Five − a World War II satire reflecting on the tragic absurdity of war and the senseless suffering it causes. Being "unstuck in time" allows Vonnegut's time-travelling protagonist Billy Pilgrim to become philosophical about his fleeting existence and the folly of humankind. The exhibition borrows Vonnegut's concept by considering what might be gleaned by being critical of "the time".
Reflecting this premise, the artists present many conceptual threads, from the relatively brief existence of Homo sapiens versus the earth's epic geological timescale, to the speed of modernity versus slower alternative rhythmsfor living. Lateral perspectives are embraced throughout to encourage the understanding that "time" is a fundamental concept that shapes the way we live.
Unstuck in Time is organised in collaboration with Phil Dadson, Andrew Kennedy, James McCarthy and supported in part by The Office for Contemporary Art Norway and Creative New Zealand.
Special thanks to: Sean Kelly Gallery, New York; LUX, London; Kunstnernes Hus, Oslo; Govett-Brewster Art Gallery, New Plymouth; the Lange family, Mercedes Vicente and Kelly McCosh; Elaine Smid, Jan Lindsay and Meg Parsons from the University of Auckland; Qiane Matata-Sipu; Paula Booker and Siobhan Garrett from the New Zealand Film Archive; Ian Wedde; Blair French; Ian Powell; Ian Whaley; Elizabeth Andrew, Chair of the Rangitoto Island Historic Conservation Trust.